Roland GI-20 owner manual Calling Up the Input Sensitivity Settings

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Chapter 2 Creating Your Own Settings (Patches)

Calling Up the Input

Sensitivity Settings

Select input sensitivity settings appropriate for the guitar or bass you are using.

1.Turn the PARAMETER knob to “GUITAR SEL.”

fig.02-01

2.Press [PATCH/VALUE] to select a setting from G1 to G4.

You can make the input sensitivity settings for each of

the sets G1–G4 (p. 11).

fig.02-02

When G1 is selected

3.If you want to save the settings, carry out the Write procedure (p. 26).

*If you do not want to save the settings, turn the PARAMETER knob to return to “PLAY MODE.”

4.When you have finished making the settings, turn the PARAMETER knob to return to “PLAY MODE.”

Setting the Feeling of the Performance (PLAY FEEL)

With guitars, in contrast to keyboards and similar instruments, the vibrating strings are touched directly, giving the player the ability to exert subtle control over the dynamics. To realize most faithfully this aspect of the guitar, you need to set a “performance response” for each patch that is appropriate both for the way the instrument is being played, as well as the sounds that are used.

These parameters are controlled by “PLAY FEEL.” For example, you can get more natural dynamic expression by changing PLAY FEEL according to whether you are playing the strings with your fingers or using a pick.

1.Turn the PARAMETER knob to “PLAY FEEL.”

fig.02-03

2.Press [PATCH/VALUE] to change the value.

3.If you want to save the settings, carry out the Write procedure (p. 26).

*If you do not want to save the settings, turn the PARAMETER knob to return to “PLAY MODE.”

4.When you have finished making the settings, turn the PARAMETER knob to return to “PLAY MODE.”

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Contents Main Features Using the Unit Safely page 2-3 and Important NotesPage For the U.K Maintenance Power SupplyPlacement Additional PrecautionsContents Front Panel Rear Panel Signal Flow About Midi Installing the Divided Pickup on the Guitar or BassItems to Have On Hand Guitars That Cannot Be Used with the GK-2A/GK-2BConnection Examples Selecting the Guitar or BassPreparations to Make Before Performing Turning Off the Power Turning On the PowerAdjusting the Input Sensitivity Playing Sounds from a Sound ModuleSystem Parameters and Patch Parameters What is a Patch?Selecting Patches System ParametersAbout the Display How to Switch PatchesWhen Not Switching Patches Patch ParametersSetting the Midi Transmit Channel Basic CH Setting the Midi ChannelSetting the Transmission Mode MONO/POLY When in Poly ModeSetting the Control Channel CTL CH Control ChangePress PATCH/VALUE to select the Basic channel number Performing on the Guitar Program ChangePress PATCH/VALUE to select the Control channel number Setting the Midi Data Path Connecting to a ComputerSetting the Midi Port Signal Paths That Can Be Selected WithCalling Up the Input Sensitivity Settings Setting the Feeling of the Performance Play FeelSetting the Pedal and Switch Functions Assign 31, 64-95 Midi Control Change CC#1-31, CC#64-95 Functions That Can Be Selected WithController Function Pu Patch UpOu Octave Up Pd Patch DownPt Patch Up/Down Od Octave DownV1-V4 Vibrato U4 Glide Up 4/d4 Glide DownU5-u8 Glide Up 5-8/d5-d8 Glide Down B1 Pitch BendSetting the Range in Which Pitches Are Changed Bend Range Shifting the Pitch of the Sound TransposeSettings That Can Be Selected With Setting the Bend RangeSwitching Sounds on External Devices PRG Change Press Write Storing the Settings WriteMuting Specific Strings Press PATCH/VALUE to select the save-destination patchConfirm that the GI-20 is set to Play Mode Copying PatchesPress PATCH/VALUE to select the copy-destination patch Convenient Functions Featured by the GI-20 Tuning TunerConvenient Functions Featured by the GI-20 OffReceiving Saved Data Using Midi Bulk Load Midi Bend Data Thin Function Turn the power offReceive Saved Data Through USB Bulk Load USB Use a USB cable to connect the computer and the GI-20Receive Control Change Data Thin Function Reducing the Amount of Control Change Data TransmittedLimiting the Extent of the Bend Range Bend Range MAX Press PATCH/VALUE to select 12 orPress PATCH/VALUE to select SP or GE Turn the power off Selecting the Type of USB DriverTurn off the power to the GI-20 Reset to Default Factory Settings Factory ResetInstalling the Rack Mount Adaptor Attaching the Rubber FeetSound doesn’t vary when the settings are changed TroubleshootingVolume fluctuates from one string to another Pitch doesn’t change smoothlyProblems occur after switching GI-20 patches Pitch is wrong out of tune with the guitar/bassIs Midi Bend Range the same for both sending and receiving? Error Messages ReasonAction Data Format for Exclusive Messages One-way Transfer ProcedureRoland Exclusive Messages Address-mapped Data TransferData set 1 DT1 12H System Exclusive Message Midi ImplementationChannel Voice Messages Control ChangeChannel Mode Message Appendices Transmit DataSystem Realtime Message Appendices Exclusive Communications Data Set 1 DT1 12HDecimal and Hexadecimal table Midi Implementation Chart Specifications GI-20 GK-MIDI InterfaceComputer GI-20Open the System Properties dialog box Driver InstallationWith the GI-20 disconnected, start up Windows Click the Hardware tab, and then click Driver SigningPrepare the CD-ROM Installing & Setting Up the Driver WindowsSwitch on the GI-20’s power switch Connect the GI-20 to your computerIf What action do you want Windows to take? is set to Warn If What action do you want Windows to take? is set to BlockClick OK Click YesNext, you need to make the driver settings. p If you changed What action do you want Windows to take?Make sure that File signature verification is set to Ignore Fig.d13Fig.d16 Click Yes Continue the installation If File signature verification is set to WarnIf File signature verification is set to Block Restart Windows If you changed File signature verificationClick the Hardware tab, and then click Driver signature \Win98Me\Setupinf.exe SetupInf dialog box, click OK Settings Open Control PanelWindows XP Click the Midi tab Windows 98 usersOpen the Multimedia Properties dialog box Set Midi outputInstalling the driver Use either OMS or FreeMIDI as the Midi driverVerify the Install Location, and click Install Setting the driverInstalling & Setting Up the Driver Macintosh Click Restart to restart your MacintoshCreate a New Studio setup dialog box will appear. Click OK OMS Driver Search dialog box will appear. Click SearchMy Studio Setup Window, click the keyboard icon After you have finished the above check, exit OMS SetupAbout Quick Setup dialog box will appear. Click Continue Fig.d43Page GI-20 is not detected when making OMS or FreeMIDI settings Problems related to the USB driverCannot install the driver correctly Find new hardware wizard does not execute automaticallyTroubleshooting Does your computer meet the USB specifications?Deleting incorrect device information Windows XP/2000 users Can’t install/delete/use the driver in Windows XP/2000Deleting the driver Did you make Driver Signing Options?Windows Me/98 users Macintosh usersIndex Index Tuner String SELAvis Information

