|
|
|
|
|
|
|
|
|
|
|
| Insignia | |
|
|
|
|
|
|
|
|
|
|
|
| Modifying the tone | |
|
|
|
| Menu |
| Submenu | |||||||
|
|
|
|
| Tone settings include: | ||||||||
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
| SPK SET |
| • | CONFIG | ||||||
|
|
|
|
| • | ||||||||
|
|
|
|
|
|
|
|
|
| • | FRONT | ||
|
|
|
|
|
|
|
|
|
| • | CENTER |
| the tone effect. The DIRECT indicator lights |
|
|
|
|
|
|
|
|
|
| • | SURR |
| up. |
|
|
|
|
|
|
|
|
| • | • | • | ||
|
|
|
|
|
|
|
|
| DISTANCE |
| DIRECT indicator goes off. | ||
|
|
|
|
|
|
|
|
|
| • | UNIT |
| |
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
| • | FL |
|
|
|
|
|
|
|
|
|
|
|
| • | C |
| Note |
|
|
|
|
|
|
|
|
|
| • | FR |
| When EXTERNAL IN is selected as an input |
|
|
|
|
|
|
|
|
|
| • | SR |
| source, the TONE cannot be set to ON. |
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
| • | SL |
| When TONE is set to ON, you can adjust the |
|
|
|
|
|
|
|
|
|
| • | SW |
| |
|
|
|
|
|
|
|
|
|
|
| tone (bass and treble). | ||
|
|
|
|
|
|
|
|
| • |
| |||
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
| • | FC |
| The tone level can be adjusted within the |
|
|
|
|
|
|
|
|
|
|
|
|
| range of |
|
|
|
| CH LEVEL |
| • | MODE |
| |||||
|
|
|
|
|
| recommend the bass and treble to be | |||||||
|
|
|
|
|
|
|
|
|
| • | UNIT |
| |
|
|
|
|
|
|
|
|
|
| • | FL |
| adjusted to 0 dB (flat level). |
|
|
|
|
|
|
|
|
|
| • | C |
|
|
|
|
|
|
|
|
|
|
|
| • | FR |
|
|
|
|
|
|
|
|
|
|
|
|
| Caution | ||
|
|
|
|
|
|
|
|
|
| • | SR |
| |
|
|
|
|
|
|
|
|
|
|
| Extreme settings at high volume may damage | ||
|
|
|
|
|
|
|
|
|
| • | SL |
| your speakers. |
|
|
|
|
|
|
|
|
|
| • | SW |
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
| • | OD | Modifying the input settings | |
|
|
|
|
|
|
|
|
|
| • | DTS | Input settings include setting the digital in and | |
|
|
|
| PARAMTR |
| • | NIGHT M | ||||||
|
|
|
|
| auto surround for the VIDEO1, VIDEO2, and CD | ||||||||
|
|
|
|
|
|
|
|
|
| • | NIGHT | ||
|
|
|
|
|
|
|
|
|
| inputs. | |||
|
|
|
|
|
|
|
|
| • | PLII MSC | |||
|
|
|
|
|
|
|
|
|
| • | PANO | Modifying digital in | |
|
|
|
|
|
|
|
|
|
| • | C.WIDTH | ||
|
|
|
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
|
| • | DIMEN | For details about digital in, refer to “Connecting | |
|
|
|
|
|
|
|
|
|
|
|
| ||
Modifying the system settings |
| ||||||||||||
| You can select: | ||||||||||||
| System settings include the settings for the | • | OPT (optical) | ||||||||||
| subwoofer and tone. |
|
|
| • COX 1 (coaxial 1) | ||||||||
Modifying the subwoofer |
|
|
| • COX 2 (coaxial 2) | |||||||||
| SW mode is effective only when FRONT, | • | ANL (analog) | ||||||||||
|
|
| |||||||||||
| CENTER, or SURR is set to L and |
|
| ||||||||||
|
| Note | |||||||||||
| to Y on the SPK SET menu. (For details, refer to |
| |||||||||||
|
| If DIGITAL IN is assigned to two input sources or | |||||||||||
| “Modifying the speaker settings” on page 19.) |
| |||||||||||
|
| more, when these input sources are selected, the | |||||||||||
| While playing the two channel source in |
| digital audio signals can be heard from the same | ||||||||||
| MATRIX, CHURCH, THEATER, HALL, or |
| DIGITAL IN. | ||||||||||
| STADIUM mode, the low frequency signals can | Modifying surround | |||||||||||
| be reproduced from the subwoofer regardless of | ||||||||||||
| Depending on how to select a surround mode, | ||||||||||||
| the subwoofer mode setting. |
|
|
| |||||||||
| Subwoofer mode settings include: |
| you can select the auto surround mode or the | ||||||||||
|
| manual surround mode. | |||||||||||
| • | ||||||||||||
| • OFF (Manual surround | ||||||||||||
|
| channels set to L are reproduced from those | |||||||||||
|
|
| select from the different surround modes | ||||||||||
|
| channels only. In this mode, the low |
| ||||||||||
|
|
| selectable for the signal being input by using | ||||||||||
|
| frequency signals that are reproduced from |
| ||||||||||
|
| the subwoofer channel is only the low |
| the SURROUND MODE ( / or >/<) | |||||||||
|
| frequency signals of LFE (Low Frequency |
| buttons. (For details, refer to “Enjoying | |||||||||
|
| Effects) (from the |
| ||||||||||
|
| contains LFE channel, also called the .1 |
|
| |||||||||
|
| channel) and the channels set to S. |
|
|
•
18 |