CHANNEL SECTION:
CHANNELS 1-4
1.MIC INPUT: XLR balanced,
5 - 8.) See caution on page 7.
2.
3.PAD: Attenuates the input signal by 25 dB. If you find that barely touching the Level control (#4) gives you an enormous increase in volume or if distortion occurs, try using the Pad switch. In addition to increasing the dynamic range, the channel input can now accommodate a higher input level before clipping. This may be necessary with a close mic on loud guitar amplifiers or drum kits. The Pad switch can also be found on Channels 5 and 6 which are line level inputs only.
4.GAIN: Sets the signal level sent to the Left and Right bus. (The Gain control can also be found on Channels 5 - 9.)
5.MON: Adjusts the level of the channel signal
5 - 9.) This control is independent of the main channel Gain control (#4).
6.LOW EQ: A shelving type of active tone control that varies the bass frequency levels ±15 dB at 70 Hz. It will add depth to thin signals, or clean up muddy ones. (The Low control can also be found on Channels 5 - 9.)
7.MID EQ: Mid ±15 dB. This control sets the amount of cut and boost at the
5 - 8.)
8.HIGH EQ: A shelving type of active tone control that varies the treble frequency levels ±15 dB at 12 kHz. It is designed to remove noise or to add brilliance to the signal, depending on the quality of the source. (The High control can also be found on Channels 5 - 9.)
9.EFX: This control varies the level into the digital effects processor bus adjusting the signal level from the particular channel to the digital processor. (The effects control can also be found on Channels 5 - 8.) The channel Gain control (#4) also affects this level.
1
5
010 EFX.
0
0
0
5
010 MON
0dB | |
+3 |
+6 | |
|
+20 GAIN PAD 1
HI Z/
LINE
MIC
9
8
7
6
5
4
3
2
1
4