PPM1012
Wireless
MicrophonesMicrophone
Wireless Mic Receiver
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| 1 | 1 |
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| L | L |
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| LAMP |
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| 12V 0.5A |
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| L |
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| 2 | 2 |
| R | R |
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| FX |
MIC 1 | MIC 2 | MIC 3 | MIC 4 | MIC 5 | MIC 6 | MIC 7 | MIC 8 | IN | OUT |
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MON SEND | FX SEND |
| TAPE | MAIN INSERT |
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| FOOTSWITCH | |||||||||
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| TIP:FX1 | ||||||||||||
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| RING:FX2 |
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| R |
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| L | L |
| L | L |
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LINE | LINE | LINE | LINE | LINE | LINE | LINE | LINE |
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(BAL/UNBAL) | (BAL/UNBAL) | (BAL/UNBAL) | (BAL/UNBAL) | (BAL/UNBAL) | (BAL/UNBAL) | (BAL/UNBAL) | (BAL/UNBAL) | (MONO) | (MONO) |
| (MONO) | (MONO) |
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| PHONES |
INSERT | INSERT | INSERT | INSERT | INSERT | INSERT | INSERT | INSERT | R | R |
| R | R | M | M | OO | MAX |
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| 9/10 | 11/12 | FX RTN 1 | FX RTN 2 | MAIN OUT | LEVEL | |||
2 X 800W PROFESSIONAL POWE
SPEAKER OUT | SPEAKER OUT |
A | B |
PIN | PIN |
1+ | 1+ |
1 | 1 |
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| 7 | 8 | 9/10 | 11/12 |
AdjustU | VocalU |
| U |
| U |
| U |
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| U |
| U |
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Compression | IC GAI | IC GAI | IC GAI | IC GAI | IC GAI | IC GAI | U | U | |||||||||
I GAI | IC GAI | ||||||||||||||||
M | N | M | N | M | N | M | N | M | N | M | N | M | N | M | N |
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0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | 0 | +50 | ||
+30dB | +30dB | +30dB | +30dB | +30dB | +30dB | +30dB | +30dB | ||||||||||
GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | GAIN | ||||||||
| LOW CUT |
| LOW CUT |
| LOW CUT |
| LOW CUT |
| LOW CUT |
| LOW CUT |
| LOW CUT |
| LOW CUT |
| 15 |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
| 100 Hz |
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| 10 |
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| COMP |
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| COMP |
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| COMP |
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| COMP |
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| COMP |
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| COMP |
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OFF | MAX | OFF | MAX | OFF | MAX | OFF | MAX | OFF | MAX | OFF | MAX |
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| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ |
| U | EQ | 15 |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI |
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| HI | 63 | 125 |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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| 12kHz |
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+15 |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| MID |
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| MID |
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| MID |
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| MID |
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| MID |
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| MID |
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| MID |
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| MID |
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| HI |
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| HI |
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Graphic EQ |
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| MID |
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| MID |
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+15 |
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| +15 | 2.5kHz | +15 | 2.5kHz | 15 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| 600 |
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| U |
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| U |
| 10 |
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150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k | 150 |
| 1.5k |
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| LOW |
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| LOW | 5 |
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| MID |
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| MID |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ |
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| FREQ | +15 | 400Hz | +15 | 400Hz | 0 |
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100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k | 100 | 8k |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW |
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| LOW | 10 |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz |
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| 80Hz | 15 |
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+15 |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| AUX | 63 | 125 |
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| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
| U | SEND |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 |
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| 1 | FX 1 |
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OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| O O | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| OO | +15 |
