If you are using two subwoofers for stereo audio, stereo separation is improved if each channel has its own subwoofer, providing each one is sited close to the relevant satellite speaker.

If the subwoofers cannot be ideally sited, or if you are using a dedicated subwoofer output from a decoder, connect the second subwoofer from the first. If using a decoder, use only one input channel. For two channel audio, both input channels should be used.

Double check the connections

Before auditioning the sound quality of your new installation and fine tuning it, double check the connections. All too often, users complain that they cannot get a decent sound however they set the controls, only to discover something has been wrongly connected. Make sure that:

The phasing is correct – there should be no positive to negative connections (this applies only to speaker level interconnects). If something is out of phase you may get a fuzzy sound with an imprecise and floating image, a lack of bass or a combination of the two.

There are no left to right mix-ups – this can result, for example, in the orchestra being the wrong way round or, more disastrously, sounds on your home theatre going in the opposite direction to the action on the screen.

Switching on and off

We recommend that you switch the subwoofer on before any power amplifiers receiving signals from the subwoofer. Similarly, when switching off, switch the subwoofer off last.

On first switching the subwoofer on, the amplifier goes into standby mode and the light above the on/auto/off switch glows red. When an input signal is detected, the amplifier automatically becomes fully active and the light glows green.

After a period of about 5 minutes without an input signal, the amplifier automatically reverts

Set the VOLUME control to the half-way

(12 o’clock) position (this is a standard THX pre-set level)

Set the PHASE switch initially to 0°, then see the section below on fine tuning.

Ensure that the subwoofer function on the THX controller is enabled. When so configured it incorporates all the filtering and level setting required for the subwoofer in all modes. For level calibration, the internal test noise and channel level controls in the THX controller should be used. In all cases the levels should be set so as to obtain 75db spl (C-weighted) at the listening position from the controller’s internal noise test signal. Refer to your controller manual for further details as to how to set the levels. Inexpensive sound level meters are readily available from electronics stores and should be used to calibrate the levels.

Use with other home theatre decoders

If the decoder has a dedicated subwoofer output and an internal low-pass filter for the subwoofer having a slope of 2nd-order (12db/octave) or greater, set the LOW-PASS filter frequency to maximum, otherwise set it initially to 80Hz.

Set the volume control initially to the half-way (12 o’clock) position, then see the section below on fine tuning.

Set the phase switch initially to 0°, then see the section below on fine tuning.

Use for stereo audio

Set the LOW-PASS filter initially to 80hz then see the section below on fine tuning.

Set the VOLUME control initially to the half way (12 o’clock) position, then see the section below on fine tuning.

Set the PHASE switch initially to 0°, then see the section below on fine tuning.

At each setting of the cut-off frequency, listen with the phase switch in both positions. The correct one is that which gives the fullest bass and that will depend on the bass characteristics of your satellite speakers and the relative distances of the subwoofer(s) and the satellite speakers to the listeners. When using more than one subwoofer, ensure that each one has its cut-off frequency and phase switch set the same way.

If at any time you make changes to the amplification of the system such that you change from speaker to line level connections to the subwoofer, it is worth checking the phase setting again, as the speaker level and line level high-pass filter phase characteristics of the subwoofer are different.

Set the loudness of the subwoofer relative to the satellite systems to your liking. Use a wide variety of programme material to get an average setting. One that sounds impressive on one piece may sound overpowering on another. Listen at realistic levels as the perception of balance varies with sound level.

If you get problems with lumpy bass – if certain bass notes are exaggerated more than others – then you probably have a room interface problem and it is worth experimenting with the placement of the subwoofer. What may seem like small changes in position – 15cm (6in) or so – can have a profound effect on the sound. Try raising the subwoofer clear of the floor as well as lateral movement. The use of multiple subwoofers can smooth the effects of room resonances as each subwoofer will tend to excite resonances at different frequencies. If you alter the relative distances from the subwoofer(s)

and satellite speakers to the listeners appreciably, reassess the phase switch setting. You should also check the level setting of the subwoofer (using either the decoder output levels or the volume control on the subwoofer amplifier as appropriate), but only after setting the phase correctly.

to standby mode.

