Appendices
122

JS X

Thisisthehorizontalmovementofthemainjoystick.Italso
receivesMIDIPitchbend.

JS+Y: CC#01

Thisistheverticalmovementofthemainjoystick,upwards
fromthecenter.ItalsoreceivesMIDICC#01(modwheel).

JS–Y: CC#02

Thisistheverticalmovementofthemainjoystick,down
wardsfromthecenter.ItalsoreceivesMIDICC#02(breath
controller).

JS +Y & AT/2 (Joy Stick +Y & After Touch/2)

Theeffectwillbecontrolledbythejoystick+Y(Vertical
upward)andbyaftertouch.Inthiscase,theeffectofafter
touchwillbeonlyhalfofthespecifiedintensity.

JS –Y & AT/2 (Joy Stick –Y & After Touch/2)

Theeffectwillbecontrolledbythejoystick–Y(Vertical
downward)andbyaftertouch.Inthiscase,theeffectof
aftertouchwillbeonlyhalfofthespecifiedintensity.

Pedal: CC#04 (Foot Pedal: CC#04)

IfyouwanttousetheassignablefootpedalasanAMS,set
theControllers“FootPedalFunction(SW)”(page74)to
FootPedal()“FootPedalAssign”onpage 129)).
ThisletsyouuseafootpedalconnectedtoDAMPER/
PEDAL/SW1orPEDAL/SW2tocontrolparameters.

Damper: #64

ThisistheDamperpedal,alsosometimescalledthesustain
pedal.ItcorrespondstoMIDICC#64.
WhenusingKorg’soptionalhalfdamperpedal,theDS1H,
thisAMSsourceiscontinuous–notjuston/off.

Portamento SW: #6 5

ThisistheMIDIportamentoswitch(CC#65),whichalso
enablesanddisablesportamento.

Sostenuto: #66

ThisistheMIDIsostenutopedal(CC#66).

Soft: CC#67

ThisistheMIDIoftpedal(CC#67).

SW 1: CC#80 (SW 1 Modulation: CC#80)

MIDIcontrolchange(CC#80)

SW 2: CC#81 (SW 2 Modulation: CC#81)

MIDIcontrolchange(CC#81)

Foot SW: #82 (Foot SW: CC#82)

IfyouwanttouseanassignablefootswitchasanAMS,set
theDAMPER/PEDAL/SW1orPEDAL/SW2jackʹs“Foot
SwitchFunction(SW)”(page74)toFootSwitch()“Foot
SwitchAssign”onpage128).
ThisletsyouuseafootswitchconnectedtoDAMPER/
PEDAL/SW1orPEDAL/SW2tocontrolparameters.

Tempo

Thisletsyouusethesystemtempoasamodulationsource.
120isthecenter,foravalueof0;60BPMis–99,and240BPM
is+99.
Notethatthisisdifferentfromactuallysyncingtotempo;
forthatpurpose,usethededicatedsynchronizationfunc
tionsfortheLFOs,effects,etc.

Gate1

Gate1+Damper

Gate1istriggeredbyanewnoteafterallnoteshavebeen
released,suchasatthebeginningofaphrase.Gate
1+Damperissimilar,exceptthatitistriggeredbyanew
noteonafterallnotesandthedamperarereleased.
YoucanusethistoresettheCommonLFO.Forinstance,to
createaneffectsimilartothepervoiceLFOandStep
Sequencer’sKeySyncOffsetting,useGate1+Damperas
theresetsource.

Gate2

Gate2+Damper

Gate2issimilartoGate1,butittriggerswitheverynew
noteon,Eveninthemiddleofalegatophrase.
Gate2+Damperincludesthedamperpedalintheequation,
asshowninthediagrambelow.
WhenusedasaresetcontrollerforCommonLFO,Gate2
andGate2+Damperwillhavethesameeffect.
Alternate Modulation settings
WhenyouuseanAMS(AlternateModulationSource),the
modulationdestinationwillbeaffectedasshowninthe
tablebelow.
Byusingalternatemodulation,youcancreatecomplexsys
temsofmodulationinwhichEG,LFO,keyboardtracks,and
controllersworktogether.
•YoucanapplycomplexchangetoanLFOorEG,for
examplebyusingthepitch/filter/ampEGtocontrolthe
frequencyorintensityofanLFOthatmodulatesthe
pitch/filter/amp,orbyusingLFO2tocontrolthe
frequencyofLFO1.
•Thetone,EG,andLFOetc.canbecontrollednotonlyby
keyvelocityorthejoystick,butalsofromaknob,or
pedaletc.
• Panningcanbecontrolledinrealtimefromacontroller,
EG,orLFOetc.
•YoucanusethefilterEGtocontrolpitchorvolumeatthe
sametimethatitcontrolsthefilter.
• Controllersetc.canbeusedtocontrolEGlevelsortimes.
ThisletsyoushapetheEGinrealtime.
• Filter/ampkeyboardtrackingornotenumbercanbe
usedtocontroltheEGorLFOaccordingtothekeyboard
pitchthatisplayed.
•Pitch,tone,EGorLFOcanbecontrolledbythetempo.
Gate1,Gate1+Dmpr
Gate1
Note
Dmpr
123
123
Damper Pedal
Gate1+Dmpr
Time
On
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