M-Audio 2626 manual Rear Panel

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ProFire 2626

User Guide

9

Rear Panel

  







11.Power Supply Connector: Connect the included power supply here. Use only the power supply provided with the interface or an equivalent power supply with the same rating and polarity.

12.FireWire Port: Connect the ProFire 2626 interface to your computer using one of the supplied FireWire cables. Note that ProFire 2626 has two FireWire ports. Connect either one of these ports to your computer only; the second port can be used to connect another FireWire device (such as a hard disk, etc.) to your computer.**

NOTE: The power supply must always be used when operating ProFire 2626. The interface cannot be bus powered through the FireWire connection.

▶IMPORTANT: The FireWire cable should only be connected or disconnected when the interface is powered off.

13.Optical Connectors: There are two optical input ports and two optical output ports on the back of ProFire 2626. The format and sample rate are determined within the Control Panel software. See the “Control Panel Application” section of this guide to learn more about the Control Panel.

14.Breakout Cable Connector: Connect the supplied breakout cable to this port. The multi-pin breakout cable provides MIDI, Word Clock and coaxial (RCA) S/PDIF input and output connectors.

15.1/4” TRS Line Outputs: These eight jacks output balanced, line-level signals for monitoring, mixing, or external effects processing.

16.Combo Jacks: These eight inputs accept signals from XLR (microphone-level) or 1/4” (line-level) sources. The XLR inputs are routed to the preamps whereas the 1/4” line-level inputs bypass the preamps and are not influenced by the Gain Adjustment Knobs (4).

**If your computer has a second FireWire port, M-Audio recommends connecting any additional FireWire devices to that port instead of daisy-chaining them to ProFire 2626. Alternatively, if your computer includes an additional PCI or PCMCIA FireWire expansion card, we recommend connecting additional FireWire devices to the ports on that card while ProFire 2626 should remain connected to the computer’s built-in FireWire port. Operating ProFire 2626 and other FireWire peripherals on separate FireWire busses should help to prevent potential bandwidth overload and other possible FireWire bus related conflicts between devices.

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Contents User Guide ProFire Midi Introduction What’s in the Box?About the ProFire 2626 FireWire Audio Interface ProFire 2626 Features System Requirements Minimum System Requirements/SpecificationsRecommended System Specifications CompatibilityHardware Controls and Connectors Front PanelAbout Phantom Power Rear Panel Architecture of ProFire ArdwareenputsAbout Software Returns ProFire 2626 Operation at High Sample Rates About S/MUX II and S/MUX IV modesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista 88.2/96 kHz Operation Windows XP/Vista UsersWindows XP/Vista 176.4/192 kHz Operation Control Panel Application MixerProFire User Guide Why are software returns disabled? Router Output Source Routing Active Input PortsActive Software Returns Input Channel OrderSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Standalone Mode Mixer Peak MetersAdat D/A Mode Mode File AboutAdditional Functions HelpDigital Clocking Scenario 1 ProFire 2626 as Clock Master Slave Adat aScenario 2 ProFire 2626 Slaved to an Optical Input Master Adat aScenario 3 ProFire 2626 Slaved to S/PDIF Input Master CD PlayerMidi Connection Diagram and Example Scenarios 0OWERW 3UPPLYProFire User Guide Example Scenario #1 Recording a Duo Hardware Input and Output ConnectionsHardware Input Instrument Setting up the DSP Mixer Configuring the Mixer, Router, and Settings tabsRouting the DSP Mixer outputs Using the DSP Mixer to create Cue Mixes Disabling unused input portsExample Scenario #2 Mixing in Surround Ront ,EFTConfiguring the Mixer, Router, and Settings tabs Hardware Output Destination SpeakerConfiguring and Using your DAW to create a Surround Mix Troubleshooting Problem No soundProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Warranty Terms Warranty RegistrationAudio USA Audio Japan
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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