Hughes & Kettner ATTAX 100 manual Lead, Midi

ATTAX-MANUAL

LEAD SELECTOR SWITCH: Switches back and forth between the CLEAN/CRUNCH section and the LEAD channel. The LEAD channel is active when the but- ton is pressed. Once the MSM-1 Module has been installed, this switching function can be executed via

MIDI

RED LEAD LED: The red

LED illuminates when the

LEAD channel is active.

MODE 2: Selects either the LEAD 1 or LEAD 2 modes. LEAD 2 is active when the button is pressed. Once the MSM-1 Module has been installed, this switching function can be executed via MIDI.

RED MODE 2 LED: This red

LED illuminates when the

LEAD 2 mode is active.

GREEN FX LED: Lights when the

ATTAX 100 FX LOOP is active.

MIDI LEARN: Installation of the MSM-1 MIDI Module is a prerequisite for MIDI capability. After installation, pressing the MIDI button saves the current CHANNEL/FX LOOP configuration. Installation takes just a few minutes and does not require soldering. Talk to your Hughes & Kettner dealer for details.

MAINS: AC power switch.

					LEAD										MASTER
								MODE 2						FX LOOP			MIDI
		0		5		0		0		0		5		5				5
+5	-5	+5	0	10	-5	+5	-5	+5	-5	+5	0	10	0	10	DRY	WET	0	10
	TREBLE		LEAD GAIN			BASS		MID	TREBLE		LEAD MASTER		REVERB		FX MIX		MASTER		MAINS

LEAD GAIN: Determines		REVERB: Controls how much inte-		MASTER: Determines the over-
the amount of distortion		grated reverb is added to the signal.		all output level of the ATTAX
in the LEAD channel.		Reverb is automatically adjusted for		100. The level of the RECOR-
		each channel when you switch		DING OUT signal is unaffec-
		channels.		ted by the MASTER control.
EQ SECTION: Active BASS, passive MID
and TREBLE tone controls for the LEAD			FX MIX: This control lets you decide how much of the processed signal
	LEAD MASTER: Controls
channel. Here too, MID and TREBLE
			is mixed in with the original signal. Determines the original signal's volu-
	the volume of the LEAD
influence each other for the widest possi-
			me and its relationship to that of the connected effects device's processed
	channel.
ble range of subtle tonal variations.
			signal. DRY = original signal only, WET = processed signal only.

ENGLISH

MAINS: Connect the included Euro-norm	HEADPHONES: 1/4" headphone	RECORDING OUT: Feeds a
mains cord to this socket. Ensure the amp's	jack. The speaker is automatically	mixing console, DI box or addi-
voltage rating matches your local AC voltage	switched off when a plug is inser-	tional power amp and speaker	SEND: Connect your pro-
rating before you plug the cord into the wall	ted into this jack.	cabinet.	cessor's INPUT to this
socket.			jack.

						TO INSTALL MIDI MODULE:
						DISCONNECT AC POWER CORD
						BEFORE REMOVING THIS COVER
				LEAVE ENOUGH SPACE FOR PROPER VENTILATION!
	MADE IN ST. WENDEL GERMANY
	230 V~	CAUTION!	HEAD	OUTPUT 120 WATTS	REC		FX-LOOP
		TO PREVENT THE RISK OF FIRE AND	PHONES	MIN. IMP. 4 Ohms	OUT	RETURN	SEND
	100 V~	SHOCK HAZARD DON´T EXPOSE					-10 dB
50 - 60 Hz		THIS APPLIANCE TO MOISTURE OR						Ser. No.
		RAIN. DO NOT OPEN CASE;
Max. power	117 V~	NO USER SERVICEABLE PARTS INSIDE.
consumption		REFER SERVICING TO
240 VA
		QUALIFIED SERVICE PERSONNEL.

SPEAKERS: 1/4" jacks for connecting speakers. The two jacks are a paral- lel circuit. For these outputs, ensure the overall impedance for the connected speakers is not lower than 4 ohms! For the ATTAX 100 combo version, you can connect an additional 60-watt cabinet in parallel to the internal speaker. Make sure this cabinet has a rating of at least 8 ohms. For the head version, you can connect one cabinet with a minimum rating of 120 watts/4 ohms, or two 8-ohm cabinets.

RETURN: Connect this jack to the OUTPUT jack of your effects pro- cessor.

-10 dB SWITCH: This switch allows you to reduce the signal level being sent to external effects devices. Press this switch for instrument level pro- cessors (e.g. stomp boxes).

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