DC-1 Digital Controller

DC-1Effects

Panorama extracts the natural ambience from recorded music and moves it

Panorama

outward from the speakers, producing greater width and depth of image

 

and a feeling of enhanced spaciousness. This mode adds no additional

 

sound but expands the existing stereo image. Panorama also works with

 

Dolby Stereo movies, bringing the surround track outward into the room.

 

The location of the front speakers and the listening position are crucial to

 

Panorama’s effectiveness and for best results your system and the DC-1

 

together should be set up and calibrated according to the procedure in

 

Chapter 2. The strength of the Panorama effect drops off as you move away

 

from the prime listening position, especially to the sides. Video systems

 

with the main loudspeakers spaced closely on either side of a TV screen will

 

produce a usable effect over a somewhat wider area than set-ups with a

 

large included angle between the speakers.

 

 

 

 

 

Panorama Parameters

Parameter

Initial Value

Range

INPUT BALANCE

(Centered)

Full Left-Full Right

 

LOW FREQ WIDTH

0

-25 to +25

 

REAR LEVEL

25

0-32

 

REAR ROLLOFF

4.9kHz

453Hz-20.0kHz

 

REAR DELAY

10ms

0-32ms

 

CENTER LEVEL

4

0-15

 

BASS CONTENT

MONO

STEREO, MONO, BINAURAL

 

SUBWOOFER LVL

+0dB

-05 to +05dB

 

EFFECT LEVEL

62

0-62

 

CUSTOM

 

 

 

 

 

 

 

INPUT BALANCE allows you to compensate for the occasional source with audible channel imbalance. When selected, screen graphics indicate the relative left/right position.

LOW FREQ WIDTH allows you to apply low-frequency spatial correction to the signal. Positive values of LOW FREQ Width indicate that thedifference signal (L-R) has additional energy below 500Hz, while the sum (L+R) has correspondingly less. Negative settings of LOW FREQ WIDTH can com- pensate for recordings with too much of this property. This control can add needed spaciousness and warmth to classical recordings made with coin- cident or near-coincident microphones.

REAR LEVEL adjusts the loudness of the signals sent to the rear channels. This control should be set so that the rear is audible without calling attention to itself. Numerical values and screen graphics are displayed during adjustment. In systems configured without rear speakers, the settings affect the level of the side outputs.

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Lexicon DC-1 owner manual Panorama Parameters