Roland TD-10 Parameters for Chorus Delay 1, 2, Parameters for Flanger Delay 1, 2, Parameters for Phaser Delay 1, 2, Parameters for Pitch Shift Delay 1, 2, Parameters for 3D-Delay 1, 2

Parameters for Chorus ➝Delay 1, 2
Rate: 0.1–10.0(Hz)
Adjust the modulation frequency of the chorus. Higher set-
tings produce faster modulation.
Depth: 0–127
Adjust the modulation depth of the chorus. Higher settings
produce a stronger effect.
Delay Time: 0–500 (ms)
Adjust the time from the original sound until when the
delay is heard.
Delay Feedback: 0–127
Adjust the number of times that the delay repeats.
* If you wish to use only the chorus, set Delay Time and Delay
Feedback to 0(off).
Parameters for Flanger ➝Delay 1, 2
Rate: 0.1–10.0 (Hz)
Adjust the modulation frequency of the flanger. Higher set-
tings produce faster modulation.
Depth: 0–127
Adjust the depth of the flanger. Higher settings increase the
effect.
Delay Time: 0–500 (ms)
Adjust the time difference from the original sound until the
delay is heard.
Delay Feedback: 0–127
Adjust the number of times that the delay repeats.
* If you want to just use the flanger, set Delay Time & Delay
Feedback to 0.(off)
Parameters for Phaser ➝Delay 1, 2
Rate: 0.1–10.0 (Hz)
Adjust the modulation frequency of the phaser. Higher set-
tings produce faster modulation.
Depth: 0–127
Adjust the modulation depth of the phaser. Higher settings
produce a stronger effect.
Delay Time: 0–500 (ms)
Adjust the time from the original sound until the delay is
heard.
Delay Feedback: 0–127
Adjust the number of times that the delay effect repeats.
* If you wish to use just the phaser effect, set Delay Time & Delay
Feedback to 0.
Parameters for Pitch Shift Delay 1, 2
Pitch Shift: -12–0–+12 (semitones)
Specify the amount of pitch change. A setting of +1 raises the
pitch a semitone, and +12 raises the pitch one octave.
Delay Time: 0–500 (ms)
Adjust the time from the original sound until the delay is
heard.
Feedback Level: 0–127
Adjust the number of times that the delay repeats. With set-
tings of 2 or more times, the pitch-shifted sound will be
pitch-shifted again, meaning that the pitch will rise (or fall)
by the specified Pitch Shift amount each time the delay
repeats.
High Cut Freq: 500–20k (Hz)
Adjust the tone of the delay to make it brighter/darker.
Lowering this frequency will cut more of the high range,
making the sound darker.
Parameters for 3D-Delay 1, 2
Delay Time: 0–1200 (ms)
Adjust the time from the original sound until the delay is
heard.
Shift: L1200–0–R1200 (ms)
Relative to the Delay Time, you can lengthen the time until
the right or left channel delay is heard.
For example if Delay Time is set to 400ms, setting Shift to
L100ms will cause the right channel delay to remain at
400ms and the left channel delay will sound 100 ms later.
You can not make settings causing the sum of Delay Time
and Shift to be greater than 1200ms.
Feedback Level: 0–127
Adjust the number of times that the delay effect repeats.
Speaker Angle: 0–90
Leaving the actual speaker locations as they are, you can
adjust “Angle” in the following diagram to change the direc-
tion from which the sound is heard.
fig.06-11e
30˚30˚
Angle Angle
Direction from which the sound is heard
Actual speaker locations
Chapter 5. Control room settings
95
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10