ADVANCED FUNCTIONS

Table 8 – Surround Modes

Surround Mode

Description

Incoming Bitstream or Signal

 

 

 

Dolby Digital

Provides up to five separate main audio channels and a dedicated

• Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1,

 

low-frequency effects (LFE) channel. May be encoded for Night mode,

3/0/.0 or .1, 2/1/.0 or .1, 2/2/.0 or .1,

 

which allows the user to apply a compression setting that maintains

3/2/.0 or .1

 

intelligibility of softer passages while reducing the loudness of dynamic

• Dolby Digital EX (played as 5.1)

 

passages to avoid disturbing others.

 

 

 

 

Dolby Digital EX

An expansion of Dolby Digital 5.1 that adds a surround back channel

• Dolby Digital EX

 

which may be played through one or two surround back speakers. May

• Dolby Digital 2/2/.0 or .1, 3/2/.0 or .1

 

be manually selected when a non-EX Dolby Digital stream is detected.

 

 

 

 

Dolby Digital Stereo

Delivers a 2-channel downmix of Dolby Digital materials.

• Dolby Digital 1/0/.0 or .1, 2/0/.0 or .1,

 

 

3/0/.0 or .1, 2/1/.0 or .1, 2/2/.0 or .1,

 

 

3/2/.0 or .1

 

 

• Dolby Digital EX

 

 

 

Dolby Pro Logic II

Analog decoder that derives five full-range, discrete main audio channels

See below.

Mode Group

from matrix surround-encoded or 2-channel analog sources. Four

 

 

variants are available.

 

 

 

 

Dolby Pro Logic II

Variant of Dolby Pro Logic II that is optimized for movie and

• Dolby Digital 2.0 or 2.1

Movie

television programs.

• Analog (2-channel)

 

 

• Tuner

 

 

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

 

 

 

Dolby Pro Logic II

Variant of Dolby Pro Logic II that is optimized for music selections.

• Dolby Digital 2.0 or 2.1

Music

Allows adjustment of sound field presentation in three dimensions:

• Analog (2-channel)

 

• Center Width (adjusts width of vocal soundstage)

• Tuner

 

• Dimension (adjusts depth of soundstage)

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

 

• Panorama (adjusts wraparound surround effect)

 

 

 

 

Dolby Pro Logic II

Variant of Dolby Pro Logic II that emphasizes use of the surround

• Dolby Digital 2.0 or 2.1

Game

channels and subwoofer for total immersion in the video gaming

• Analog (2-channel)

 

experience.

• Tuner

 

 

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

 

 

 

Dolby Pro Logic

Original version of Dolby Pro Logic that steered a mono signal

• Dolby Digital 2.0 or 2.1

 

containing information below 7kHz to the surround channels.

• Analog (2-channel)

 

 

• Tuner

 

 

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

 

 

 

Dolby Pro Logic IIx

An expansion of Dolby Pro Logic II that adds a surround back channel

 

Mode Group

which may be played through one or two surround back speakers. The

 

 

Dolby Pro Logic IIx modes may be selected not only with Dolby Digital bit-

 

 

streams, but thanks to the AVR 247’s post-processor, they may also be used

 

 

with some DTS bitstreams to add a surround back channel to 5.1 modes.

 

 

 

 

Dolby Pro Logic IIx

This mode is similar to Dolby Pro Logic II Movie, with an added surround

• Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1,

Movie

back channel. In addition, it may be selected even when some types of

3/2/.0 or .1, EX

 

DTS signals are present for a somewhat different presentation.

• DTS 2/2/.0 or .1, 3/2/.0 or .1

 

 

• DTS 96/24

 

 

DTS-ES Matrix

 

 

DTS-ES Discrete

 

 

• Analog (2-channel)

 

 

• Tuner

 

 

• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)

 

 

 

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Harman-Kardon AVR 247 0 or, Dolby Digital EX played as, Passages to avoid disturbing others Dolby Digital EX, See below