Setting the controls

There are three controls to consider:

The LOW-PASS filter frequency

The VOLUME control

The PHASE switch

The optimum settings depend on the other equipment used with the subwoofer. If using more than one subwoofer, make sure the controls on each one are set the same.

Use with THX® controllers (including THX controllers set in non-THX mode)

The ASW2000 is not an THX licensed component, but may be used with a THX controller if desired.

Set the LOW-PASS filter frequency to maximum.

Fine tuning

The optimum settings of the PHASE switch and the LOW-PASS filter frequency are inter-related and also dependent on the low-frequency cut-off characteristic of the satellite speakers and the relative positions of all the speakers in the installation.

Set the system up in the preferred position and play some programme with a steady bass content. The optimum setting for the LOW-PASS cut-off frequency depends on several variables the bass performance and power handling of the satellite speakers, the number of subwoofers used and their position relative to the satellite speakers. The range 80-90Hz is a good starting point

for the LOW-PASS frequency. Unless two subwoofers are used to preserve separate right and left channel information and are sited close to the relevant satellite speakers, using a higher cut-off frequency may compromise the stereo image and should only be considered if the bass performance of the satellite speakers is particularly limited.

Taking care of the subwoofer

The cabinet of the subwoofer may be cleaned by dusting with a dry cloth. If you wish to use an aerosol cleaning spray, do not spray directly on the cabinet; spray onto the cloth. Remove the grille first so that the cloth does not become stained, but be careful not to disturb the drive unit. The grille itself may be cleaned using

a soft brush.

Do not use the subwoofer as a table. When in use, objects left on top of the subwoofer are liable to rattle. In particular, avoid the risk of liquids being spilled (eg from drinks or vases of flowers).

If the system is taken out of use for a long period, disconnect the subwoofer from the power supply.

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Bowers & Wilkins ASW2000 owner manual Double check the connections, Switching on and off, Setting the controls, Fine tuning

ASW2000 specifications

The Bowers & Wilkins ASW2000 is a subwoofer designed to elevate the home audio experience, delivering powerful and precise bass response that enhances both music and movie soundtracks. As part of Bowers & Wilkins' well-respected line-up of audio products, the ASW2000 is engineered with a blend of advanced technologies and thoughtful design, making it a standout choice for audiophiles and casual listeners alike.

One of the key features of the ASW2000 is its robust construction. The subwoofer is housed in a sealed enclosure, which not only contributes to its aesthetic appeal but also helps to minimize distortion, enabling clean and deep bass output. This design choice ensures that the ASW2000 can deliver low frequencies without compromise, making it ideal for both music genres that rely on deep bass and cinematic experiences that demand impactful sound.

The ASW2000 is equipped with a powerful 200-watt amplifier, providing ample power to drive its 12-inch bass driver effectively. This high-output amplifier allows the subwoofer to reproduce low-end frequencies with remarkable accuracy, ensuring that users experience the full dynamic range of their audio content. Furthermore, the subwoofer features a frequency response that extends down to 20 Hz, allowing it to reproduce the most profound bass notes that are often felt rather than heard.

Another notable characteristic of the ASW2000 is its adjustable phase control and low-pass filter. These features allow users to tailor the subwoofer's performance to their specific listening environment and preferences. Whether it is placed within a corner or away from walls, the ASW2000 can be fine-tuned to integrate seamlessly with existing audio systems, creating an immersive soundstage that engages listeners.

Bowers & Wilkins has also incorporated its proprietary technologies into the ASW2000, ensuring that it meets the high standards expected from the brand. The use of advanced materials in the construction of the driver helps to minimize unwanted resonances, while its innovative design maintains control over the movement of the cone. This results in bass that is not only powerful but also articulate and well-defined.

In summary, the Bowers & Wilkins ASW2000 subwoofer combines solid construction, powerful amplification, and advanced technology to deliver exceptional bass performance. Its capability to blend seamlessly into various audio setups makes it an excellent choice for those looking to enhance their listening experience, whether for music or movies.