ADC ADDC1 instruction manual Using Adat S/MUX, Proper S/MUX Identification is a Must

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Using ADAT S/MUX

Proper S/MUX Identification is a Must

S/MUX2 allows recording 4 channels at 88.2 or 96 kHz using a standard 8-channel 44.1 or 48 kHz ADAT recorder. S/MUX4 allows recording 2 channels at 176.4 or 192 kHz using a standard 8-channel 44.1 or 48 kHz ADAT recorder. In either case it is important to identify S/MUX recordings so that they can be properly decoded upon playback. Failure to properly decode an S/MUX recording will add unwanted artifacts to the audio. The severity of these artifacts is a function of the high- frequency content of the original digital audio signal, and may range from inaudible to very objectionable. This variation in severity can make it difficult to accurately spot a problem just by listening to a portion of the recording.

An ADAT S/MUX2 recording will have pairs of nearly identical tracks (1≈2, 3≈4, 5≈6, and 7≈8). Unfortunately this can be mistaken for 4 stereo pairs at half of the original sample rate. There is no substitute for proper labeling. This labeling should include the sample rate of the recording.

An ADAT S/MUX4 recording is somewhat easier to identify because it will have groups of 4 channels that are nearly identical (1≈2≈3≈4, and 5≈6≈7≈8). In error, S/MUX4 could be played at ¼ of its original sample rate, and sound almost normal. S/MUX4 could also be mistaken for S/MUX2 and could be played at ½ of its original sample rate. Please note that these changes in sample rate will not alter the pitch of the audio but will introduce errors. These errors may not be discovered until it is too late.

internal processing in a DAW or a digital console. Many such devices include S/MUX decoders at their digital interfaces. These decoders must be properly enabled for S/MUX and must be disabled for standard ADAT inputs.

Sample Rate is the Key that Controls S/MUX

Most devices (including the ADC1) automatically enable and disable S/MUX in response to changes in sample rate. Therefore it is essential that all S/MUX equipped A/D converters, D/A converters, digital consoles, digital audio workstations, and digital processing devices be set to identical sample rates. There is one exception to this rule: A non-S/MUX ADAT recorder can be connected to an S/MUX interface, but the recorder must be set at ½ (S/MUX2) or ¼ (S/MUX4) of the actual sample rate.

S/MUX should not be used for Sample Rate Conversion

If two devices are connected with an ADAT S/MUX interface and the devices are set to different sample rates, a crude form of sample rate conversion will occur. For example, if an A/D converter is set to 96 kHz, and it feeds a digital console that is set to 48 kHz, the system will appear to down convert from 96 kHz to 48 kHz. This would be a useful feature if the digital filtering was correct. The problem is that this ad-hoc sample rate converter is lacking the low-pass filter that prevents aliasing.

S/MUX Must be Decoded Before

Digital Processing

No DSP process should be applied to an S/MUX signal before it is decoded. S/MUX must be decoded before it reaches the

ADC1 Instruction Manual

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Contents Benchmark ADC1 Channel 24-bit 192-kHz Audio Analog-to-Digital ConverterSafety Information Federal Communications Commission FCC Notice OnlyContents Overview Page Features Connections Balanced Analog Line InputsClock Reference Input To adapt to unbalanced sourcesAES/EBU XLR Output Digital OutputsOptical Output Adat Optical Output Mode Adat S/MUX2 Optical Output ModeAdat S/MUX4 Optical Output Mode SPDIF/AES BNC Main and Aux OutputsWord Clock Reference Output AC Power Entry ConnectorFuse Holder Mode Switch and Display To program the conversion modeOperation Programming the OutputsSelecting a Fixed Frequency Using the Internal Clock Source Reading Sample Rates off of the Mode DisplayTo synchronize with an external clock source To select a fixed sample frequency on the Main OutputsResetting the ADC1 to Factory Default Settings Programming the Aux OutputAdat or AES/EBU on the Optical Output Meter DisplayFirst Stage Gain Adjusting Input GainSecond Stage Gain Controls Rack Mounting Using Adat S/MUX Proper S/MUX Identification is a MustSample Rate is the Key that Controls S/MUX MUX should not be used for Sample Rate ConversionUltraLock … What is It? Problem #1 Put UltraLock converters to the testWhat UltraLock converters cannot do Performance Frequency ResponseInter-Channel Phase Response KHz LPF unweighted THD+N vs. Level, 1 KHz32K B-H FFT, Idle Channel Noise 32K B-H FFT, -3 dBFS, 1 KHz 32K B-H FFT, -3 dBFS, 10 KHz Analog Audio Inputs SpecificationsWorldclock Reference Output Digital Audio Outputs Audio Performance Group Delay Latency LED Status IndicatorsDimensions AC Power RequirementsWeight Page Warranty Information Benchmark 1 Year WarrantyBenchmark Extended 5* Year Warranty Benchmark Extended WarrantyBenchmark Media Systems, Inc
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