ProFire User Guide | M-Audio 2626 instruction

ProFire 2626

User Guide

Optical Port B Mode

This portion of the Control Panel determines how the second pair of optical ports on the rear of the interface will operate. Setting this parameter to “ADAT” will allow ProFire 2626 to receive or send 16 channels of 44.1/48kHz signals, eight channels of 88.2/96 kHz signals, or four channels of 176.4/192 kHz signals by using both optical ports in tandem.

Selecting “S/PDIF” will allow the second optical input and output ports to receive and send stereo S/PDIF signals. Note that optical S/PDIF operates at a maximum sample rate of 96 kHz.

S/MUX Mode

Each ADAT optical cable can carry eight channels of audio when operating at standard sample rates of 44.1 or 48 kHz, four channels when operating at sample rates of 88.2 or 96 kHz (S/MUX II Mode), or two channels while operating at 176.4 or 192 kHz (S/MUX IV mode). These high resolution modes are known as “S/MUX II” and “S/MUX IV” and are enabled when an ADAT source toggles a special bit in its output stream. This bit tells the destination device to switch to the proper S/MUX mode in order to receive the high resolution signal correctly.

Unfortunately, some devices that are capable of S/MUX II or S/MUX IV operation do not set the S/MUX bit correctly and, as a result, the ProFire 2626 may be unable to automatically detect the desired sample rate. The “S/MUX Mode” option resolves this issue:

Auto– This is the default setting and should work in most cases. When this mode is selected,

ProFire 2626 observes the S/MUX bit of an incoming signal and automatically switches between standard, S/MUX II, and S/MUX IV modes.

S/MUX II (88.2-96 kHz) – This parameter sets the ADAT input ports to operate in S/MUX II mode. Only use this option if the default “Auto Detect” setting does not correctly recognize the sample rate of the incoming signal.

S/MUX IV (176.4-192 kHz) – This parameter sets the ADAT input ports to operate in S/MUX IV mode. Only use this option if the default “Auto Detect” setting does not correctly recognize the sample rate of the incoming signal.

NOTE: This parameter only affects the ADAT inputs when the Sync Source parameter is set to “ADAT A” or “ADAT B.”

2626 specifications

The M-Audio 2626 is a versatile audio interface designed to cater to the needs of music producers, engineers, and podcasters. With its robust feature set, it provides an excellent solution for capturing high-quality audio in both studio and live environments. One of its main attributes is the capability of handling up to 26 inputs and 26 outputs, making it particularly suitable for complex recording sessions involving multiple microphones and instruments.

A standout feature of the M-Audio 2626 is its high-resolution audio conversion, supporting 24-bit depth and sample rates up to 192 kHz. This ensures that recordings maintain clarity and detail, which is essential for professional audio production. The unit employs advanced A/D and D/A conversion technologies, which contribute to its low noise levels and high dynamic range, ensuring your audio is free from distortion.

Connectivity is another strong point. The M-Audio 2626 features a combination of both analog and digital inputs, including eight XLR/TRS combo inputs with phantom power for condenser microphones. This flexibility allows users to integrate various sound sources easily. Additionally, the device includes multiple MIDI inputs and outputs, supporting the integration of MIDI controllers and other gear for comprehensive music production setups.

The interface is equipped with a user-friendly control panel, enabling straightforward navigation through its routing features and settings. Users can easily control levels, monitor audio through reliable headphone outputs, and make adjustments on-the-fly, which is crucial in dynamic recording environments.

In terms of compatibility, the M-Audio 2626 works seamlessly with major digital audio workstations (DAWs) across both Mac and PC platforms. Its class-compliant USB interface allows for quick connection without the need for additional drivers, facilitating an efficient workflow right out of the box.

The device’s rugged design is built to withstand the rigors of daily use, making it an ideal choice for both studio settings and on-the-road applications. Its compact form factor also ensures it won’t take up too much space in your gear bag.

Overall, the M-Audio 2626 stands out as a powerful audio interface that combines high-quality audio performance with a flexible and intuitive design. Whether you're a seasoned professional or an enthusiastic beginner, this interface provides the tools necessary to elevate your audio production experience.