Table of Contents Monitoring modes, External control

7 –Monitoring modes

8.1	Autolocation	8-1
8.1.1 Setting MEMO 1 and MEMO 2 “on the fly”		8-1
8.1.2 Checking, editing and manually entering MEMO 1
	and MEMO 2	8-1
8.1.3 Setting the location pre-roll time		8-1
8.1.4 Moving to MEMO 1 and MEMO 2		8-2
8.2	Function key location memories	8-2
8.2.1 Storing a function key location memory		8-2
8.2.2 Editing function key memories		8-2
8.2.3 Locating to a function key memory		8-3
8.2.4 Location and playback		8-3
8.2.5 Repeat function		8-3
8.2.6 To start repeat play		8-3
8.3	Track delay	8-4
8.3.1 To set the track delay:		8-4
8.4	Crossfade times	8-4
8.5	Vari speed (pitch control)	8-5
8.5.1 To set a non-standard speed		8-5
8.5.2 Resetting the speed to standard		8-5
8.6	Shuttle operations	8-5
8.6.1 Shuttle monitoring		8-6
8.6.2 Shuttle muting		8-6
8.7	Reference levels	8-6
8.8	Meter modes	8-7
8.8.1 Peak hold time		8-7
8.8.2 Meter ballistics		8-7
8.9	Sine oscillator	8-7
8.9.1 Recording the oscillator		8-7
8.10 Digital recording		8-8
8.10.1 Changing between digital and analog inputs . 8-8
8.10.2 Selecting word length		8-8
8.11 Routing digital inputs		8-8
8.11.1 Track Copy (channel-to-track routing)		8-9
8.12 REC MUTE (recording silence)		8-9
8.13 Dither		8-9
8.13.1 Selecting dither settings		8-10
8.14 Setting the power-on message		8-10

9.1	Synchronization connections	9-1
9.2	Machine ID and master/slave settings....	9-1
9.2.1 Differences between DTRS models		9-1
9.2.2 Setting machine ID		9-2
9.2.3 Master/slave settings (CHASE mode)		9-2
9.3	Machine offset	9-2
9.3.1 Setting machine offset		9-2
9.3.2 Cancelling machine offset		9-3
9.3.3 Setting machine offset “on the fly”		9-3
9.3.4 An example of setting offsets		9-3
9.4	Digital dubbing	9-4

10.1 ABS and SMPTE/EBU timecode	10-1
10.1.1 ABS time	10-1
10.1.2 Tape timecode	10-1
10.1.3 Selecting TC or ABS timing	10-1
10.1.4 Location point settings	10-2
10.2 Tape timecode mode	10-2
10.2.1 TcTrack setting	10-2
10.2.2 ABS setting	10-2
10.2.3 ABS-Ofs setting	10-2
10.2.4 ABS-13 and ABS-23 settings	10-3
10.2.5 Checking tape TC	10-3
10.3 Selecting the frame rate	10-4
10.3.1 Pull up and pull down (Fs shift)	10-4
10.4 Timecode input and output	10-4
10.4.1 Timecode input	10-4
10.4.2 Timecode output	10-5
10.4.3 Timecode output format	10-5
10.4.4 Timecode output timing	10-5
10.4.5 Using MIDI Time Code (MTC)	10-6
10.5 Recording timecode	10-6
10.5.1 Selecting the timecode source	10-6
10.5.2 Recording timecode using the generator ....	10-6
10.5.3 Synthesizing timecode from ABS timing	10-8
10.5.4 Assembling timecode	10-8
10.5.5 External timecode sources	10-8
10.5.6 Recording timecode from external sources . 10-9
10.5.7 Checking external timecode	10-10
10.6 Video resolution	10-10
10.7 Chasing to timecode	10-10
10.7.1 Machine ID and timecode	10-10
10.7.2 Setting timecode offset	10-11
10.7.3 Setting timecode offset from the menu	10-11
10.7.4 Cancelling timecode offset	10-11
10.7.5 Setting timecode offset on-the-fly	10-11
10.7.6 Park position	10-12
10.7.7 Automatic park position setting	10-12
10.7.8 Absolute and relative difference	10-12
10.7.9 Rechasing timecode	10-13
10.7.10 Bypassing timecode errors	10-13
10.7.11 Individual recording while chasing	10-14
timecode	10-14

11.0.1 Selecting the control source (protocol)	11-1
11.1 Use with 9-pin external control	11-1
11.1.1 Video clocking	11-1
11.1.2 Emulation	11-1
11.1.3 Record delay	11-1
11.1.4 Cue-up tally	11-2
11.1.5 Fast wind speed	11-2
11.1.6 Track mapping	11-3
11.1.7 Timecode track mapping	11-3
11.1.8 Remote track arming	11-4
11.2 Bus protocol	11-4
11.2.1 Assigning a MIDI and Bus ID to the DA-98 ...	11-4
11.3 MIDI Machine Control	11-4
11.3.1 MMC commands and the DA-98	11-4

TOC-2 – 1.00 – 06/97