M-Audio 2626 manual ProFire User Guide

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Useful Tips and Shortcuts:
• The input channel numbers (listed along the bottom of the mixer) can be renamed by clicking on them. For example, if a bass guitar is routed to input channel 8, you can click the “8” at the bottom and rename the channel to “Bass.” Note that changing a channel name only affects the labeling in the DSP Mixer and does not affect the way that input appears in your computer’s audio software.
• By alt-clicking(option-click for Mac users) the mute, solo, or link buttons, you can quickly mute, solo, or link all of the DSP Mixer’s 18 input channels at once. This is also a handy feature in situations where you have muted/ soloed/linked multiple channels and need to quickly unmute/unsolo/unlink them. Note that the mute buttons for the input channels (just above the faders) and the mute buttons for the aux sends (on the right side of the mixer) operate independently of each other.
• A fader or aux send knob can be set to unity gain by either double-clicking or alt-clicking it (option-click for Mac users).

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User Guide

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It is important to note that any changes made to the DSP Mixer will only affect what is audible from the mixer’s outputs—the DSP Mixer does not affect the signals that are sent to the audio application for recording. For example, if you are recording a vocalist and he/she tells you to turn up the vocal track so they can hear themselves better, you can increase the vocalist’s microphone channel in the DSP Mixer. This will make the vocal part louder in the vocalist’s headphones, but it will still be recorded into the audio application at the volume determined by the front panel Gain Adjustment Knob (4).

The DSP Mixer is set up like a standard mixing console: There are 18 input channels, each with its own volume fader, pan and aux send knobs, solo ( ), and mute ( ) buttons, as well as a master output section with its own pair of faders, and mute buttons.

A pair of channels can be linked together by clicking the link icon ( ) between the two channels. Linking channels allows you to adjust mute, solo, aux, and fader settings simultaneously by modifying parameters on either one of the linked channels.

NOTE: Linking two channels will not have any effect on their pan or channel input selection. These settings are always made on a per-channel basis.

The DSP mixer features multi-segment meters to show input channel levels

(directly above each channel) and main mixer output levels (at the top right of the mixer). The peak hold indication time as well as pre/post fader metering operation can be set from the Settings tab of the Control Panel. Finally, the clip indicators can be reset by clicking on the meter itself.

The signal source for each of the DSP Mixer’s 18 input channels can be selected from 52 possible signal streams

(26 input streams and 26 software return streams). Click the downward arrow ( ) and make a selection from the drop-down menu that appears. If an exclamation point ( ) is displayed in place of a downward arrow, the currently selected stream is disabled because of S/MUX operation or by user preference. Grayed out and italicized drop-down selections are also disabled and will not stream audio

if selected. To resolve this issue, select another input source that is not deactivated, reduce the sample rate of the interface, or increase the number of active input ports or software returns if possible (the reduction of input ports and software returns is covered in detail in the “Why are channels disabled?” text box on the next page.

As stated earlier, setting or adjusting the DSP Mixer will not affect the signal that is recorded into the audio application. For example, you’ll still be able to record a channel while its corresponding DSP Mixer channel is muted. You won’t hear the part through the DSP mixer as it is being recorded, but it will still record into your audio application and play back properly.

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Contents User Guide ProFire User Guide Midi Introduction Minimum System RequirementsAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Hardware Controls and Connectors Front PanelAbout Phantom Power Rear Panel Architecture of ProFire ProFire ProFire 2626 Operation at High Sample Rates About S/MUX II and S/MUX IV modesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista 88.2/96 kHz Operation Windows XP/Vista UsersWindows XP/Vista 176.4/192 kHz Operation Control Panel Application MixerProFire User Guide Why are software returns disabled? Router Output Source Routing Active Input PortsActive Software Returns Input Channel OrderSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Standalone Mode Mixer Peak MetersAdat D/A Mode Mode File AboutAdditional Functions HelpDigital Clocking Scenario 1 ProFire 2626 as Clock Master Slave Adat aScenario 2 ProFire 2626 Slaved to an Optical Input Master Adat aScenario 3 ProFire 2626 Slaved to S/PDIF Input Master CD PlayerMidi Connection Diagram and Example Scenarios AdatProFire User Guide Example Scenario #1 Recording a Duo Hardware Input and Output ConnectionsHardware Input Instrument Configuring the Mixer, Router, and Settings tabs Setting up the DSP MixerRouting the DSP Mixer outputs Using the DSP Mixer to create Cue Mixes Disabling unused input portsExample Scenario #2 Mixing in Surround Front Left Front RightConfiguring the Mixer, Router, and Settings tabs Hardware Output Destination SpeakerConfiguring and Using your DAW to create a Surround Mix Troubleshooting Problem No soundProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Warranty Terms Warranty Registration9329-65015-00
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.