Technicolor - Thomson HP 270 EN Using Menus for Detailed Adjustment, Menu Screen Explanations

Models: HP 270

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40 EN USING MENUS FOR DETAILED ADJUSTMENT (cont.)

Menu Screen Explanations

WIPE/FADER

PROGRAM AE

W.BALANCE

REC MODE

SOUND

12 BIT

MODE

 

 

 

 

16 BIT

ZOOM

10X

 

 

 

40X

CAMERA

 

100X

 

 

 

SNAP MODE

GAIN UP OFF

AGC

AUTO

DIS

OFF

 

 

 

ON

MANUAL

5S

OFF

 

 

 

5S

 

 

 

ANIM.

 

 

 

 

 

TELE

OFF

 

MACRO

 

 

 

 

 

 

 

 

ON

Refer to “Fade/Wipe Effects” ( pg. 49, 50).

Refer to “Program AE With Special Effects” ( pg. 47, 48).

Refer to “White Balance Adjustment” and “Manual White Balance Opera- tion” ( pg. 54).

Allows you to set the recording mode (SP or LP) depending on your preference ( pg. 14).

Enables video recording of stereo sound on four separate channels, and is recommended for use when performing audio dubbing. (Equivalent to the 32 kHz mode of previous models)

Enables video recording of stereo sound on two separate channels. (Equivalent to the 48 kHz mode of previous models)

When set to “10X” while using digital zoom, the zoom magnification will reset to 10X since digital zoom will be disengaged.

Allows you to use the Digital Zoom. By digitally processing and magnifying images, zooming is possible from 10X (the optical zoom limit), to a maximum of 40X digital magnification.

Allows you to use the Digital Zoom. By digitally processing and magnifying images, zooming is possible from 10X (the optical zoom limit), to a maximum of 100X digital magnification.

Refer to “Basic Shooting (Snapshot)” ( pg. 27) or “Snapshot (For Video Recording)” ( pg. 51).

Allows you to shoot dark scenes with no picture brightness adjustment.

The overall appearance may be grainy, but the image is bright.

The shutter speed is automatically adjusted (1/25 — 1/200 sec.). Shooting a subject in low or poor lighting at 1/25 sec. shutter speed provides a brighter image than in the AGC mode, but the subject’s movements are not smooth or natural. The overall appearance may be grainy. While the shutter speed

is being automatically adjusted, “” is displayed.

To compensate for unstable images caused by camera-shake, particularly at high magnification.

NOTES:

Accurate stabilisation may not be possible if hand shake is excessive, or under the following conditions:

When shooting subjects with vertical or horizontal stripes.

When shooting dark or dim subjects.

When shooting subjects with excessive backlighting.

When shooting scenes with movement in various directions.

When shooting scenes with low-contrast backgrounds.

Switch off this mode when recording with the camcorder on a tripod.

The “ ” indicator blinks or goes out if the Stabiliser cannot be used.

Refer to “5-Second Recording” ( pg. 46).

Allows you to record a few frames only. By using an inanimate object and changing its position between shots, you can record the subject as though it is moving ( pg. 46).

Usually the distance to a subject where the lens is in focus depends on the zoom magnification. Unless there is a distance more than 1 m to the subject, the lens is out of focus at the maximum telephoto setting. When set to “ON”, you can shoot a subject as large as possible at a distance of approx. 60 cm.

Depending on the zoom position, the lens may go out of focus.

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Technicolor - Thomson HP 270 user manual EN Using Menus for Detailed Adjustment, Menu Screen Explanations

HP 270 specifications

The Technicolor - Thomson HP 270 is a cutting-edge broadcast and production solution that gained recognition for its innovative features and advanced technologies. Designed for professional environments, the HP 270 plays a pivotal role in the post-production and broadcast industries, offering an array of tools tailored for high-quality video processing.

One of the standout features of the HP 270 is its exceptional video encoding capabilities. Equipped with advanced codecs, the device is adept at handling multiple formats, ensuring compatibility with various broadcasting standards. This flexibility allows content creators to deliver content across diverse platforms without sacrificing quality. The HP 270 supports both standard definition (SD) and high definition (HD) formats, making it a versatile choice for different production needs.

Another significant characteristic of the HP 270 is its robust connectivity options. The unit includes multiple input and output ports, allowing users to connect various devices seamlessly. This feature is essential for modern production environments where multiple cameras and audio sources need to be integrated into a single workflow. The device also supports network connectivity, enabling remote operation and control, which is a significant advantage for teams working in collaborative settings.

The HP 270 stands out for its user-friendly interface, designed to streamline the workflow for operators. The intuitive controls and layout allow users to access essential functions quickly, reducing the learning curve and increasing productivity. This focus on usability ensures that professionals can maximize their efficiency without being bogged down by complex processes.

In addition to its hardware capabilities, the Technicolor - Thomson HP 270 integrates advanced image processing technologies that enhance video quality. Features like color correction, noise reduction, and real-time rendering help maintain the integrity of the footage throughout the production process. This ensures that the final output is polished and professional, meeting the high standards expected in today’s media landscape.

Moreover, the HP 270 is built to withstand the rigorous demands of continuous use in professional settings. Its durable design and reliable components ensure that it can handle long hours of operation without compromising performance or quality, making it an excellent investment for production houses and broadcasters.

Overall, the Technicolor - Thomson HP 270 is a powerful tool in the arsenal of media professionals, combining advanced video processing technologies, robust connectivity, and user-friendly design to deliver top-notch production capabilities. Its comprehensive feature set makes it an essential asset for anyone involved in the broadcast and post-production workflow, setting a standard for quality and performance in the industry.