Lyngdorf Audio DPA-1 owner manual Filter Type, Delay

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In general, the recommended crossover frequency between (sub)woofers and main speakers is be- tween 200 - 400 Hz.

By using a high crossover frequency, the rear wall quarter wavelength reflection is removed from the main speakers.

If a Lyngdorf Audio boundary woofer is used in a 2+2 set-up, a crossover frequency of 400 is recom- mended due to the high bandwidth of the boundary woofer.

For conventional active subwoofers with built in low pass filter the recommended crossover frequency is the upper low-pass frequency of the subwoofer.

If at all possible, the low pass filter in the subwoofer should be bypassed. Due to the quarter wave reflection from the rear wall corresponding to the depth of the subwoofer cabinet we recommend an crossover point at approximately 200 Hz. You might experiment with turning the subwoofer so the driver faces the wall in a distance of 5 to 10 cm. This will increase the bandwidth of the subwoofer.

However, due to the limited bandwidth (frequency response) of most conventional subwoofers you might find it necessary to choose a lower crossover frequency.

When ‘building’ active speaker systems it is recommended to use the original crossover point(s) used by the manufacturer. Due to the short wavelengths of the mid/high frequencies it is essential that both crossover frequency, filter type and order as well as delay is set correctly. Therefore, creating filters for active speakers is an iterative process that requires several critical listening sessions in order to achieve seamless integration of the different speaker drivers.

Filter Type

Filter Type

Filter Type is only available when Routing has been setup.

It is possible to choose from two different Filter Types in this menu.

LiRi: (Linkwitz Riley) 2, 4 or 8 order.

Butw: (Butterworth) 1, 2 or 4 order.

In a 2+2 set-up (main speakers + Lyngdorf Audio boundary woofers) we recommend using a fourth order Linkwitz Riley filter.

In set-ups using conventional active subwoofers – again due to limited bandwidth – we recommend us- ing a second order butterworth filter.

In active speaker systems it is recommended starting with a fourth order Linkwitz Riley filter.

Delay

Delay

If you are using a set-up with two main loudspeakers located at an identical distance to the listening position you don’t need to set a delay. However, if the distance isn’t identical and/or you are using a sub- woofer, or a Lyngdorf Audio 2+2 system, you need to set a delay in order to ensure that the sound from each loudspeaker reaches the listening position simultaneously. This must be done for main left (ML) and right (MR) and as well as line left (LL) and right (LR).

To set the delay all you need to do is measure the distance from each loudspeaker to the listening posi- tion and enter these values in the menu. The necessary delays are then automatically calculated and applied to each channel.

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Contents DPA-1 Page Table of Contents Operating Voltage Unpacking the DPA-1Serial Number Registration Introduction Accessories Front Panel ControlsDisplay Indicators Rear PanelPage Remote Control Page Connecting the DPA-1 Connecting to sources and amplifiersUsing Main and Line outputs Menu System Navigating the Menu SystemMenu Tree This is an overview of the entire DPA-1 menu structureFocus Listening Introduction to RoomPerfectGlobal Listening VoicingGuided Setup RoomPerfectSetting the Measurement Volume Level Focus Measurement Room MeasurementsAdding more Room Measurements Calculation of Focus 1 and Global Filters Advanced Options Measure Focus PosMeasure Room Pos RoomKnowledge RoomCorrectionDisplay Display TimeoutVolume Disp. Timeo Disp. BrightnessVolume Def. VolMax. Vol Input Name Input SensitivityAdvanced Setup Main Out Level Main OutMain Out Control Line OutRouting Crossover FrequencyDelay Filter TypeFactory Reset Trigger SetupRemote Control Firmware VersionsRoomPerfect Troubleshooting Firmware Upgrading Connectors Cleaning and MaintenanceTechnical Specifications AudioTrigger ProtectionMains MechanicalTechnical Assistance Appendix Voicing Curves