|
|
|
|
|
| EN 67 |
|
|
Advanced features |
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
| SYMPTOM |
| POSSIBLE CAUSES |
| CORRECTIVE ACTION |
|
|
| 13. | The focus does not adjust | 13. | • Focus is set to the Manual | 13. | • Set Focus to the Auto mode. |
|
|
|
| automatically. |
| mode. |
| ( pg. 43) |
|
|
|
|
|
| • The recording was done in a |
| • Clean the lens and check the |
|
|
|
|
|
| dark place, or the contrast |
| focus again. ( pg. 73) |
|
|
|
|
|
| was low. |
|
|
|
|
|
|
|
| • The lens is dirty or covered |
|
|
|
|
|
|
|
| with condensation. |
|
|
|
|
|
|
|
|
|
|
|
|
|
| 14. | In the | 14. | • The | 14. | • Set “5S” to “5S” in MANUAL |
|
|
|
| recording ends before |
| “Anim.” in MANUAL Menu. |
| Menu. ( pg. 31, 36) |
|
|
|
| 5 seconds have elapsed. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 15. | Snapshot mode cannot be | 15. | • The Squeeze mode | 15. | • Disengage the Squeeze |
|
|
|
| used. |
| (SQUEEZE) is selected. |
| (SQUEEZE) mode. |
|
|
|
|
|
|
|
| ( pg. 31, 37) |
|
|
|
|
|
|
|
|
|
|
|
| 16. | The colour of Snapshot looks | 16. | • The light source or the | 16. | • Find a white subject and |
|
|
|
| strange. |
| subject does not include |
| compose your shot so that it |
|
|
|
|
|
| white. Or there are various |
| also appears in the frame. |
|
|
|
|
|
| different light sources behind |
| ( pg. 23, 41) |
|
|
|
|
|
| the subject. |
| • Disengage the Sepia (SEPIA) |
|
|
|
|
|
| • The Sepia (SEPIA) or |
| and Monotone |
|
|
|
|
|
| Monotone (MONOTONE) |
| (MONOTONE). ( pg. 31, |
|
|
|
|
|
| mode is activated. |
| 34) |
|
|
|
|
|
|
|
|
|
|
|
| 17. | The image taken using | 17. | • Shooting was performed | 17. | • Press BACK LIGHT. |
|
|
|
| Snapshot is too dark. |
| under backlit conditions. |
| ( pg. 45) |
|
|
|
|
|
|
|
|
|
|
|
| 18. | The image taken using | 18. | • The subject is too bright. | 18. | • Set “r” to “SPOTLIGHT”. |
|
|
|
| Snapshot is too bright. |
|
|
| ( pg. 33) |
|
|
|
|
|
|
|
|
|
|
|
| 19. | White Balance cannot be | 19. | • The Sepia (SEPIA) or | 19. | • Disengage the Sepia (SEPIA) |
|
|
|
| activated. |
| Monotone (MONOTONE) |
| or Monotone (MONOTONE) |
|
|
|
|
|
| mode is activated. |
| mode before setting White |
|
|
|
|
|
|
|
| Balance. ( pg. 34) |
|
|
|
|
|
|
|
|
|
|
|
| 20. | Wipe/Fader effects do not | 20. | • The Power Switch is set to | 20. | • Set the Power Switch to “M”. |
|
|
|
| work. |
| “A”. |
| ( pg. 13) |
|
|
|
|
|
|
|
|
| REFERENCES | |
| 22. | Program AE with special | 22. | • The Power Switch is set to | 22. | • Set the Power Switch to “M”. | ||
| 21. | The Black & White Fader does | 21. | • The Sepia (SEPIA) or | 21. | • Disengage the Sepia (SEPIA) |
|
|
|
| not work. |
| Monotone (MONOTONE) |
| and Monotone |
|
|
|
|
|
| mode is activated. |
| (MONOTONE). |
|
|
|
|
|
|
|
| ( pg. 31, 34) |
|
|
|
|
|
|
|
|
|
|
|
|
| effects does not work. |
| “A”. |
| ( pg. 13) |
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
| 23. | The image looks like the | 23. | • When shooting in the dark, | 23. | • If you want the lighting to |
|
|
|
| shutter speed is too slow. |
| the unit becomes highly |
| look more natural, set “GAIN |
|
|
|
|
|
| sensitive to light when |
| UP” to “AGC” or “OFF”. |
|
|
|
|
|
| “GAIN UP” is set to |
| ( pg. 31, 35) |
|
|
|
|
|
|
|
|
| ||
|
|
|
| “AUTO”. |
|
|
|
|
|
|
|
|
|
|
|
|
|
Page 67
Image 67
