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22
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S | PEAK | 11 | 7 | 0 | 10 | 0 | 10 | 0 | 10 | 0 | 10 |
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| PRESET |
| TIME/SIZE | COLOR/TONE | EFX. TO MON. | EFX. TO MAIN |
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| DIGITAL EFFECTS |
| SENDS | POWER | 33 | ||||||
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| FLS |
| FEEDBACK LOCATING SYSTEM |
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63 | 125 | 250 | 500 | 1K | 2K | 4K | 8K | 16K | MONITOR | 23 | |
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| XR 696 | 1200W |
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23 |
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| DESIGNED IN U.S.A. BUILT UNDER | U.S. PATENT NO. 5,737,428 / 4,318,053 |
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| 48V | EFX. DEFEAT |
| MONITOR | LEFT/MONO | RIGHT |
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ON
24
26
27 | 28 | 29 | 30 | 31 | 32 |
25.MONITOR LEVEL: Sets the overall level of the monitor signal that is sent to the Monitor Output Jack. This control also sets the monitor level going to the power amp when in Main/Monitor mode (see System Mode #24).
26.MAIN LEVEL: This is the master level control for the main mix sent to the Left/Mono and Right output jacks. This control sets the Main level going to the power amp when in Main/Monitor mode (see System Mode #24). A good starting position for this control is the center detent position (12:00).
27.PHANTOM POWER SWITCH: Applies 48 V DC voltage to all input XLR connectors to power microphones that require it.
CAUTION! When phantom power is switched on, make sure that any channel you are plugging a mic into is turned down in both the main and monitor mixes. Otherwise, there will be a loud pop in the PA. This is normal. It is best to plug all mics into their respective channels with the phantom power switched off. This reduces noise in the PA and reduces the chances of the mic being damaged. If phantom power is used, do not connect unbalanced microphones or other devices that cannot handle this voltage to the XLR inputs. (Some wireless receivers may be damaged; consult their manuals for compatibility.) The line input 1/4" jacks are not connected to the phantom supply, and are safe for all inputs (balanced or unbalanced). An
7