M-Audio 2626 manual Active Software Returns, Input Channel Order

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ProFire 2626

User Guide

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Active Software Returns

ProFire 2626 allows for a maximum of 26 software returns. The Control Panel software allows you to reduce the number of software returns in order to minimize the demands placed on the FireWire bus and decrease the amount of system resources used by ProFire 2626. Due to slight differences between how the Windows and Macintosh platforms handle audio, this parameter appears differently in the Control Panel and is described separately below for each operating system:

Windows: Software returns can be activated/ deactivated in banks. Check a bank to activate its corresponding software returns or uncheck a box to deactivate the software returns.

Macintosh: The ProFire 2626 Control Panel for Mac OS X has a drop-down menu showing the maximum number of software return channels. This menu allows software return channels to be increased/decreased in pairs.

Why are Software Returns disabled?

Software returns may automatically become disabled when using ProFire 2626 at higher sample rates. Please refer to the “Architecture of ProFire 2626” section of this User Guide to learn more about this.

Windows Users: Software return channels always appear in your audio application even if they have been disabled. However, if your audio application’s outputs are routed to disabled channels, these software outputs will not be played out of the interface’s hardware output ports.

If you have recently changed the sample rate of the interface and some of the outputs cease to play back, open the Router tab in the Control Panel and observe the Output Source Routing section: All disabled software returns will appear grayed-out and italicized. Make sure that your audio application’s outputs are not routed to any of these disabled software returns.

Input Channel Order

This section determines the order of the input ports as they appear in your audio software application. Groups of ports can be dragged and arranged in a left-to-right order (the left-most item appears first in the software’s hardware input list while the right-most item appears at the end).

For example, if you would prefer the coaxial S/PDIF ports to appear as the first entries in your audio application’s list of inputs and outputs, drag the “S/PDIF COAX” icon to the left-most section of the Control Panel.

▶CAUTION: Do not change the input channel ordering while your audio application is open. This may result in unexpected performance from your computer hardware and/or audio software. Once a change is made to this parameter, you may need to “refresh” or “update” your audio application’s input routing page to see the updated ordering. Refer to your audio application’s documentation to learn more about this.

NOTE: Changing the channel order in the ProFire 2626 Control Panel may require you to update the input routing settings within your audio application.

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Contents User Guide ProFire Midi What’s in the Box? IntroductionAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Compatibility Minimum System Requirements/SpecificationsRecommended System Specifications System RequirementsFront Panel Hardware Controls and ConnectorsAbout Phantom Power Rear Panel Ardwareenputs Architecture of ProFireAbout Software Returns About S/MUX II and S/MUX IV modes ProFire 2626 Operation at High Sample RatesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista Users Windows XP/Vista 88.2/96 kHz OperationWindows XP/Vista 176.4/192 kHz Operation Mixer Control Panel ApplicationProFire User Guide Why are software returns disabled? Router Active Input Ports Output Source RoutingInput Channel Order Active Software ReturnsSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Mixer Peak Meters Standalone ModeAdat D/A Mode Mode Help AboutAdditional Functions FileDigital Clocking Slave Adat a Scenario 1 ProFire 2626 as Clock MasterMaster Adat a Scenario 2 ProFire 2626 Slaved to an Optical InputMaster CD Player Scenario 3 ProFire 2626 Slaved to S/PDIF InputMidi 0OWERW 3UPPLY Connection Diagram and Example ScenariosProFire User Guide Hardware Input and Output Connections Example Scenario #1 Recording a DuoHardware Input Instrument Routing the DSP Mixer outputs Configuring the Mixer, Router, and Settings tabsSetting up the DSP Mixer Disabling unused input ports Using the DSP Mixer to create Cue MixesRont ,EFT Example Scenario #2 Mixing in SurroundHardware Output Destination Speaker Configuring the Mixer, Router, and Settings tabsConfiguring and Using your DAW to create a Surround Mix Problem No sound TroubleshootingProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Terms Warranty Registration WarrantyAudio Japan Audio USA
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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