GI-20 specifications

The Roland GI-20 is a groundbreaking MIDI guitar converter that allows electric guitarists to explore the vast world of MIDI technology. Designed to bridge the gap between traditional guitar playing and digital music production, the GI-20 transforms standard guitar signals into MIDI data, giving players access to a wide array of synthesized sounds and virtual instruments.

One of the main features of the GI-20 is its ability to track the guitar’s pitch with high accuracy. Utilizing Roland’s advanced technology, the device boasts rapid response times and minimal latency, ensuring that every note plucked or strummed is translated into MIDI in real-time. This precision is crucial for guitarists who wish to maintain their playing style while experimenting with synthesizers and sampled instruments.

In terms of connectivity, the Roland GI-20 is equipped with a 13-pin connector, allowing it to interface seamlessly with compatible Roland synths, sound modules, and other MIDI devices. Additionally, standard MIDI outputs enable connection to MIDI controllers and computers, providing an expansive toolkit for music creation.

The user interface is designed with simplicity in mind. A large LCD display allows for easy navigation of settings, while intuitive controls help players adjust parameters on the fly. Guitarists can also customize their performance by altering the sensitivity levels, enabling them to fine-tune how the device responds to their playing style.

The GI-20 offers an array of built-in sounds that mirror the capabilities of traditional synthesizers. These sounds can be layered or split into different tones based on the player’s preferences, offering a variety of sonic textures to enhance compositions. Furthermore, the ability to save and recall user settings allows for quick access to preferred configurations during live performances.

Another significant characteristic of the GI-20 is its compatibility with a wide range of guitars, including both electric and bass guitars. As long as the instrument is equipped with the appropriate pickup system, the GI-20 can effectively convert its output into MIDI signals.

In summary, the Roland GI-20 is a versatile and innovative tool for guitarists seeking to expand their creative horizons. With its accurate tracking, extensive connectivity, user-friendly interface, and a wealth of sounds, it unlocks the potential for guitarists to dive into the realms of electronic music and MIDI composition. Whether in the studio or on stage, the GI-20 opens up a world of possibilities for musicians looking to blend traditional guitar playing with modern technology.