M-Audio 2626 manual Configuring and Using your DAW to create a Surround Mix

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ProFire 2626

User Guide

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Routing your DAW application outputs:

In this scenario, your audio application will output a mix consisting of six channels. The ProFire 2626 Router must be correctly configured so that these channels leave the interface through the correct analog outputs. To make sure all of your outputs are correctly routed, go to the Router tab in the Control Panel:

1.Open the drop-down menu under Analog Out 1/2 and select “SW Return 1/2.”

2.Open the drop-down menu under Analog Out 3/4 and select “SW Return 3/4.”

3.Open the drop-down menu under Analog Out 5/6 and select “SW Return 5/6.”

Configure the Master Volume Knob to Control Your Studio Monitors:

Since your studio monitors are connected to analog outputs 1-6, make sure that the “Analog Out 1/2”, “Analog Out 3/4”, and “Analog Out 5/6” boxes are checked under the “Master Volume Knob” section of the Settings tab. This will ensure that the Master Volume knob (8) on the front panel can be used to simultaneously raise or lower the levels of all six speakers.

Configuring and Using your DAW to create a Surround Mix

Your audio hardware is now set up for surround mixing. Your surround mix channels are routed correctly through the interface and the Master Volume knob can be used to control all six speakers simultaneously.

You may need to configure your audio software further before you can begin mixing. For example, you will need to ensure that your audio application’s left and right channels are being sent to “SW Return 1/2”, the surround left and surround right channels are sent to “SW Return 3/4”, and the center and subwoofer channels are being routed to “SW Return 5/6.” This configuration varies from application to application, but it is usually done through your program’s “Settings” or “Control Panel” menu. Finally, if your DAW offers additional features relating to surround mixing (i.e., video synchronization and/or playback, bass management, etc.), you may need to set up these features as well.

Please refer to your application’s user guide to learn how to do this.

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Contents User Guide ProFire Midi What’s in the Box? IntroductionAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Compatibility Minimum System Requirements/SpecificationsRecommended System Specifications System RequirementsFront Panel Hardware Controls and ConnectorsAbout Phantom Power Rear Panel Ardwareenputs Architecture of ProFireAbout Software Returns About S/MUX II and S/MUX IV modes ProFire 2626 Operation at High Sample RatesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista Users Windows XP/Vista 88.2/96 kHz OperationWindows XP/Vista 176.4/192 kHz Operation Mixer Control Panel ApplicationProFire User Guide Why are software returns disabled? Router Active Input Ports Output Source RoutingInput Channel Order Active Software ReturnsSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Mixer Peak Meters Standalone ModeAdat D/A Mode Mode Help AboutAdditional Functions FileDigital Clocking Slave Adat a Scenario 1 ProFire 2626 as Clock MasterMaster Adat a Scenario 2 ProFire 2626 Slaved to an Optical InputMaster CD Player Scenario 3 ProFire 2626 Slaved to S/PDIF InputMidi 0OWERW 3UPPLY Connection Diagram and Example ScenariosProFire User Guide Hardware Input and Output Connections Example Scenario #1 Recording a DuoHardware Input Instrument Routing the DSP Mixer outputs Configuring the Mixer, Router, and Settings tabsSetting up the DSP Mixer Disabling unused input ports Using the DSP Mixer to create Cue MixesRont ,EFT Example Scenario #2 Mixing in SurroundHardware Output Destination Speaker Configuring the Mixer, Router, and Settings tabsConfiguring and Using your DAW to create a Surround Mix Problem No sound TroubleshootingProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Terms Warranty Registration WarrantyAudio Japan Audio USA
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.