M-Audio 2626 manual Why are software returns disabled?

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ProFire 2626

User Guide

18

Why are software returns disabled?

When the interface operates at higher sample rates (i.e., 88.2/96 kHz or 176.4/192 kHz), certain hardware input and output ports become disabled due to S/MUX II and S/MUX IV operation. When this happens, the Control Panel automatically scales the number of software return channels to match the number of hardware outputs. See the section entitled “Architecture of ProFire 2626” to learn about which specific hardware I/O and software return channels become disabled at various sample rates.

NOTE: If you wish to use the DSP Mixer of ProFire 2626 for input monitoring, be sure to mute your DAW application’s recording channels (or, if possible, turn off the application’s monitor mixing functionality altogether) to prevent two separate cue mixes from being created (this can cause undesirable effects such as phasing and slap-back delays). Conversely, if you wish to use your application’s own monitor mixing capabilities, you will most likely want to bypass the ProFire 2626 DSP Mixer to prevent “double-monitoring” from taking place.

The DSP Mixer can be bypassed by either muting all of its input channels or by making sure that the Mixer’s outputs are not routed to any hardware outputs in the Router (see the following section to learn more about the Router).

Keep in mind that that the DSP Mixer channels have up to seven auxiliary sends* that can be shown or hidden using the

“+” and “–“ buttons ( ) on the right side of the mixer. Hiding an aux send channel does not disable the channel but simply allows the row of aux sends to be hidden to minimize the size of the Control Panel. Each row of auxiliary sends also has its own mute ( ) button allowing you to quickly silence the mix created by its associated row of aux send knobs.

Aux sends can be routed to any of the hardware outputs on the interface via the Router tab and can be used to send signals to external effects processors just like an Aux Send on a traditional mixing console. Another common use of this functionality is to create custom cue mixes for separate performers (this topic is covered in “Example Scenario #1” section of this guide). The aux sends are in stereo and will always maintain the pan settings made in the DSP Mixer channels.

* When operating at 176.4 or 192 kHz sample rates, the number of available auxiliary sends is reduced to one.

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Contents User Guide ProFire User Guide Midi Minimum System Requirements IntroductionAbout the ProFire 2626 FireWire Audio Interface ProFire 2626 Features Front Panel Hardware Controls and ConnectorsAbout Phantom Power Rear Panel Architecture of ProFire ProFire About S/MUX II and S/MUX IV modes ProFire 2626 Operation at High Sample RatesMAC OS X 88.2/96 kHz Operation MAC OS X 176.4/192 kHz Operation Windows XP/Vista Users Windows XP/Vista 88.2/96 kHz OperationWindows XP/Vista 176.4/192 kHz Operation Mixer Control Panel ApplicationProFire User Guide Why are software returns disabled? Router Active Input Ports Output Source RoutingInput Channel Order Active Software ReturnsSettings About Clock Sample Rate ProFire User Guide Master Volume Knob Mixer Peak Meters Standalone ModeAdat D/A Mode Mode Help AboutAdditional Functions FileDigital Clocking Slave Adat a Scenario 1 ProFire 2626 as Clock MasterMaster Adat a Scenario 2 ProFire 2626 Slaved to an Optical InputMaster CD Player Scenario 3 ProFire 2626 Slaved to S/PDIF InputMidi Adat Connection Diagram and Example ScenariosProFire User Guide Hardware Input and Output Connections Example Scenario #1 Recording a DuoHardware Input Instrument Setting up the DSP Mixer Configuring the Mixer, Router, and Settings tabsRouting the DSP Mixer outputs Disabling unused input ports Using the DSP Mixer to create Cue MixesFront Left Front Right Example Scenario #2 Mixing in SurroundHardware Output Destination Speaker Configuring the Mixer, Router, and Settings tabsConfiguring and Using your DAW to create a Surround Mix Problem No sound TroubleshootingProblem No visual activity on Signal/Clip LED indicators ProFire User Guide Warranty Terms Warranty Registration Warranty9329-65015-00
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2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.
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