M-Audio 2626 manual Hardware Input Instrument

Page 42

ProFire 2626

User Guide

41

• Input Connections:

The electric guitar is recorded “direct” by connecting it to the first channel’s front-panel Instrument Input (1) with a standard 1/4” TS instrument cable. When using a front panel input, make sure that the Mic/Inst button (2) for that channel is in the “in” position. If a 1/4” line-level device is connected to the first channel’s combo connector (on the rear of the interface), make sure that the device is not outputting any audio.

The vocalist’s microphone as well as the four percussion microphones can be plugged into channels 2-6 on the rear of the interface

using XLR cables. Engage the Phantom Power buttons (5) if your microphones require power. Remember that certain vintage microphones may be damaged if phantom power is sent to them—read your microphone’s manual if you are not sure if it requires power.

TIP: The XLR inputs of the combo connectors on the rear of the interface feed into the mic preamps while the 1/4” rear panel inputs bypass the preamps. If you are recording line-level signals, it is recommended that you use the 1/4” inputs to bypass the preamplifier’s circuitry (since the preamp is not necessary in this case).

Finally, the drum machine’s line-level outputs are plugged into channels 7/8 using 1/4” cables.

Hardware Input

Instrument

 

 

Analog 1 (front panel 1/4”)

Guitar (direct)

 

 

Analog 2 (rear combo/XLR)

Vocalist Microphone

 

 

Analog 3 (rear combo/XLR)

Percussion Microphone 1

 

 

Analog 4 (rear combo/XLR)

Percussion Microphone 2

 

 

Analog 5 (rear combo/XLR)

Percussion Microphone 3

 

 

Analog 6 (rear combo/XLR)

Percussion Microphone 4

 

 

Analog 7 (rear combo/1/4”)

Drum Machine line-output (left)

 

 

Analog 8 (rear combo/1/4”)

Drum Machine line-output (right)

• Output Connections:

The two headphone outputs of ProFire 2626 can be used to create a customized cue mix for each performer. The guitarist/vocalist receives a set of headphones connected to Headphone Output 1 while the percussionist receives a set connected to Headphone Output 2. The recording engineer’s studio monitors are connected to analog outputs 5/6.

Hardware Output

Destination

 

 

Headphone Output 1

Guitarist/Vocalist Headphone

 

 

Headphone Output 2

Percussionist Headphone

 

 

Analog Outputs 5/6

Studio Monitors

 

 

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Contents User Guide ProFire Midi Introduction What’s in the Box?About the ProFire 2626 FireWire Audio Interface ProFire 2626 Features System Requirements Minimum System Requirements/SpecificationsRecommended System Specifications CompatibilityHardware Controls and Connectors Front PanelAbout Phantom Power Rear Panel Architecture of ProFire ArdwareenputsAbout Software Returns ProFire 2626 Operation at High Sample Rates About S/MUX II and S/MUX IV modesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista 88.2/96 kHz Operation Windows XP/Vista UsersWindows XP/Vista 176.4/192 kHz Operation Control Panel Application MixerProFire User Guide Why are software returns disabled? Router Output Source Routing Active Input PortsActive Software Returns Input Channel OrderSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Standalone Mode Mixer Peak MetersAdat D/A Mode Mode File AboutAdditional Functions HelpDigital Clocking Scenario 1 ProFire 2626 as Clock Master Slave Adat aScenario 2 ProFire 2626 Slaved to an Optical Input Master Adat aScenario 3 ProFire 2626 Slaved to S/PDIF Input Master CD PlayerMidi Connection Diagram and Example Scenarios 0OWERW 3UPPLYProFire User Guide Example Scenario #1 Recording a Duo Hardware Input and Output ConnectionsHardware Input Instrument Configuring the Mixer, Router, and Settings tabs Setting up the DSP MixerRouting the DSP Mixer outputs Using the DSP Mixer to create Cue Mixes Disabling unused input portsExample Scenario #2 Mixing in Surround Ront ,EFTConfiguring the Mixer, Router, and Settings tabs Hardware Output Destination SpeakerConfiguring and Using your DAW to create a Surround Mix Troubleshooting Problem No soundProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Warranty Terms Warranty RegistrationAudio USA Audio Japan
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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