Appendix
ZOOM HD8/HD16
180

Table 1

Parameters marked with e allow selection of setting value in note units, using the song/pattern tempo as reference. The note duration
according to the setting value is shown below.
NOTE
• The actually available note range depends on the parameter.
• Depending on the combination of tempo setting and selected note symbol, the maximum of the parameter setting range may be
exceeded. In such a case, the value is automatically halved (or set to 1/4 if the range is still exceeded).

Table 2

Table 3 Table 4

PREAMP module
Balance 0 – 100 Adjusts balance between original sound and effect sound.
Time 1 – 50 Adjusts rise time for sound.
Curve 0 – 10 Adjusts volume rise curve.
Dry Mix 0 – 10 Adjusts original sound mix ratio.
RTM Mode Table 2 Adjusts change range and direction.
RTM Wave Table 3 Selects control waveform.
RTM Sync Table 4 Adjusts control frequency.
√Thirty-second note ƒ. Dotted sixteenth note π. Dotted eighth note ∑x2 Quarter note x 2
ƒSixteenth note πEighth note ∑Quarter note ::
∑3 Quarter triplet note Ø3 Half triplet note ∑. Dotted quarter note ∑x20 Quarter note x 20
Setting value Description
Off Frequency does not change.
Pedal Frequency changes according to expression pedal movement.
Up Frequency changes from minimum to maximum according to control waveform.
Down Frequency changes from maximum to minimum according to control waveform.
Hi Frequency changes from patch setting to maximum according to control waveform.
Lo Frequency changes from minimum to patch setting according to control waveform.
Setting value Description Setting value Description Setting value Description Setting value Description
Up Saw Rising sawtooth wave Tri Triangular wave πEighth note 1 bar 1 measure
Up Fin Rising fin wave TrixTri Squared triangular wave ∑Quarter note 2 bars 2 measure
DownSaw Falling sawtooth wave Sine Sine wave ØHalf note 3 bars 3 measure
DownFin Falling fin wave Square Square wave Ø. Dotted half note 4 bars 4 measure
Type Parameter
FD Clean Clean sound of Fender Twin Reverb ('65 model) favored by guitarists of many music styles.
VX Clean Clean sound of combo amp VOX AC-30 operating in class A.
JC Clean Clean sound of Roland JC series with built-in chorus which gives a broad, clear tone.
HW Clean Clean sound of legendary all-tube Hiwatt Custom 100 from Britain.
UK Blues Crunch sound of 30-watt combo amp Marshall 1962 Bluesbreaker.
US Blues Crunch sound of Fender Tweed Deluxe '53.
TweedBass Crunch sound of Fender Bassman, a bass amp with a strong presence.
BG Crunch Crunch sound of Mesa Boogie MkIII combo amp.
MS #1959 Crunch sound of legendary Marshall 1959.
MS Drive High gain sound of Marshall stack amp JCM2000.
Rect Vnt High gain sound of Mesa Boogie Dual Rectifier red channel (vintage mode).
HK Drive High gain sound of Hughes & Kettner flagship model Triamp MKII.
DZ Drive High gain sound of the hand-made German guitar amp Diezel Herbert with three separately controllable channels.
ENGL Drive Drive sound of ENGL Ritchie Blackmore Signature 100.
PV Drive High gain sound of Peavey 5150 developed in cooperation with a world-famous hard rock guitarist.
TS+FD CMB Combination of Fender combo amp and Ibanez TS-9 sound.
SD+MS STK Combination of Marshall stack amp and Boss SD-1 sound.
FZ+MS STK Combination of Fuzz Face and Marshall stack amp sound.
Gain Tone Cabinet Level
FD Clean - FZ+MS STK have the same parameters.