| SIG/OL | |
| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
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| U |
| U |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| MON |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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| 2 |
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OO | +15 | OO | +15 | OO | +15 | OO | +15 | OO | +15 | O O | +15 | OO | +15 | OO | +15 | OO | +15 | OO | +15 | OO | +15 |
| U |
| U |
| U |
| U |
| U |
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| U | U |
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| U | SEND MASTER | ||
| FX |
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| FX |
| FX |
| FX | FX |
| FX |
| FX |
| FX |
| FX |
| FX |
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| 1 |
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| 1 |
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| 1 | 1 |
| 1 |
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| 1 |
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OO | +15 | OO | +15 | OO | +15 | OO | +15 | OO | +15 | O O | +15 | OO | +15 |
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| OO | +15 |
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| U |
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| U |
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| U | U |
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| FX |
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| FX |
| FX |
| FX | FX |
| FX |
| FX | ® | FX |
| FX |
| FX | TAP |
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| DELAY |
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| 2 |
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| 2 | 2 |
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OO | +15 | OO | +15 | OO | +15 | OO | +15 | OO | +15 | O O | +15 | OO | +15 | OO | +15 | OO | +15 | OO | +15 |
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| iPod | Docking |
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| PAN |
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| PAN |
| PAN |
| PAN | PAN |
| PAN |
| PAN |
| PAN |
| PAN |
| PAN | INT FX |
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| Station |
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| MUTE |
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POWER
2 X 800W PROFESSIONAL POWERED MIXER
MAIN EQUALIZER |
| EQ ASSIGN | |||||
| MAIN | ||||||
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| MON 2 |
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| 15 |
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| 10 |
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| 5 |
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| 0 |
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| 5 |
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| 10 |
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| 15 |
250 | 500 | 1K |
| 2K | 4K | 8K | 16K |
MON 1 EQUALIZER |
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| 15 |
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| 10 |
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| 5 |
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| 10 |
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| 15 |
250 | 500 | 1K |
| 2K | 4K | 8K | 16K |
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| 01 | PLATE REVERB | 13 | CHORUS | |
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| 02 | VOCAL PLATE | 14 | CHORUS + REVERB | |
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| 03 | WARM ROOM | 15 | DOUBLER | |
FX 2 | SIG/OL | 04 | BRIGHT ROOM | 16 | TAPE SLAP | ||
05 | WARM LOUNGE | 17 | DLY 1 BRIGHT (350ms) | ||||
| U |
| 06 | SMALL STAGE | 18 | DLY 1 WARM (300ms) | |
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| 07 | WARM THEATER | 19 | DLY 2 BRIGHT (250ms) | |
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| 08 | BRIGHT STAGE | 20 | DLY 2 WARM (200ms) | |
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| 09 | WARM HALL | 21 | DLY 3 BRIGHT (175ms) | |
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| 10 | CONCERT HALL | 22 | DLY 3 WARM (150ms) | |
OO | +15 |
| 11 | CATHEDRAL | 23 | CHORUS + DLY (300ms) | |
SEND MASTER | 12 | GATED REVERB | 24 | REVERB + DLY (200ms) | |||
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| TAP TO EDIT | |
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| BREAK |
| U | |
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TAP |
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| MUTES |
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DELAY |
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| OO +20 | |
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| CH |
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| TAPE IN |
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| FX 1 |
| FX 1 |
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| TO MON 1 |
| TO MON 2 | |
INT FX |
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| U |
| U |
MUTE |
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PHANTOM |
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POWER AMP |
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LIMITER |
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A | B |
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| MAIN |
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METERS |
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0dB = 0dBu |
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| OL |
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| 15 |
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| 10 |
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| 6 |
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| 3 |
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| 0 |
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| 7 |
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| 10 |
