■LFE 0.1 channel

This channel reproduces low-frequency signals. The frequency range of this channel is from 20 Hz to 120 Hz. This channel is counted as 0.1 because it only enforces a low-frequency range compared to the full-range reproduced by the other 5/6 channels in Dolby Digital or DTS 5.1/6.1-channel systems.

■Neo:6

Neo:6 decodes the conventional 2-channel sources for 6- channel playback by the specific decoder. It enables playback with the full-range channels with higher separation just like digital discrete signal playback. There are two modes available: “Music mode” for music sources and “Cinema mode” for movie sources.

■Neural Surround

Neural Surround™ represents the latest advancement in surround technology and has been adopted by XM Satellite Radio for digital radio broadcast of surround recordings and live events in surround sound. Neural Surround™ employs psychoacoustic frequency domain processing which allows delivery of a more detailed sound stage with superior channel separation and localization of audio elements. System playback is scalable from 5.1 to 7.1 multi-channel surround playback.

■PCM (Linear PCM)

Linear PCM is a signal format under which an analog audio signal is digitized, recorded and transmitted without using any compression. This is used as a method of recording CDs and DVD audio. The PCM system uses a technique for sampling the size of the analog signal per very small unit of time. Standing for “Pulse Code Modulation”, the analog signal is encoded as pulses and then modulated for recording.

■Sampling frequency and number of

quantized bits

When digitizing an analog audio signal, the number of times the signal is sampled per second is called the sampling frequency, while the degree of fineness when converting the sound level into a numeric value is called the number of quantized bits. The range of rates that can be played back is determined based on the sampling rate, while the dynamic range representing the sound level difference is determined by the number of quantized bits. In principle, the higher the sampling frequency, the wider the range of frequencies that can be played back, and the higher the number of quantized bits, the more finely the sound level can be reproduced.

GLOSSARY

Video information

■Component video signal

With the component video signal system, the video signal is separated into the Y signal for the luminance and the PB and PR signals for the chrominance. Color can be reproduced more faithfully with this system because each of these signals is independent. The component signal is also called the “color difference signal” because the luminance signal is subtracted from the color signal. A monitor with component input jacks is required in order to output component signals.

■Composite video signal

With the composite video signal system, the video signal is composed of three basic elements of a video picture: color, brightness and synchronization data. A composite video jack on a video component transmits these three elements combined.

■S-video signal

With the S-video signal system, the video signal normally transmitted using a pin cable is separated and transmitted as the Y signal for the luminance and the C signal for the chrominance through the S-video cable. Using the

S VIDEO jack eliminates video signal transmission loss and allows recording and playback of even more beautiful images.

INFORMATION

ADDITIONAL

 

 

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RX-V559 specifications

The Yamaha RX-V559 is a versatile and powerful AV receiver that has garnered attention for its performance and features designed to enhance the home theater experience. This receiver serves as the hub for audio and video systems, providing exceptional sound quality and a plethora of connectivity options.

One of the main features of the RX-V559 is its 7.1 channel surround sound configuration. It is capable of delivering 100 watts per channel, providing robust audio output that fills a room, creating an immersive listening experience. The receiver supports various surround sound formats, including Dolby Digital and DTS, allowing users to enjoy their favorite movies, music, and games in spectacular multi-channel audio.

The RX-V559 comes equipped with Yamaha’s proprietary technologies, such as YPAO (Yamaha Parametric room Acoustic Optimizer), which automatically calibrates the audio settings based on the room's acoustics. This feature ensures that users experience optimal sound tailored to their specific environment. Additionally, the component features 192 kHz/24-bit audio processing, ensuring high fidelity playback that brings the subtle details of music and soundtracks to life.

For video capabilities, the RX-V559 supports true HD video formats, including 1080p, which is essential for modern high-definition televisions. The receiver includes multiple HDMI inputs, allowing for easy connections to devices such as Blu-ray players, gaming consoles, and streaming devices, all while maintaining high-quality video signal processing.

Another significant characteristic of the RX-V559 is its versatility in connectivity. It includes various input options, including optical and coaxial digital inputs, as well as regular analog connections. This ensures compatibility with a wide range of audio and video sources. The receiver also features a built-in AM/FM tuner, providing users access to their favorite radio stations.

The RX-V559 showcases an intuitive on-screen display, making setup and navigation straightforward. The remote control is user-friendly, allowing users to manage their home theater system with ease. Furthermore, the receiver includes pre-outs for external amplification, making it a future-proof option for those looking to expand their audio system.

In summary, the Yamaha RX-V559 is a robust AV receiver that combines powerful audio functionality, advanced video capabilities, and versatile connectivity options. Its combination of modern technologies and user-friendly features makes it a great choice for anyone looking to enhance their home entertainment system.
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