M-Audio 2626 manual Windows XP/Vista 176.4/192 kHz Operation

Page 16

ProFire 2626

User Guide

15

Windows XP/Vista: 176.4/192 kHz Operation

PC

Audio Application

 

Hardware Inputs

 

 

 

18x16

 

 

 

Software Returns

Analog

ADAT A

ADAT B

S/ PDI F

 

DSP Mixer

 

 

 

(S/MUX IV)

(S/MUX IV)

 

 

 

12345678

12345678

12345678

12

 

1

2345678910

11121314151617181920212223242526

Router

(Select source for each hardware output)

12345678

 

12345678

 

12345678

 

12

 

 

 

Analog

 

ADAT A

 

ADAT B

 

S/ PDI F

 

 

(S/MUX IV)

 

(S/MUX IV)

 

 

Hardware Outputs

At sample rates of 176.4 or 192 kHz, the ADAT ports operate in S/MUX IV mode. As a result, the number of available ADAT channels is reduced to two channels per port (i.e., channels 3-8 are disabled on all ADAT I/O ports), and software return channels 11-16 and 19-24 are disabled.

TIP: Users who regularly work at different sample rates may wish to use the Control Panel’s “save” and “load” functions to store and recall preferred routing assignments for each sample rate. This will allow them to quickly shift between various sample rates without having to reconfigure routing assignments each time.

Windows XP/Vista Users:

Please note that certain input and output ports become unavailable at high resolutions (such as ADAT 5-8 in S/MUX II mode). While the ports will become disabled as the sample rate is increased, your DAW application’s audio inputs and outputs may still be routed to unavailable ports. In this case, the disabled inputs and outputs will not stream audio.

To avoid this, configure your DAW application’s inputs to receive audio from active ports and make sure that the application is sending audio to active software returns. Next, you may need to reconfigure the Router to ensure that the software returns from your DAW application are routed to active hardware output ports. To help you quickly identify disabled hardware inputs and software returns, the Control Panel application grays-out and italicizes any inputs, outputs, or software returns that are disabled. The DSP Mixer displays an exclamation point ( ) if the input source stream has become disabled.

Image 16
Contents User Guide ProFire User Guide Midi Introduction Minimum System RequirementsAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Hardware Controls and Connectors Front PanelAbout Phantom Power Rear Panel Architecture of ProFire ProFire ProFire 2626 Operation at High Sample Rates About S/MUX II and S/MUX IV modesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista 88.2/96 kHz Operation Windows XP/Vista UsersWindows XP/Vista 176.4/192 kHz Operation Control Panel Application MixerProFire User Guide Why are software returns disabled? Router Output Source Routing Active Input PortsActive Software Returns Input Channel OrderSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Standalone Mode Mixer Peak MetersAdat D/A Mode Mode About Additional FunctionsFile HelpDigital Clocking Scenario 1 ProFire 2626 as Clock Master Slave Adat aScenario 2 ProFire 2626 Slaved to an Optical Input Master Adat aScenario 3 ProFire 2626 Slaved to S/PDIF Input Master CD PlayerMidi Connection Diagram and Example Scenarios AdatProFire User Guide Example Scenario #1 Recording a Duo Hardware Input and Output ConnectionsHardware Input Instrument Setting up the DSP Mixer Configuring the Mixer, Router, and Settings tabsRouting the DSP Mixer outputs Using the DSP Mixer to create Cue Mixes Disabling unused input portsExample Scenario #2 Mixing in Surround Front Left Front RightConfiguring the Mixer, Router, and Settings tabs Hardware Output Destination SpeakerConfiguring and Using your DAW to create a Surround Mix Troubleshooting Problem No soundProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Warranty Terms Warranty Registration9329-65015-00
Related manuals
Manual 52 pages 1.3 Kb

2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.