Alesis MIXING CONSOLES manual Configurations, MOD Amplitude, Configuration Signal Paths

SECTION 4

PdL	Pitchwheel	Delay Level			1dL
Modwheel	Delay Level	ndL	Note Number		Delay
Level		UdL	VelocityDelay Level
	AdL	Aftertouch		Delay Level
	SdL	Sustain Pedal		Delay Level
	bdL	Breath ControllerDelay Level
		7dL	Volume Pedal		Delay
Level

MOD AMPLITUDE

The Mod Amplitude is the amount that the selected MIDIVERB III parameter will be affected by the Mod Source. It can be adjusted to affect the target parameter by a positive or negative amount. In other words, if the Reverb Decay was selected as the Mod Destination with the pitch wheel of a keyboard as the Mod Source, the pitch wheel could be programmed to cause the Reverb to increase the decay (positive) or decrease its decay (negative).

The VALUE button selects the amount of Modulation.

CONFIGURATIONS

At the heart of MIDIVERB III's unique sophistication is its 15 different configurations. A configuration is the order in which the internal digital Effects are placed. Even with all 4 effects operating simultaneously, each effect suffers no sonic degradation, and is capable of full 16Hz to 15KHz bandwidth.

CONFIGURATION SIGNAL

PATHS

One of the major differences between each configuration is whether the Chorus of the MIDIVERB III is connected directly to the output, or if it is fed directly into the Delay or Reverb instead. Figure 10 shows that Configurations 1 through 6 are identical with Configurations 7 through 12 except that 1 through 6 has the Chorus connected to the output.

Another major difference between configurations is how the Delay section of the MIDIVERB III will be used. In Configurations 1, 7, and 13, the Delay is used for slightly delaying the Reverb in order to simulate a larger environment. This is called PreDelay. In all other configurations, the Delay section functions as a normal digital delay. See

Figure 10.

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