ProFire User Guide | M-Audio 2626 guide

ProFire 2626

User Guide

•If you are recording the direct output of any electric guitars or basses, connect these instruments to Analog Inputs 1 and 2 (1) on the front panel. Be sure the Mic/Inst Button (2) is in the “in” position for each channel that is using the front panel inputs. If any 1/4” line-level devices have been connected to the corresponding rear-panel inputs, make sure that these devices are not outputting any audio.

•Attach up to two pairs of headphones to the Headphone jacks (7).

•Connect line outputs 3-8 to any devices with analog inputs that you wish to use during recording or mixing. Such devices can include compressors, EQs, signal processors, mixers, or additional speakers if you are mixing in surround.

•Use analog inputs 3-8 to connect microphones or any line-level devices (keyboards, samplers, CD players, etc.) that you wish to record. If you have attached analog outputs 3-8 to external audio processing devices (such as compressors, EQs, etc.), you can use these inputs to bring the outputs of those devices back into your audio application.

•If you wish to use any devices with ADAT* inputs and outputs (digital mixers, A/D and D/A converters, other computers equipped with ADAT ports), connect these devices to the optical connectors (13) on the rear panel of ProFire 2626. By combining the signals from both ADAT optical ports, ProFire 2626 can send/receive 16 channels of audio while operating at 44.1/48 kHz, eight channels at 88.2/96 kHz (in S/MUX II mode), and four channels at 176.2/192 kHz (in S/MUX IV mode).

•To use the S/PDIF*, Word Clock*, or MIDI, inputs and outputs, connect the supplied breakout cable to the Breakout

Cable connector (14) on the rear panel of the interface.

S/PDIF is a common format found on many consumer and professional devices (A/D and D/A Microphone Preamps converters, CD players, keyboards and samplers, etc.) that is used to digitally transfer stereo signals.

Word Clock is a synchronization format often found on professional digital audio devices (digital mixers, A/D and D/A converters). It is used to synchronize two or more digital audio devices to the same master clock.

MIDI is a communication protocol supported by nearly all modern keyboard and synthesizer products as well as most DAW applications. This protocol is commonly used to connect MIDI-capable devices to each other, or to connect these devices to the recording application running on your computer. The “MIDI” section of this guide covers this protocol in greater detail.

*Whenever audio devices are digitally interconnected (i.e., through ADAT, S/PDIF, or Word Clock), you must set up proper clocking among all of the devices to ensure error free transfer of audio. The “Digital Clocking” section of this guide covers this topic in detail.

2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.