M-Audio 2626 manual About Phantom Power

Page 8

ProFire 2626

User Guide

7

5.Phantom Power Buttons: These two buttons apply +48V phantom power to XLR inputs 1-4 and 5-8. The top button activates phantom power on XLR inputs 1 through 4 while the bottom button activates phantom power for inputs 5 through 8. The LED next to each button will illuminate when phantom power is being sent to the associated channels.

6.Headphone Level Knobs: These knobs adjust the output volume of the headphone outputs. Turn these knobs clockwise to increase the level of their associated headphone outputs; turn them counterclockwise to reduce the output levels.

About Phantom Power:

Be mindful when engaging phantom power since not all microphones require phantom power to operate. For example, most dynamic microphones do not require any phantom power whereas condenser microphones usually do. Some vintage ribbon microphones may be damaged if phantom power is applied to them. Always consult your microphone’s manual before applying phantom power.

7.Headphone Jacks: Connect headphones to these jacks. The first headphone output is sourced from audio routed to analog outputs 1/2 while the second headphone output is sourced from audio routed to analog outputs 3/4.

8.Master Volume Knob: This knob controls the

analog output levels of ProFire 2626. Turning the knob

HINT: To control the level of the main monitor

clockwise will increase the output level while turning

mix without affecting the level at the headphone

it counterclockwise will reduce the output level. By

outputs, assign the Master Volume knob to

default, this knob is assigned to control analog outputs

either analog outputs 5/6 or 7/8 and use those

1/2, however, the Control Panel application provides

outputs for your main monitors. This prevents the

the option of setting the Master Volume knob to control

Master Volume Knob from influencing the levels

any combination of analog output pairs (i.e., 1/2, 3/4,

of headphone outputs 1 and 2 and effectively

5/6, or 7/8). This includes the ability to control the level

provides front panel volume controls for three

of all eight analog outputs simultaneously. This feature

unique stereo outputs.

has been implemented to facilitate many kinds of stereo

If you already have a way of controlling the

and surround mixing scenarios.

main monitor mix level (e.g. through the use

 

See the Control Panel section of this User Guide for

of an external mixer), another good use for the

more information about how to configure and use the

assignable Master Volume Knob is as an auxiliary

Master Volume knob.

send. Simply connect one of the analog output

9. Power Button: This button turns the ProFire 2626

pairs to an outboard effects unit and assign the

Master Volume Knob to the respective channels.

interface on and off. Make sure to connect the FireWire

Bring the outboard effect’s outputs back into the

cable to your computer before turning on the interface.

ProFire 2626 interface using any two available

Hot-plugging (i.e., connecting the FireWire cable while

audio inputs as the auxiliary return and use the

the interface is powered on) may have adverse effects

Master Volume Knob to control the auxiliary send

on your ProFire 2626 and/or your computer. Please

level.

refer to the M-Audio knowledge base at www.m-audio.

 

com for additional information about hot-plugging.

 

10.Power Indicator: This LED illuminates when the interface is powered on. It remains continuously lit when the unit is receiving power and a valid digital clock signal (internal or external); the LED blinks when the interface is not synchronizing properly to digital clock.

Page 7 Page 9
Image 8
Page 7 Page 9
Contents User Guide ProFire User Guide Midi Introduction Minimum System RequirementsAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Hardware Controls and Connectors Front PanelAbout Phantom Power Rear Panel Architecture of ProFire ProFire ProFire 2626 Operation at High Sample Rates About S/MUX II and S/MUX IV modesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista 88.2/96 kHz Operation Windows XP/Vista UsersWindows XP/Vista 176.4/192 kHz Operation Control Panel Application MixerProFire User Guide Why are software returns disabled? Router Output Source Routing Active Input PortsActive Software Returns Input Channel OrderSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Standalone Mode Mixer Peak MetersAdat D/A Mode Mode About Additional FunctionsFile HelpDigital Clocking Scenario 1 ProFire 2626 as Clock Master Slave Adat aScenario 2 ProFire 2626 Slaved to an Optical Input Master Adat aScenario 3 ProFire 2626 Slaved to S/PDIF Input Master CD PlayerMidi Connection Diagram and Example Scenarios AdatProFire User Guide Example Scenario #1 Recording a Duo Hardware Input and Output ConnectionsHardware Input Instrument Routing the DSP Mixer outputs Configuring the Mixer, Router, and Settings tabsSetting up the DSP Mixer Using the DSP Mixer to create Cue Mixes Disabling unused input portsExample Scenario #2 Mixing in Surround Front Left Front RightConfiguring the Mixer, Router, and Settings tabs Hardware Output Destination SpeakerConfiguring and Using your DAW to create a Surround Mix Troubleshooting Problem No soundProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Warranty Terms Warranty Registration9329-65015-00
Related manuals
Manual 52 pages 1.3 Kb

2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
Top Page Image Contents