50 EN

FOR RECORDING (cont.)

Fader And Wipe Menu

 

 

 

 

 

 

Menu

Effect

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FADER — WHITE

Fade in or out with a white screen.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FADER — BLACK

Fade in or out with a black screen.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FADER — B.W

Fade in to a colour screen from a black and white screen, or fade

 

 

 

 

 

 

 

 

 

 

 

 

out from colour to black and white.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MOSAIC

Fade in or out with a full-screen mosaic effect.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wipe in on a black screen from the upper right to the lower left

 

 

 

 

 

 

WIPE — CORNER

corner, or wipe out from lower left to upper right, leaving a black

 

 

 

 

 

 

 

screen.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The scene starts in the centre of a black screen and wipes in toward

 

 

 

 

 

 

WIPE — WINDOW

the corners, or comes in from the corners, gradually wiping out to

 

 

 

 

 

 

 

the centre.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WIPE — SLIDE

Wipe in from right to left, or wipe out from left to right.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wipe in as the two halves of a black screen open to the left and

 

 

 

 

 

 

WIPE — DOOR

right, revealing the scene, or wipe out and the black screen

 

 

 

 

 

 

 

reappears from left and right to cover the scene.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WIPE — SCROLL

The scene wipes in from the bottom to the top of a black screen, or

 

 

 

 

 

 

 

 

 

 

 

 

wipes out from top to bottom, leaving a black screen.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wipe in from the centre of a black screen toward the top and

 

 

 

 

 

 

WIPE — SHUTTER

bottom, or wipe out from the top and bottom toward the centre

 

 

 

 

 

 

 

leaving a black screen.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DISSOLVE

The new scene gradually appears as the old one gradually disap-

 

 

 

 

 

 

pears.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WIPE — CORNER

The new scene wipes in over the previous one from the upper right

 

 

 

 

 

 

 

 

 

 

 

 

corner to the lower left corner.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WIPE — WINDOW

The next scene gradually wipes in from the centre of the screen

 

 

 

 

 

 

 

 

 

 

 

 

toward the corners, covering the previous scene.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WIPE — SLIDE

The next scene gradually wipes in over the previous one from right

 

 

 

 

 

 

 

 

 

 

 

 

to left.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WIPE — DOOR

The previous scene wipes out from the centre to the right and left,

 

 

 

 

 

 

 

 

 

 

 

 

like a door being pushed open to reveal the next scene.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WIPE — SCROLL

The new scene wipes in over the last one from the bottom of the

 

 

 

 

 

 

 

 

 

 

 

 

screen to the top.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

WIPE — SHUTTER

The new scene wipes in over the previous one from the centre

 

 

 

 

 

 

 

 

 

 

 

 

toward the top and bottom of the screen.

 

 

 

 

 

 

 

 

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Technicolor - Thomson HP 270 user manual 50 EN, Fader And Wipe Menu, Menu Effect
Page 50 Page 52

HP 270 specifications

The Technicolor - Thomson HP 270 is a cutting-edge broadcast and production solution that gained recognition for its innovative features and advanced technologies. Designed for professional environments, the HP 270 plays a pivotal role in the post-production and broadcast industries, offering an array of tools tailored for high-quality video processing.

One of the standout features of the HP 270 is its exceptional video encoding capabilities. Equipped with advanced codecs, the device is adept at handling multiple formats, ensuring compatibility with various broadcasting standards. This flexibility allows content creators to deliver content across diverse platforms without sacrificing quality. The HP 270 supports both standard definition (SD) and high definition (HD) formats, making it a versatile choice for different production needs.

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The HP 270 stands out for its user-friendly interface, designed to streamline the workflow for operators. The intuitive controls and layout allow users to access essential functions quickly, reducing the learning curve and increasing productivity. This focus on usability ensures that professionals can maximize their efficiency without being bogged down by complex processes.

In addition to its hardware capabilities, the Technicolor - Thomson HP 270 integrates advanced image processing technologies that enhance video quality. Features like color correction, noise reduction, and real-time rendering help maintain the integrity of the footage throughout the production process. This ensures that the final output is polished and professional, meeting the high standards expected in today’s media landscape.

Moreover, the HP 270 is built to withstand the rigorous demands of continuous use in professional settings. Its durable design and reliable components ensure that it can handle long hours of operation without compromising performance or quality, making it an excellent investment for production houses and broadcasters.

Overall, the Technicolor - Thomson HP 270 is a powerful tool in the arsenal of media professionals, combining advanced video processing technologies, robust connectivity, and user-friendly design to deliver top-notch production capabilities. Its comprehensive feature set makes it an essential asset for anyone involved in the broadcast and post-production workflow, setting a standard for quality and performance in the industry.
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