Rec OUT
4
6. Power AMP IN Jacks
The Power AMP A IN and Power AMP B IN jacks are direct inputs to the
and monitors with the other. This can be accom- A plished by selecting the Main/Mon position on
the selector switch located between the graphic
equalizers. In the Left/Right position, Power AMP A receives the left signal while Power AMP B receives the right signal. In the Main/Mon position, Power AMP A receives a mono sum of left and right signals while Power AMP B receives the monitor signal. An alternative use for the Power AMP A IN and Power AMP B IN jacks would be as patching inputs. Since they’re switching jacks if you plug into one (or both) the internal signal flow will be inter- rupted. This interrupts the signal from the M608 mixer to the
You can connect another mixer to the M608 power amplifier through the Power AMP A IN and Power AMP B IN jacks. This slaves the amplifier to the other mixer’s signals; it no longer receives the
7. Rec OUT Jacks
These phono connectors send the L and R
8. MON Out Jack |
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The monitor bus output signal from the Mon OUT jack is line level |
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and would normally be patched to the input of a mono power ampli- |
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fier (or a single channel of a stereo amp) driving stage monitor speak- |
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ers. Keep in mind that in the Left/Right position of the Amp Assign |
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switch there is no internal equalization for the monitor mix (you |
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might want to patch a graphic equalizer between the Mon OUT jack | MON OUT | |
and the input of your monitor power amplifier, this can help regulate | ||
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the feed). As mentioned under #4. |
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monitor mix signal can also be patched to one channel of the internal |
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amplifier using the Amp Assign switch. |
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9. EFX Out / Footswitch Jack |
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Using this jack you can connect a standard on/off footswitch to | Footswitch | |
control the activation of the internal Digital Effects Processor or | ||
EFX OUT | ||
it can be used as an effects send jack for use with an external | ||
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effects processor. |
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Note: Both devices would be sent a signal, so you could connect the external unit’s left and right outputs to the L and R inputs on channel 5/6 (channel 7/8 or any of the other channels). Use the LEVEL of that channel to adjust the amount of wet signal added to the main mix and the MON control to adjust the amount of wet sig- nal added to the monitor mix. Make sure that its EFX control on the channels are turned off. An alternative would be to use the EFX Out / Footswitch jack to deliver line level signal to the input of an auxiliary amplifier or even a recording device. Here, the channel EFX controls would act as secondary level controls.