42 43

54. LPF (Low-Pass-Filter)

PPM1012

 

 

 

 

 

 

 

 

 

 

 

 

POWER

 

 

 

 

 

 

 

 

2 X 800W PROFESSIONAL POWERED MIXER

 

 

 

 

 

MAIN EQUALIZER

 

EQ ASSIGN

 

 

 

 

 

 

MAIN

 

 

 

 

 

 

 

 

 

 

 

 

MON 2

 

 

15

 

 

 

 

 

 

 

 

 

46

 

 

 

 

 

 

 

 

 

 

 

15

44

10

 

 

 

 

 

 

 

 

 

10

5

 

 

 

 

 

 

 

 

 

5

 

 

5

 

 

 

 

 

 

 

 

 

5

 

 

0

 

 

 

 

 

 

 

 

 

0

 

 

10

 

 

 

 

 

 

 

 

 

10

 

 

15

 

 

 

 

 

 

 

 

 

15

 

 

 

63

125

250

500

1K

 

2K

4K

8K

16K

 

 

 

 

 

MON 1 EQUALIZER

 

 

z

 

15

 

 

 

 

 

 

 

 

 

15

 

 

 

 

 

 

 

 

 

 

 

45

10

 

 

 

 

 

 

 

 

 

10

0

 

 

 

 

 

 

 

 

 

0

 

 

5

 

 

 

 

 

 

 

 

 

5

 

 

5

 

 

 

 

 

 

 

 

 

5

 

 

10

 

 

 

 

 

 

 

 

 

10

 

 

15

 

 

 

 

 

 

 

 

 

15

 

 

 

63

125

250

500

1K

 

2K

4K

8K

16K

 

 

 

 

61

 

 

 

01

PLATE REVERB

13

CHORUS

 

 

 

 

 

 

 

02

VOCAL PLATE

14

CHORUS + REVERB

 

 

 

 

 

 

 

03

WARM ROOM

15

DOUBLER

 

 

FX 1

SIG/OL

FX 2

SIG/OL

04

BRIGHT ROOM

16

TAPE SLAP

 

 

05

WARM LOUNGE

17

DLY 1 BRIGHT (350ms)

60

 

 

U

 

 

U

 

06

SMALL STAGE

18

DLY 1 WARM (300ms)

 

 

 

 

 

 

 

07

WARM THEATER

19

DLY 2 BRIGHT (250ms)

 

 

 

 

 

 

 

08

BRIGHT STAGE

20

DLY 2 WARM (200ms)

 

 

 

 

 

 

 

09

WARM HALL

21

DLY 3 BRIGHT (175ms)

 

 

 

 

 

 

 

10

CONCERT HALL

22

DLY 3 WARM (150ms)

 

 

OO

+15

 

OO

+15

 

11

CATHEDRAL

23

CHORUS + DLY (300ms)

 

SEND MASTER

SEND MASTER

12

GATED REVERB

24

REVERB + DLY (200ms)

62

 

 

 

 

 

 

 

 

51

TAP TO EDIT52U

 

 

 

 

 

 

 

 

BREAK

 

 

 

 

 

 

 

 

 

 

 

 

 

63

TAP

 

 

TAP

 

 

 

MUTES

 

 

DELAY

 

 

DELAY

 

 

 

 

OO +20

 

 

 

 

 

 

 

 

CH 1-12

 

 

 

 

 

 

 

 

 

 

 

 

TAPE IN

 

 

 

 

 

 

 

 

FX 1

 

FX 1

 

 

 

 

 

 

 

 

TO MON 1

 

TO MON 2

64

INT FX

 

 

INT FX

 

 

 

 

U

 

U

 

 

 

 

 

 

 

 

 

MUTE

 

 

MUTE

 

 

 

OO

+15

 

OO +15

 

 

 

 

 

 

 

 

 

 

56 56

38

PHANTOM

POWER AMP

 

A

B 47

 

LIMITER

 

MAIN

 

METERS

 

0dB = 0dBu

 

 

 

OL

 

 

 

 

 

 

 

 

 

 

 

15

 

 

 

 

 

 

 

 

 

10

 

 

 

 

 

 

 

 

 

6

 

 

48

 

 

 

 

 

3

 

 

 

 

 

4

 

 

 

 

0

 

 

 

 

 

 

2

 

 

 

 

 

 

7

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10

 

 

 

 

 

 

 

 

 

20

 

 

 

 

 

 

 

 

 

30

 

 

 

 

 

 

 

 

L

R

LEVEL

SOLO49

SET

 

 

 

 

 

 

RUDE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

50

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

POWER AMP

 

MODE

MON 1

MON 2

MAINS

 

 

MON 1

 

 

 

 

 

 

 

 

 

A(L)STEREOB(R)53

MAIN

LPF

12054

100 180

75Hz 200Hz

MONO OUT

55

OO

MAX

Press this switch in to add a low-pass filter to the line-level mono outputs [17]. It turns them into line- level subwoofer outputs that play the low frequency range below the frequency setting of the LPF control knob.

Most active subwoofers have their own

crossover, and you should keep the LPF switch off in these cases. They usually

accept the full frequency range, and their crossover filters out the unused mids and highs.

If you want to run an external power amplifier with a passive subwoofer, connect the mono output to the amplifier's line-level input. Press the LPF switch in, and adjust the frequency knob to suit your subwoofer. For example, if your sub is still good out to 150 Hz, then set the frequency knob a little higher. The amplifier will then just receive the lows, and will not have to waste energy and reserves powering the mids and highs.

When LPF is engaged, the adjacent LED will light as a reminder. The LPF frequency is adjustable from 75 Hz to 200 Hz, with 100 Hz straight up.

Whatever you use the mono outputs for, remember that the mono out knob [55] allows you to balance the level compared to the main left and right outputs [16] and speaker-level outputs [3].

FX RTN 1

dB 10

5

U

5

10

20 41 30

SOLO

40

50

60

OO

57

FX RTN 2

dB 10

5

U

5

10

20

30

SOLO

40

50

60

OO

57

MON 1

dB 10

5

U

5

10

20

30

SOLO

40

50

60

OO

58

MON 2

dB 10

5

U

5

10

20

30

SOLO

40

50

60

OO

58

MAIN

dB 10

5

U

5

10

20

30

40

50

60

OO

59

The low pass filter only affects the mono line-level outputs. The main outputs and the internal ampli- fiers still receive the full frequency range.

55. MONO OUT

This knob allows you to adjust the level of the mono line-level outputs [17]. Adjust it to make your powered subwoofer, or mono loudspeaker match the level of the other loudspeakers in your system.

The mono output can be the full frequency range to run a mono PA for example, or just the low frequen- cies to run a subwoofer if the LPF [54] is engaged. Either way, this mono out control will let you adjust the level.

24

PPM1012

Page 24
Image 24
Mackie PPM1012 owner manual LPF Low-Pass-Filter, Mono OUT, Most active subwoofers have their own