PPM1012

5

6

9

MIC 1

LINE

(BAL/UNBAL)

INSERT

MIC 2

LINE

(BAL/UNBAL)

INSERT

MIC 3

LINE

(BAL/UNBAL)

INSERT

MIC 4

LINE

(BAL/UNBAL)

INSERT

MIC 5

LINE

(BAL/UNBAL)

INSERT

MIC 6

LINE

(BAL/UNBAL)

INSERT

7

MIC 7

HI-Z

LINE

(BAL/UNBAL)

INSERT

MIC 8

7 HI-Z LINE

(BAL/UNBAL)

INSERT

10

 

11

13

14

 

 

 

 

L

 

15

 

1

 

1

 

 

L

2

 

2

R

 

 

R

 

IN

OUT

 

MON SEND

FX SEND

TAPE

 

MAIN INSERT

L

 

L

 

L

 

L

8 (MONO) 8

(MONO) 12

(MONO) 12

(MONO)

R

 

R

 

R

 

R

INPUT 9/10

INPUT 11/12

FX RTN 1

FX RTN 2

L

16 16 L

R

R

17

M

MAIN OUT

M

 

21

LAMP

12V 0.5A

FX

FOOTSWITCH

TIP:FX1

RING:FX2

PHONES

OO

MAX

LEVEL

20

18

19

WARNING: The headphone amp is loud, and

can cause permanent ear damage. Even intermediate levels may be painfully loud with

some earphones. BE CAREFUL! Always turn the phones level control [19] all the way down before connecting headphones or pressing a solo switch, or doing anything new that may affect the headphone volume. Then turn it up slowly as you listen carefully.

21. BNC LAMP CONNECTION

Located in the top right corner of the mixer, this 12V socket will drive any standard BNC-type lamp, for example, a Littlite® #12G or #12G-HI (high-intensity).

It will cast a light in the dark, so you can work your audio magic like an ancient wizard. It will also attract all the mosquitoes, moths, and other hungry flying crit- ters within a one mile radius. Have fun with that.

19. LEVEL

This knob controls the level of the signal going to your stereo headphones.

Make sure this is fully down whenever you are

making connections in your system, or putting on the headphones, or before you press any

solo switch [41]. Bring up the level slowly and carefully to protect your hearing.

22. LUNCH-TIME DECOUPLER

Not available on Earth models, this control actually slows down time, especially lunchtimes. Use this wisely, and only engage it after receiving your food and bever- ages, or you may be in for a long wait.

Do not engage during drum solos or scats.

20. FX FOOTSWITCH CONNECTOR

This is where you connect a footswitch. (Any two-but- ton on/off footswitch will do). This allows you to easily mute or un-mute the two internal effect processors independently, while stamping your foot and looking like you were mad about something.

The output is wired so the tip affects FX1, and the ring affects FX2.

If the internal effects have already been muted with the FX mute switches [64] then the footswitch has no effect. It cannot un-mute or mute it.

The footswitch only affects the internal FX. It has no effect on the output-to and input-from external effects processors.

14

PPM1012

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Mackie PPM1012 owner manual BNC Lamp Connection, Level, LUNCH-TIME Decoupler, FX Footswitch Connector