| Take a picture while checking the histogram. | P. 23 | |
Taking pictures without | Take a picture while checking the shutter speed and | P. | |
aperture value displays. If either is blinking, the optimal | |||
white subjects appearing | exposure is not obtained. | P. 134 | |
too white or black subjects | Set the gradation setting to [AUTO]. Subjects with areas |
| |
appearing too dark | P. 73 | ||
| of large contrast are adjusted automatically. |
| |
| Adjust the exposure compensation. | P. 43 | |
| Set [PICTURE MODE] to [MONOTONE]. You can take |
| |
| monotone pictures in black and white, sepia tones, | P. 72 | |
Taking monotone pictures | purplish tones, bluish tones, and greenish tones. |
| |
Recorded images can be edited into | P. 85 | ||
| |||
| |||
|
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| Set the art filter to [GRAINY FILM]. | P. 11 | |
| Set the gradation setting to [AUTO]. | P. 73 | |
Taking pictures of a | Use spot metering to measure the exposure of the |
| |
subject in the center of the picture. If the subject is not in | P. 42, | ||
subject against backlight | the center of the picture, use AE lock to lock the | ||
| exposure, and then change the composition and take | P. 44 | |
|
| ||
| the picture. |
| |
Brightening a dark backlit | You can adjust the image using [SHADOW ADJ] of | P. 85 | |
image | [JPEG EDIT]. | ||
| |||
Taking pictures with a | Use A(aperture priority) mode to decrease the aperture |
| |
value as much as possible. You can blur the background | P. 38 | ||
blurred background | |||
more by shooting up close to the subject. |
| ||
|
| ||
Taking pictures that stop |
|
| |
the subject in motion or | Use the S(shutter priority) mode to take the picture. | P. 39 | |
convey a sense of motion |
|
| |
| Set the white balance according to the light source. You | P. 68 | |
| can also make fine changes to the settings. | ||
|
| ||
Taking pictures with the | With WB bracket shooting, you can capture 3 to 9 |
| |
correct color | images with different white balance settings for each | P. 71 | |
| picture taken. This enables you to take pictures with the | ||
| desired white balance without having to make fine |
| |
| changes to the settings. |
| |
| Set the spot metering for highlight or shadow control. If |
| |
| the subject is not in the center of the picture, use AE lock | P. 42, | |
| to lock the exposure, and then change the composition | P. 44 | |
Taking pictures so that | and take the picture. |
| |
|
| ||
whites come out white and | Adjust the exposure compensation. It may be helpful to | P. 43, | |
blacks come out black | use AE bracketing if you are not sure about the | ||
P. 45 | |||
| exposure compensation value. | ||
|
| ||
| Set the scene mode to [HIGH KEY] or [LOW KEY] and | P. 11 | |
| take a picture. | ||
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34
EN