Water Protection
Film records should be protected from possible water damage, such as from leaks,
If the
to dry, even partially, will cause the layers to stick together. If there are no local facilities for rewashing and drying the films immediately, promptly place the films in a
Effects of High and Low
Relative Humidities
The choice of humidity level for storage depends on the type of photographic film and the humidity of the work area. In order to minimize subsequent moisture conditioning in storage, the humidity of the work area should not be markedly different from that of the storage area. Very large humidity differences may lead to some physical distortion. The best relative humidity for storage is the lowest that can be achieved practically and controlled reliably, within the limits specified
in ANSI/PIMA
High Humidity
Storage in moist air, such as that frequently found in basement rooms, and storage humidities above 50% should be avoided; relative humidities of 40% or less are recommended for minimizing the possibility of growth of microscopic blemishes. At humidities above 60%, there is the additional danger of fungus growth.
These curves show the relationship between relative humidity and the moisture content of a typical emulsion, triacetate film base, Estar Base, and a complete film at equilibrium of various relative humidities at 21°C (70°F).
Low Humidity
At low humidities, problems of brittleness or static might arise if the films are to be handled frequently. However, in the case of inactive films (regardless of their intended permanence), the increased protection that low humidity gives against microscopic blemishes might be desirable. The recommended humidity is
30% for
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