M-Audio 2626 manual Mixer Peak Meters, Standalone Mode

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ProFire 2626

User Guide

28

Mixer Peak Meters

This section of the Control Panel configures the operation of the meters within the DSP Mixer.

Mode

This drop-down menu determines the behavior of the meters of the ProFire 2626 DSP mixer.

Pre-fader – When this parameter is set to “Pre-fader” the meters will display the level of a signal before it passes the fader. This allows signal levels to be displayed regardless of the fader positions within the DSP mixer (i.e., a fader can be all the way down and no sound will be heard from the mixer’s output, but you can still see if there is any activity on that input).

Post-fader – This setting configures the meters to show levels after signal has passed through the faders. In this configuration, fader positions will affect the meters. For example, a fader that is all the way down will result in no signal being displayed on its meter.

Peak Hold

The meters of the ProFire 2626 DSP mixer feature a “peak hold” function designed to assist in finding the loudest transients of a signal. This drop-down menu determines how long the peak indicator will remain before resetting:

Off

This setting turns the peak hold function off

 

 

1 Second

Peak levels are held for one second

 

 

3 Seconds

Peak levels are held for three seconds

 

 

Infinite

Peak levels are held until the meters are cleared

TIP: Peak levels can be cleared at any time by clicking the meters in the DSP mixer.

Standalone Mode

ProFire 2626 can be used in Standalone Mode (i.e., without a computer). To enter Standalone Mode, power down the interface, disconnect any FireWire cables attached to the FireWire Ports (12), and power on the interface.

The parameters in this section of the Control Panel determine how ProFire 2626 will function while operating in Standalone Mode. This is a useful feature as it allows you to set the Standalone Mode settings independently from the hosted settings. This saves you from having to reconfigure the Control Panel each time before you use the interface in Standalone Mode.

Sync Source

This drop-down menu determines the clock synchronization source when using ProFire 2626 in Standalone Mode.

If you have connected a S/PDIF, ADAT, or Word Clock device to your ProFire 2626 and would like to use that device’s clock as the master clock source, select “ADAT A,” “ADAT B,” “Coax S/PDIF,” or “Word Clock” from this drop down menu. Otherwise, leave this parameter on its default “Internal” setting to allow ProFire 2626 to use its internal clock.

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Contents User Guide ProFire Midi What’s in the Box? IntroductionAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Recommended System Specifications Minimum System Requirements/SpecificationsSystem Requirements CompatibilityFront Panel Hardware Controls and ConnectorsAbout Phantom Power Rear Panel Ardwareenputs Architecture of ProFireAbout Software Returns About S/MUX II and S/MUX IV modes ProFire 2626 Operation at High Sample RatesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista Users Windows XP/Vista 88.2/96 kHz OperationWindows XP/Vista 176.4/192 kHz Operation Mixer Control Panel ApplicationProFire User Guide Why are software returns disabled? Router Active Input Ports Output Source RoutingInput Channel Order Active Software ReturnsSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Mixer Peak Meters Standalone ModeAdat D/A Mode Mode Additional Functions AboutFile HelpDigital Clocking Slave Adat a Scenario 1 ProFire 2626 as Clock MasterMaster Adat a Scenario 2 ProFire 2626 Slaved to an Optical InputMaster CD Player Scenario 3 ProFire 2626 Slaved to S/PDIF InputMidi 0OWERW 3UPPLY Connection Diagram and Example ScenariosProFire User Guide Hardware Input and Output Connections Example Scenario #1 Recording a DuoHardware Input Instrument Routing the DSP Mixer outputs Configuring the Mixer, Router, and Settings tabsSetting up the DSP Mixer Disabling unused input ports Using the DSP Mixer to create Cue MixesRont ,EFT Example Scenario #2 Mixing in SurroundHardware Output Destination Speaker Configuring the Mixer, Router, and Settings tabsConfiguring and Using your DAW to create a Surround Mix Problem No sound TroubleshootingProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Terms Warranty Registration WarrantyAudio Japan Audio USA
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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