Recording onto an MD

Things to Know Before You Start Recording

It should be noted that it may be unlawful to pre-recorded tapes, records, or discs without the consent of the owner of copy right in the sound or video recording, broadcast or cable program and in any literary, dramatic, or artistic embodied therein.

The sampling frequency rate converter built in the MD recorder allows you to record a digital source if its sampling frequency is 32 kHz, 44.1 kHz, or 48 kHz. If no source equipment is connected to the AUX terminal or if the sampling frequency of the connected equipment is not 32 kHz, 44.1 kHz, or 48 kHz, “DIGITAL UNLOCK” appears in the display window (no recording is possible).

When you record onto partially recorded MD, its contents are not erased or overwritten. The recording starts from the point following the last recorded track of the MD.

If you want to record on such an MD from the beginning, you have to erase its contents first (see “ALL ERASE Function” on page 23).

The recording level is automatically set correctly, so it is not affected by the VOLUME dial. Thus, during recording you can adjust the sound you are actually listening to without affecting the recording level.

About the track marks

When playing an MD, you can move among the tracks using MULTI JOG dial or < / > button quickly, and

4/ ¢or UP/DOWN button step by step.

You can do this because there is a mark recorded at the beginning of each track enabling you to locate the track. This mark is called a “ track mark” and the portion between two adjacent track marks is called a

track.”

When recording from a digital source such as a CD player, a track mark is recorded automatically at the beginning of each track.

When recording from an analog source such as FM/AM broadcasts, no track mark is recorded on the MD. This means that, when playing this MD, the MD recorder will regard the entire recording as one track (track 1). You will not be able to select directly a certain portion or navigate through them. However, if there is a blank of three seconds or more, the MD recorder will consider it as a blank separating 2 tracks and consequently put a track mark.

To put a track mark manually while recording an

analog source, press SET button where you want to put a track mark.

To add a track mark after recording is over, you

can use the DIVIDE function (see page 20).

To avoid erasing important recordings

Recordable MDs have an erasure protect tab so that important recordings are not accidentally erased. When you finish recording or editing, slide open the erasure protect tab on the cartridge side surface. New recording or editing is now no longer possible.

To do re-recording or editing, return the tab to the closed position.

An erasure protect tab

closedopen

Recording/Editing

Disc protected:

possible

Recording/Editing

 

not possible

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JVC XM-G6 manual Recording onto an MD, Things to Know Before You Start Recording, About the track marks

XM-G6 specifications

The JVC XM-G6 is a high-performance amplifier that has made its mark in the world of car audio equipment, particularly among enthusiasts looking to enhance their audio experience on the road. Designed with versatility and power in mind, the XM-G6 boasts a range of features that cater to both casual listeners and audiophiles alike.

One of the standout features of the JVC XM-G6 is its robust power output. It delivers an impressive 600 watts of maximum power, enabling users to achieve a dynamic and impactful sound performance. This power output is structured to provide a clean and distortion-free signal, ensuring that even at high volumes, the audio remains clear and enjoyable.

The amplifier operates on a Class D topology, which contributes to its efficiency and compact design. Class D amplifiers are known for their ability to produce high power output with minimal heat generation, allowing for smaller chassis sizes without compromising on performance. This means that the XM-G6 can easily fit into tight spaces within the vehicle without sacrificing audio quality.

Another noteworthy characteristic of the JVC XM-G6 is its adjustable low-pass and high-pass filters. These filters allow users to customize the audio output to their specific preferences, enabling the integration of various speaker setups. Users can easily tune the amplifier to work optimally with subwoofers or full-range speakers, ensuring that each component of the audio system performs to its fullest potential.

The amplifier is also equipped with a bridgeable design, allowing for flexibility in system configuration. Users can connect multiple speakers and subwoofers to create a more complex audio setup, or bridge two channels to drive a single, more powerful subwoofer. This versatility makes the XM-G6 an excellent choice for those looking to build or upgrade their car audio system.

In terms of durability, the JVC XM-G6 features a robust construction designed to withstand the rigors of automotive environments. The amplifier is built with high-quality components that ensure long-lasting performance, reducing the likelihood of failure over time.

In summary, the JVC XM-G6 is a feature-rich amplifier that combines powerful output, efficiency, and versatility. Its Class D design, adjustable filters, and bridgeable channels make it an ideal choice for anyone serious about car audio. With its solid construction and reliable performance, the XM-G6 is a valuable addition to any vehicle's audio system.