H. POSITION*1

Menu Configuration—SET-UP MENU

For the operation procedure, see page 7.

Operation guide Shows the buttons for each operation.

•The menu automatically disappears in about 30 seconds after the previous operation.

• Some items may not appear on the menu depending on the input or the input signal.

• The items controlled by the MAKE system do not appear on the menu.

NOTE

Settings of “sub menu POSI.”

The setting values and features are as follows.

LOWER1: Displays the current setting and adjustment bar at the lower part of the screen.

UPPER1: Displays the current setting and adjustment bar at the upper part of the screen.

LOWER2: Displays the current setting at the lower part of the screen.

UPPER2: Displays the current setting at the upper part of the screen.

• The adjustment bar is not displayed for some items.

Color of the format indicator

When “FORMAT INDICATOR” is set to “ON,” the tally lamp lights as follows according to the incoming video signal.

Lights in green: 720/60p, 720/59.94p, 720/50p, 1080/60i, 1080/59.94i, 1080/50i, 1035/60i, 1035/59.94i, 1080/24psF, 1080/23.98psF, 1080/30psF, 1080/25psF, 1080/29.97psF

Lights in red: 480/60i, 480/59.94i, 576/50i, 480/60p, 480/59.94p, 576/50p

Lights in orange: composite signal

• The lamp goes off when the non-compliant video signals are coming in.

14

FUNCTION SETTING

Settings for the sub menu display, color system, color of the tally lamp, and the format indicator.

Item

To do

Setting value

sub menu POSI.

Select the contents and displaying position of “sub menu.”

☞ “NOTE”

COLOR

Select the color system.

AUTO, NTSC, PAL

SYSTEM

• If the picture is unstable with “AUTO,” select “NTSC” or “PAL.”

 

TALLY SELECT

Select the color of the tally lamp.

GREEN, RED

FORMAT

Select whether to use the tally lamp as the format indicator.

OFF, ON (☞ “NOTE”)

INDICATOR

 

 

•When “FORMAT INDICATOR” is set to “ON,” the TALLY function of the MAKE/TRIGGER terminal is not available.

PICTURE SUB ADJ.

Adjusts the standard level for the picture adjustment and selects the set-up level for the input video signal.

Item

To do

Setting value

CONTRAST*1

Adjust the standard level for the contrast

–20 – +20

 

adjusted with CONTRAST knob on the front

 

 

panel.

 

BRIGHT*1

Adjust the standard level for the brightness

–20 – +20

 

adjusted with BRIGHT knob on the front panel.

 

CHROMA*1

Adjust the standard level for the chroma adjusted

–20 – +20

 

with CHROMA knob on the front panel.

 

PHASE*1

Adjust the standard level for the phase adjusted

–20 – +20

 

with PHASE knob on the front panel.

 

NTSC SETUP

Select the set-up level of the input NTSC signal.

00 (compliant with 0% set-up signal), 7.5 (compliant

 

 

with 7.5% set-up signal)

COMPO.

Select the level of the analog component signal

B75 (compliant with BetacamVTR 7.5% set-up

LEVEL

(480i and 576i only).

signal), B00 (compliant with BetacamVTR 0% set-

 

 

up signal), SMPTE (compliant with M2VTR signals)

sub menu

Display the sub menu which enables you to adjust

the items in “PICTURE SUB ADJ.” while viewing the

 

actual picture.

 

reset

Restore the default settings for all the items in “PICTURE SUB ADJ.”

• When the DYNAMIC lamp lights, “PICTURE SUB ADJ.” does not appear on the menu (☞ 8 on page 6). Setting value: –003 – +003

Adjusts the horizontal picture position.

WHITE BALANCE SET.

Selects the color temperature and adjusts the drive level of each color (R/G/B).

Item

To do

Setting value

COLOR TEMP.

Select the color temperature.

9300K, 6500K, USER

R DRIVE, G DRIVE,

Adjust the drive level of each color (red, green, and blue).

MIN – 000 – MAX (in 256

B DRIVE*2

 

grades)

sub menu

Display the sub menu which enables you to adjust the items in “WHITE BALANCE SET.” while

 

viewing the actual picture.

 

reset

Restore the default settings for the drive levels of the selected color temperature.

•When “COLOR RANGE MODE” is set to “ON,” “WHITE BALANCE SET.” does not appear on the menu (☞ page 10).

*1 Memorized for each input — composite signal input (VIDEO), component signal input (COMPO.), SDI 1 and SDI 2. *2 Memorized for each color temperature.

Page 13 Page 15
Page 14
Image 14
JVC DT-V9L3DY specifications Settings of sub menu Posi, Color of the format indicator, Lights in orange composite signal
Page 13 Page 15

DT-V9L3D, DT-V9L3DY specifications

The JVC DT-V9L3D and DT-V9L3DY are high-performance broadcast-grade monitors designed for professional video production environments. With their advanced technologies and features, these monitors provide exceptional color accuracy, sharpness, and detail, making them an ideal choice for both studio and on-location setups.

One of the standout features of the DT-V9L3D and DT-V9L3DY is their 9-inch LCD display with a native resolution of 1920x1080 pixels. This high-definition display ensures that content creators can view their footage in stunning clarity. The monitors utilize IPS technology, which delivers wide viewing angles and consistent color reproduction across the screen. This is particularly beneficial for collaborative work in multi-user environments where multiple professionals need to view the same content simultaneously.

In terms of color accuracy, the JVC DT-V9L3D and DT-V9L3DY monitors excel with their ability to reproduce 100% of the sRGB color space. This level of precision is crucial for cinematographers and video editors who require accurate color representation for grading and correction tasks. Moreover, the monitors come equipped with various color calibration tools, allowing users to calibrate the display to match specific standards or preferences, ensuring consistent results across different viewing devices.

Both models are equipped with a variety of input options, including HDMI, SDI, and RGB connections. The DT-V9L3DY variant additionally supports 3G-SDI input, which is particularly useful for handling high-bandwidth video signals often required in professional broadcast settings. This versatility in connectivity makes these monitors suitable for different production workflows, whether in traditional studio environments or during mobile shoots.

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