M-Audio manual Scenario 3 ProFire 2626 Slaved to S/PDIF Input, Master CD Player

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ProFire 2626

User Guide

36

Scenario 3: ProFire 2626 Slaved to S/PDIF Input

You may need to use a two-track device as clock master. This is because many two-track digital devices, such as consumer CD players, are not designed to be locked to other devices due to their lack of digital inputs. Configure ProFire 2626 to synchronize externally when receiving digital signal from such devices.

In Figure 3 below, the CD player is configured as the clock master, with ProFire 2626 and other devices configured as slaves.

Slave (ADAT A)

In A

Out A

Slave

In B

Out B

12V DC

3.5A

— +

MIDI

In A

Out A

7

5

3

1

S/PDIF

Word Clock

8

 

In BOut B 8

6

4

2

MIDI

Optical

 

Line Outputs

 

 

 

 

 

S/PDIF

Word Clock

S/PDIF

(RCA)

7

6

5

4

3

2

1

 

 

 

Mic/Line Inputs

 

 

 

Master (CD Player)

Slave (ADAT B)

The previous three examples have covered some of the most common clocking methods and are intended to help you understand the basic principles of digital clocking. Note that there are many other ways in which proper clocking can be established between digital audio devices and this chapter cannot cover every conceivable scenario. If your studio uses more advanced clocking devices such as a “house” master clock, please refer to that device’s user guide to learn more about how it can be configured to work with ProFire 2626.

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Contents User Guide ProFire Midi What’s in the Box? IntroductionAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Recommended System Specifications Minimum System Requirements/SpecificationsSystem Requirements CompatibilityFront Panel Hardware Controls and ConnectorsAbout Phantom Power Rear Panel Ardwareenputs Architecture of ProFireAbout Software Returns About S/MUX II and S/MUX IV modes ProFire 2626 Operation at High Sample RatesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista Users Windows XP/Vista 88.2/96 kHz OperationWindows XP/Vista 176.4/192 kHz Operation Mixer Control Panel ApplicationProFire User Guide Why are software returns disabled? Router Active Input Ports Output Source RoutingInput Channel Order Active Software ReturnsSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Mixer Peak Meters Standalone ModeAdat D/A Mode Mode Additional Functions AboutFile HelpDigital Clocking Slave Adat a Scenario 1 ProFire 2626 as Clock MasterMaster Adat a Scenario 2 ProFire 2626 Slaved to an Optical InputMaster CD Player Scenario 3 ProFire 2626 Slaved to S/PDIF InputMidi 0OWERW 3UPPLY Connection Diagram and Example ScenariosProFire User Guide Hardware Input and Output Connections Example Scenario #1 Recording a DuoHardware Input Instrument Setting up the DSP Mixer Configuring the Mixer, Router, and Settings tabsRouting the DSP Mixer outputs Disabling unused input ports Using the DSP Mixer to create Cue MixesRont ,EFT Example Scenario #2 Mixing in SurroundHardware Output Destination Speaker Configuring the Mixer, Router, and Settings tabsConfiguring and Using your DAW to create a Surround Mix Problem No sound TroubleshootingProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Terms Warranty Registration WarrantyAudio Japan Audio USA
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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