Section 13 – Example setups

The tape returns and inputs are fed directly using cables such as the PW-10D and PW-4D into the patchbay’s 25-pin D-sub connectors.

The studio is a small one, so there is no separate machine room, but the compact size of the DA-98 allows 24 fully-digital tracks to be kept in only 12U of rack space. A remote control and metering unit allows the whole studio to be controlled from one central location.

Mastering mixdown is carried out to DAT (TASCAM DA-30 MK II), with “take-home” copies made on MiniDisc (TASCAM MD-801) and analog cassette (TASCAM 302).

13.2 Post-production work.

TV MONITOR

SYNC GENERATOR

REF IN

VTR

VIDEO OUT

TC OUT

LARGE MONITOR

LARGE MONITOR

 

 

NEAR FIELD MONITOR

VIDEO IN

TC IN

 

 

DA-98

 

SYNC

TC IN

 

VIDEO IN

 

 

POWER AMP

POWER AMP

SYNC

 

 

VIDEO IN

TC IN

 

METER UNIT

METER

REMOTE

REMOTE

REMOTE CONTROLLER/EDITOR

EFFECTORS

VIDEO IN

 

 

 

TC IN

 

ANNOUNCER'S BOOTH

 

 

DAT

MD

MIXING CONSOLE (AUTOMATION)

CD

In the post-production world, the DA-98 excels, thanks to its flexible and sophisticated synchronization capa- bilities, which give it more control than ever before. The three DA-98 units are linked together in a timecode “daisy” chain, allowing them to function as one 24-track recorder, whether or not timecode is being received from the master source. The first (master) DA-98 has its timecode output set to TC Track, which means that

13-2 – 1.00 – 05/30/97

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Kolpak DA-98 manual Post-production work