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| 20 | POWER AMP | |
| 30 | ||
L | R |
| MODE |
LEVEL |
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SET |
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| RUDE | MON 1 | MON 2 |
| SOLO | ||
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| MAINS | MON 1 |
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| A(L) | B(R) |
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| STEREO | |
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| MAIN |
POWER AMP |
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MODE | Stereo Mains | ||
MAINS | MON 1 | ||
MON 1 | MON 2 |
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A(L) | B(R) |
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STEREO |
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MAIN |
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LPF |
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120 |
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100 | 180 |
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75Hz | 200Hz |
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MONO OUT
L R | L R | L R | L R | L R | L R | L R | L R | L R | L R |
O O | +15 | OO | +15 | OO | MAX |
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| SA1521z |
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| SA1521z | |
| 1 |
| 2 |
| 3 |
| 4 |
| 5 |
| 6 |
| 7 |
| 8 |
| 9/10 |
| 11/12 |
| FX | Powered1 |
| MON 1 | MON 2 | MAIN Powered | |
5 | OL | 5 | OL | 5 | OL | 5 | OL | 5 | OL | 5 | OL | 5 | OL | 5 | OL | 5 | OL | 5 | OL | 5 |
| Speaker5 | 5 | 5 | 5 | Speaker | |
dB |
| dB |
| dB |
| dB |
| dB |
| dB |
| dB |
| dB |
| dB |
| dB |
| dB |
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| dB | dB | dB |
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10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
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| 10 | 10 | 10 | 10 |
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U | +10 | U | +10 | U | +10 | U | +10 | U | +10 | U | +10 | U | +10 | U | +10 | U | +10 | U | +10 | U |
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| U | U | U | U |
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| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
| 0 |
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5 |
| 5 |
| 5 |
| 5 |
| 5 |
| 5 |
| 5 |
| 5 |
| 5 |
| 5 |
| 5 |
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| 5 | 5 | 5 | 5 |
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10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
| 10 |
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| 10 | 10 | 10 | 10 |
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20 |
| 20 |
| 20 |
| 20 |
| 20 |
| 20 |
| 20 |
| 20 |
| 20 |
| 20 |
| 20 |
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| 20 | 20 | 20 | 20 |
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30 |
| 30 |
| 30 |
| 30 |
| 30 |
| 30 |
| 30 |
| 30 |
| 30 |
| 30 |
| 30 |
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| 30 | 30 | 30 | 30 |
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| SOLO |
| SOLO |
| SOLO |
| SOLO |
| SOLO |
| SOLO |
| SOLO |
| SOLO |
| SOLO |
| SOLO |
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| SOLO | SOLO |
| SOLO | SOLO |
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40 |
| 40 |
| 40 |
| 40 |
| 40 |
| 40 |
| 40 |
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| 40 |
| 40 |
| 40 |
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| 40 | 40 | 40 | 40 |
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50 |
| 50 |
| 50 |
| 50 |
| 50 |
| 50 |
| 50 |
| 50 |
| 50 |
| 50 |
| 50 |
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| 50 | 50 | 50 | 50 |
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60 |
| 60 |
| 60 |
| 60 |
| 60 |
| 60 |
| 60 |
| 60 |
| 60 |
| 60 |
| 60 |
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| 60 | 60 | 60 | 60 |
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OO |
| OO |
| OO |
| OO |
| OO |
| OO |
| OO |
| OO |
| OO |
| OO |
| OO |
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| OO | OO | OO | OO |
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| Mackie d.2 Pro |
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| DJ Production Console |
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MAIN | BOOTH |
| FX | PGM 2 | PGM 1 | MIC |
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| SEND | PHONO CD | PHONO CD |
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L | LINE L | L | R L |
| L L |
| L |
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| MIC |
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| LIVE |
| RETURN | R |
| R R |
| R |
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| RECORD |
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| R | L(MONO) | R |
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| LINE | GND | LINE | GND | SWA2801z Powered Subwoofers | S225 Passive Speakers | |
L |
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| PHONO | PHONO | |||||
| R |
|
|
|
|
|
| (play main mix) | (play stereo main mix) |
Turntables with
This diagram shows microphones connected to the mic inputs of channels 1 and 2, a wireless micro- phone receiver connected to the mic input of channel 4, and a graphic EQ connected to channel 4's insert jack (to help control any feedback in the wireless mic). An iPod docking station is attached to chan- nels 11/12, using RCA to 1/4" TS adaptors.
Two turntables are connected to a Mackie d.2 Pro DJ mixer, and its output connect to channel 9/10 stereo line inputs. Use the d.2 Pro's advanced DJ controls to get the best performance from your records. Use the powered mixer to play the d.2 Pro output, and control the mics and iPod.
The power amp mode switch is set to play the stereo main mix in the Mackie S225 passive speakers, connected to the
Mackie SA1521z powered speakers and SWA2801z powered subwoofers are connected to the line- level main mix outputs, and also play the stereo main mix to your audience.
DJ System
8 
PPM1012
