M-Audio 2626 manual Hardware Controls and Connectors, Front Panel

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NOTE: The 1/4” line input section of the combo connector (on the rear of the interface) is never sent to the preamp, however, the interface does sum the 1/4” line-level portion of the combo jack and front-panelinstrument-level input. While the summing of these two 1/4” inputs does not affect either input’s impedance or signal level, it does make it possible to record audio from both inputs simultaneously. If you have connected a line-level device to the rear of the interface but only intend to record from the corresponding instrument input on the front, please make sure that the connected device is not outputting any audio (or is powered off).
Setting Gain Levels
To set gain levels for an analog input, begin by turning the Gain Adjustment Knob (4) for that channel fully counter-clockwise. While the sound source is playing at its loudest levels, slowly turn the knob clockwise until the red clip indicator (3) begins to illuminate. Then, turn the knob counter-clockwise until the clip indicator no longer illuminates. At this point, you should be ready to record with the optimum gain setting.
Please keep in mind that the red LED indicates that your input is clipping (distorting) digitally. This is not the same kind of analog-style distortion found on guitar amplifiers and stomp boxes. Digital distortion is generally considered to be harsh and unmusical and it is recommended that you use these LED meters to avoid this type of clipping.

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User Guide

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6 Hardware Controls and Connectors

 





 

 

 

 

 

 





 

 

 

 

 

 





 









 













 

 



 









 



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1.Instrument Inputs (Channels 1/2): These unbalanced 1/4” jacks are used for connecting high impedance instrument-level signals (i.e., electric guitars and basses) to ProFire 2626. When using these inputs, make sure that the Mic/Inst (2) button is set to its “in” position in

order to route the associated instrument input to the preamp.

2. Mic/Inst Buttons: These buttons determine whether the channel’s XLR input (rear-panel combo jack) or the 1/4” instrument input (on the front panel) will be routed to the preamp. When this button is set to the “out” position, the combo jack’s XLR connection will be active and the front panel input will be ignored. Conversely, when this button is set to the “in” position, the channel’s 1/4” front panel input will be active and the combo jack’s XLR connection will be ignored.

3.Signal/Clip Indicators: The green LED indicates

the presence of a signal at the corresponding analog input while the red LED indicates “clipping” or distortion at the input. Use these LED meters to set levels for the eight analog inputs.

4. Gain Adjustment Knobs / 20dB Pads: These are dual function knobs that are used to adjust the preamp gain as well as to engage a 20dB pad. Turn this knob clockwise to increase the input gain for a channel. Pull the knob to the “out” position to engage a 20dB pad or leave the knob in the “in” position to allow signals to bypass the pad.

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Contents User Guide ProFire Midi Introduction What’s in the Box?About the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Minimum System Requirements/Specifications Recommended System SpecificationsSystem Requirements CompatibilityHardware Controls and Connectors Front PanelAbout Phantom Power Rear Panel Architecture of ProFire ArdwareenputsAbout Software Returns ProFire 2626 Operation at High Sample Rates About S/MUX II and S/MUX IV modesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista 88.2/96 kHz Operation Windows XP/Vista UsersWindows XP/Vista 176.4/192 kHz Operation Control Panel Application MixerProFire User Guide Why are software returns disabled? Router Output Source Routing Active Input PortsActive Software Returns Input Channel OrderSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Standalone Mode Mixer Peak MetersAdat D/A Mode Mode About Additional FunctionsFile HelpDigital Clocking Scenario 1 ProFire 2626 as Clock Master Slave Adat aScenario 2 ProFire 2626 Slaved to an Optical Input Master Adat aScenario 3 ProFire 2626 Slaved to S/PDIF Input Master CD PlayerMidi Connection Diagram and Example Scenarios 0OWERW 3UPPLYProFire User Guide Example Scenario #1 Recording a Duo Hardware Input and Output ConnectionsHardware Input Instrument Routing the DSP Mixer outputs Configuring the Mixer, Router, and Settings tabsSetting up the DSP Mixer Using the DSP Mixer to create Cue Mixes Disabling unused input portsExample Scenario #2 Mixing in Surround Ront ,EFTConfiguring the Mixer, Router, and Settings tabs Hardware Output Destination SpeakerConfiguring and Using your DAW to create a Surround Mix Troubleshooting Problem No soundProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Warranty Terms Warranty RegistrationAudio USA Audio Japan
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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