M-Audio 2626 manual D/A Mode

Page 30

ProFire 2626

User Guide

29

Converter Mode

ProFire 2626 can operate in two different ways while in Standalone Mode. Each mode is described separately below:

A/D – D/A Mode:

When this parameter is set to “A/D - D/A” mode the interface operates like a standard analog-to-digital (A/D), digital-to-analog (D/A), and S/PDIF format converter. The operation of this mode varies by the sample rate of the interface. This is described in detail below:

44.1-48 kHz

(Optical Port B can only be set to S/PDIF at these sample rates)

Analog In 1-8

ADAT (port A) Out 1-8

 

 

ADAT (port A) In 1-8

Analog Out 1-8

 

 

Coaxial S/PDIF

Optical S/PDIF

 

 

Optical S/PDIF

Coaxial S/PDIF

88.2-96 kHz (when Optical Port B is set to ADAT)

Analog In 1-8

ADAT Out 1-8*

 

 

ADAT In 1-8*

Analog Out 1-8

88.2-96 kHz (when Optical Port B is set to S/PDIF)

Analog In 1-4

ADAT Out 1-4

 

 

ADAT In 1-4

Analog Out 1-4

 

 

Coaxial S/PDIF

Optical S/PDIF

 

 

Optical S/PDIF

Coaxial S/PDIF

176.4-192 kHz

(Optical Port B can only be set to ADAT at this sample rate)

Analog In 1-4

ADAT Out 1-4**

 

 

ADAT In 1-4**

Analog Out 1-4

*When operating at 88.2/96 kHz (S/MUX II mode), four channels of audio are sent/received via ADAT port A while the remaining four channels are sent/received via ADAT port B.

**When operating at 176.4/192 kHz (S/MUX IV mode), two channels of audio are sent/received via ADAT port A while the remaining two channels are sent/received via ADAT port B.

Image 30
Contents User Guide ProFire User Guide Midi Introduction Minimum System RequirementsAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Hardware Controls and Connectors Front PanelAbout Phantom Power Rear Panel Architecture of ProFire ProFire ProFire 2626 Operation at High Sample Rates About S/MUX II and S/MUX IV modesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista 88.2/96 kHz Operation Windows XP/Vista UsersWindows XP/Vista 176.4/192 kHz Operation Control Panel Application MixerProFire User Guide Why are software returns disabled? Router Output Source Routing Active Input PortsActive Software Returns Input Channel OrderSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Standalone Mode Mixer Peak MetersAdat D/A Mode Mode File AboutAdditional Functions HelpDigital Clocking Scenario 1 ProFire 2626 as Clock Master Slave Adat aScenario 2 ProFire 2626 Slaved to an Optical Input Master Adat aScenario 3 ProFire 2626 Slaved to S/PDIF Input Master CD PlayerMidi Connection Diagram and Example Scenarios AdatProFire User Guide Example Scenario #1 Recording a Duo Hardware Input and Output ConnectionsHardware Input Instrument Configuring the Mixer, Router, and Settings tabs Setting up the DSP MixerRouting the DSP Mixer outputs Using the DSP Mixer to create Cue Mixes Disabling unused input portsExample Scenario #2 Mixing in Surround Front Left Front RightConfiguring the Mixer, Router, and Settings tabs Hardware Output Destination SpeakerConfiguring and Using your DAW to create a Surround Mix Troubleshooting Problem No soundProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Warranty Terms Warranty Registration9329-65015-00
Related manuals
Manual 52 pages 1.3 Kb

2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.