Fostex LM16 manual Equalizer, Gain adjustment while monitoring, Low-cut filter, Limiter

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Model LM16 [Mixer basics]

<Gain adjustment while monitoring>

To adjust the gain while monitoring an in- put signal, connect headphones to the [PHONES] jack (or connect a powered moni- tor speaker to the [MONITOR OUT] jacks) and rotate the [PHONES] control (or [MONITOR] control) little to the right from the leftmost position. In this condition, perform the fol- lowing.

1)Press the [SOLO] switch on the mixer channel to solo the channel.

2)Input the source sound (from a microphone or line).

3)Rotate the [PHONES] control (or [MONITOR] control) clockwise gradually.

4)Adjust the [TRIM] control to get the optimum gain.

5)After adjusting the gain, press the [SOLO] switch to de-solo the channel.

Low-cut filter

The low-cut filter is often known as a high- pass filter. It passes high frequencies and elimi- nates low frequencies.

By pressing the [LOW CUT] switch to set to "ON" (), the ultra low frequencies under 80 Hz are eliminated with a -12 dB/octave slope.

The low-cut filter helps prevent wind noise, mic handling noise, etc. It is recommended to enable the low-cut filter when you connect a microphone.

Equalizer

You can tailor the sound using the channel equalizer. For best results, the equalizer should be used to make the sound natural.

MID BOOST

LOW BOOST

HIGH BOOST

FLAT

LOW CUT

HIGH CUT

MID CUT

<Note>: You can equalize the pre-fader signal which is not affected by the channel fader.

<Memo>: In general, the range of frequency of sound that human beings can hear is about 20 Hz to 20 kHz. The following shows the fre- quency ranges of instruments and vocals.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hi-hat

 

 

 

 

 

 

 

 

 

 

 

 

 

Snare drum/Tom tom

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bass drum

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Soprano saxophone

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tenor saxophone

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Trumpet

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Violin

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guitar

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bass

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Soprano

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Alto

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tenor

 

 

 

 

 

 

 

 

 

 

 

 

VOCAL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Baritone

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bass

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Piano

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Electronic organ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Synthesizer

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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• Limiter

The limiter can be used to prevent clipping when a too hot signal is input.

The limiter is does not work as far as an input signal is below the threshold level.

When the input signal exceeds the threshold level, it reduces or attenuates the input sig- nal thereby holding the output signal level too high.

The output limiter provided in the master section is effective to prevent damaging the main speakers in live or PA applications.

<Tips for equalizing>

If the mixed sound is not clear, we recom- mend to find the channel which makes the mixed sound unclear and slightly cut the frequency range of the channel. To much boosting may make the mixed sound un- clear.

Listen to the mixed sound repeatedly, com- paring with the original (non-EQ) sound, and challenge to make your favorite sound.

Using of low-cut filter may be effective when you use a microphone.

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Contents Model LM16 Safety Instructions Important Safety Instructions Table of contents Adjusting the input level Low-cut filter Limiter Equalizer Signal flow of the mixer Connecting sourcesUpgrading the software Precautions on installation About power supplyAbout version upgrade IntroductionCondensation Cleaning the exteriorAbout damage About CAT-5 cableOverview Main features Unpacking the carton Before using the unitUsage examples of LM16 Setting the main unit and control unit separatelyIntegrating the main unit and control unit Mounting the main unit and control unit on the rackNecessary items Integrating the control unit and main unitRack mount adaptor After attaching the adaptor Preparation of power supply Connecting the power cordConnection example live stage Connection to external devicesMTR Connection example home recordingBalanced Balanced and unbalanced inputs/outputsNames and functions Control unit input channel 1 through Mute switch POST/PRE switch14 ST/1-2/3-4 assign switches Solo switchMonitor section Control unit Master channelSUB in jacks / SUB in control Control section Phantom 1-8, 9-16 indicatorsInternal effects section 24 27 EFF Send control / Solo switch AUX Send controls / Solo switchesAssign to Stereo OUT switches Output Limiter switchMain unit rear panel Control unit rear panelController connector Phantom 1-8, 9-16 switchesGroup OUT 1, 2, 3, 4 connectors Stereo OUT L, R connectorsMixer basics Signal flow of the mixerAdjusting the input level Connecting sourcesConnecting sources to the input connectors Phantom power supply settingEqualizer Gain adjustment while monitoringLow-cut filter LimiterUsing AUX 1, 2 Using an external effect processorPre-fader Post-faderApplying the internal effects Using the internal effects processorUsing Insert About the effect types MonitoringSolo monitor Channel groupingSet the ST assign switches on channels 15 and 16 to on Using SUBSet the Source switches on channels 15 and 16 to TRK Block diagram Showing version information Showing date informationR meters between 7 R peak indicatorsInputs/Outputs SpecificationsPower Consumption approx W Physical dimensionsGeneral Main unitMMC Command List Model LM16 Midi Implementation ChartDeclaration of EC Directive Forthe US Customers only Fostex America Limited Warranty Shipping Effect processor IndexMemo Page Fostex CO