About Clock | M-Audio 2626 manual

ProFire 2626

User Guide

Hosted Mode

The parameters in this section of the Control Panel govern the operation of the interface when it is connected to a computer using a FireWire cable (i.e., Hosted Mode).

Sync Source

This drop-down menu determines the clock source to which ProFire 2626 is synchronized. If you are using ProFire 2626 by itself (i.e., without other digital devices or an external clock), this parameter must be set to “Internal” for the interface to work properly.

If you have connected a S/PDIF, ADAT, or Word Clock device to your ProFire 2626 and would like to use that device’s clock as the master clock source, select “ADAT A,” “ADAT B,” “Coax S/PDIF,” or “Word Clock” from this drop down menu. This will make ProFire 2626 lock to the external device’s clock.

About Clock:

If you are using ProFire 2626 in conjunction with other digital devices in your studio, you will need to designate one device in your studio as the “clock master.” All other digital devices must be set to lock (or “slave”) to the master device’s clock.

For example, if you have connected your ProFire 2626 and a DAT recorder using a pair of S/PDIF cables (i.e., the S/PDIF output of ProFire 2626 has been connected to the S/PDIF input of the DAT recorder; the S/PDIF output of the DAT has been connected to the S/PDIF input on ProFire 2626), you must configure either ProFire 2626 or the DAT recorder to act as the clock master, while the other device must be set to “external” or “slave” mode. If your devices are not configured in this way, you may hear clicks, pops, and other unwanted glitches in your audio.

If you wish to set ProFire 2626 as the master, set the “Sync Source” parameter in the Control Panel to “Internal.” If you would like ProFire 2626 to lock to another device connected using ADAT, S/PDIF, or Word Clock, select “ADAT A,” “ADAT B,” “Coax S/PDIF,” or “Word Clock” from the drop-down menu. In this scenario, you’ll need to ensure that the external device is set as the clock master.

Refer to the “Digital Clocking” section of this guide to learn more about clocking and to learn how to digitally synchronize multiple digital devices to one clock.

2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.