Introduction

Photographic film remains an important documentary material. The increasing quantity and value of microfilm records used in financial institutions, libraries, government offices, and industrial firms have focused attention on the care of such records to make certain that they last as long as possible.

The distinction between photographic film records intended for storage and those intended for use has not always been clear. Use or work copies are the predominant photographic records found in libraries or record centers and are subject

to much handling due to their value as quick references. However, because of this handling, they are subject to dirt, abrasion, fingerprints, contamination with foreign materials, and exposure to excessive light, temperatures, and harmful atmospheric pollutants. As a result, these copies in daily use cannot be considered suitable for long-term preservation. For long-term storage, it is imperative to prepare duplicate copies that meet certain criteria, such as proper filming, duplicating, processing, minimum handling, controlled environment, and storage.

In general, the care needed for storing photographic records is similar to that for storing written paper records, although there are some requirements peculiar to the storage of photographic film.

The permanence of photographic records depends on the chemical stability of the film, how the film is processed, and the conditions under which the processed film records are stored. The stability of the film layers is determined in manufacture and processing, while storage is controlled by the user. This pamphlet discusses the composition and properties of black-and-white silver-gelatin, thermally processed silver (TPS), diazo, and vesicular films as they relate to film permanence. It also describes the essential requirements of good processing and storage practices.

NOTE:Refer to the latest revision of each ANSI or ISO Standard specified.

Definitions

To help understand storage requirements, the composition and structure of microfilm are described and definitions of commonly used terms are given.1

Structure of a typical black-and-white negative film.

Acetate film—(acetate base) safety film with a base composed principally of cellulose acetate or triacetate.

Antihalation undercoat—separate layer of light-absorbing dye located between the film emulsion and the base to suppress light reflection. During processing of this film, the dye layer becomes transparent.

Base or support—a flexible plastic material that is coated with a thin, light-sensitive, image- forming layer. The thickness of the base varies with different film types.

Dimensional stability—ability of photographic materials to maintain their original size and shape during and after processing and also under various conditions of temperature and humidity.

Emulsion—the image-forming layer. For unprocessed black-and-white silver-gelatin films, it is composed primarily of minute silver halide crystals suspended in gelatin. Exposure to light in a camera or printer causes no visible effect, but there is an invisible change which produces a “latent image.” To obtain a visible, usable image, the exposed material must be chemically processed.

For diazo and vesicular films, the sensitized layers are composed of light-sensitive diazonium salts. To obtain a visible, usable image with these films, the exposed material is heat-processed. Diazo films are typically heat-processed in the presence of ammonia.

For TPS films, the image-forming layer is typically silver halide and silver salts suspended in a polymeric binding.

D-31 June 2002

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Kodak D-31 manual Introduction, Definitions

D-31 specifications

Kodak D-31 is a color negative developer that has garnered attention for its unique set of features tailored to meet the demands of both professionals and enthusiasts in the field of photography. Designed primarily for use with color negative films, Kodak D-31 is known for delivering impressive results in terms of color reproduction, contrast, and image sharpness.

One of the standout characteristics of Kodak D-31 is its flexibility in processing various types of color negative films. This developer can be used for a range of ISO sensitivity ratings, making it versatile for different photographic situations. Whether capturing landscapes, portraits, or street photography, D-31 ensures that the vibrant colors and subtle tones of each scene are accurately represented.

The technology behind Kodak D-31 incorporates a balanced mixture of color-forming agents and stabilizers that contribute to its reliability. The developer uses a carefully controlled chemical composition that ensures consistent performance with minimal grain, which is a critical factor for photographers who demand high-quality prints. The result is images that display fine detail and smooth transitions in color, which can be particularly important in post-processing and printing.

Kodak D-31 is designed for easy use, featuring a simple processing workflow that can be followed even by those new to film development. The Developer can be used with standard tanks and is compatible with both manual and automatic processing equipment. This ease of use makes D-31 an excellent choice for educational settings and home darkrooms, as it allows users to focus more on the art of photography rather than the technicalities of the developing process.

An additional advantage of Kodak D-31 is its ability to deliver consistent results across different batches, which is essential for those looking to maintain a cohesive portfolio. Photographers can rest assured that each roll developed will yield similar results, thanks to the high degree of control in the chemical composition and the assurance of quality that Kodak has provided for decades.

In summary, Kodak D-31 stands out as a reliable, versatile, and high-performance color negative developer that is well-suited for a variety of photographic applications. Its thoughtful formulation offers photographers the ability to capture and reproduce color with precision, making it a preferred choice for both hobbyists and seasoned professionals alike. With its blend of technology and ease of use, D-31 continues to be a valuable tool for anyone looking to explore the rich world of color film photography.