Korg X50 - page 177

170

*5 Controlled on the global MIDI channel.

*6 NRPN (Non Registered Parameter Number) and Data

Entry can be used to control the following parameters.

Arpeggiator on/off

[Bn 63 00 Bn 62 02 Bn 06 nn] (nn:00–3F off, 40–7F on)

Arpeggiator gate control

[Bn 63 00 Bn 62 0A Bn 06 nn] (nn:00–7F)

Arpeggiator velocity control

[Bn 63 00 Bn 62 0B Bn 06 nn] (nn:00–7F)

Contents

Main iii About this manual How to read the Parameter Guide Conventions in this manual Table of Contents 2. Combination mode ................. 33 1. Program mode........................... 1 v 3. Multi mode ...............................55 vi 6. Effect Guide.............................. 97 5. Demo Song............................... 95 4. Global mode............................. 75 vii Mono Chain............................ 135 Mono viii 7. Appendices ............................ 151 123456789 1. Program mode PROG PAGE MENU PROG 0: Play 01: Program 01a: Bank, Program Select, Category, Cat. Hold, 10s Hold, (Tempo) microX: X50: [(AD)0127: name, (G, g(d))1128: name] microX: [(AE)0127: name, (G, g(d))1128: name] Category [00...15: name] X50: Cat. HOLD (Category Hold) 02: P .Edit 02a: Bank, Program Select, (Tempo) 02b: Performance Editor Octave [03...+00...+03] Stretch (Pitch Stretch) [12...+00...+12] OSC Bal (OSC Balance) [10+00+10] Level (Amp Level) [10+00+10] Attack (Attack Time) [10+00+10] 03: Arp 03a: Arpeggiator Keyboard [Off, On] microX: 04: Ext. Control 04a: External Control PROG 1: EdBasic 11: Basic 11a: Oscillator Mode (Oscillator Mode) [Single, Double, Drums] 11b: Voice Assign 12: OSC1 X50: microX: 12a: OSC1 Multisample Velocity SW LH [001...127] 12b: High, Low 12c: Octave, Tr anspose, Tune, Delay 12d: OSC1 Drum Kit 12: UTILITY 123456789 13: OSC2 14: V .Zone 14a: OSC 1/2 Velocity Zone OSC1 Bottom [001...127] OSC1 Top [001...127] PROG 2: EdPitch 21: OSC1 21a: Pitch Pitch Slope [1.0+2.0] Ribbon (#16) [12+12] 22: OS1lfo 22a: Pitch LFO1/2 Modulation LFO1: Intensity (LFO1 Intensity) [12.00+12.00] X50: Mod.Whl Int. (LFO1 Mod.Whl+Int.) [12.00+12.00] microX: JS+Y Int. (LFO1 JS+Y Int.) [12.00+12.00] 23: OSC2 24: OS2lfo 25: EG 25a: Pitch EG 123456789 25b: Level Mod. (Level Modulation) AMS1 (Level Mod. AMS1) [Off, (KT, EXT)] X50: microX: PROG 3: EdLFOs 31: OS1LFO1 31a: OSC1 LFO1 Waveform [Triangle 0Random6 (Vect.)] Frequency [0099] 32: 1 LFO2 33: 2 LFO1 34: 2 LFO2 PROG 4: EdFilter1 41: Basic 41a: Filter1 Type (Filter1 Type) [Low Pass Resonance, Low Pass & High Pass] Trim [0099] 42: Mod.1 42a: Keyboard Track Key: X50: Low (KBDTrk Key Low) [C1G9] 43: Mod.2 43a: Filter-A Modulation AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)] Intensity (A AMS1 Intensity) [99+99] X50: 45: EG 45a: Filter1 EG S (Slope Time) [0099] R (Release Time) [0099] 45b: Level Mod. (Level Modulation) AMS (Level Mod. AMS) [Off, (KT, EXT)] S (AMS SW Start) [, 0, +] B (AMS SW Break) [, 0, +] 45c: Time Mod. (Time Modulation) PROG 5: EdFilter2 51: Basic 52: Mod.1 53: Mod.2 54: lfoMod 55: EG PROG 6: EdAmp1/2 61: Lvl/Pan 61a: Amp1 Level 62: Mod. 62a: Keyboard Track 62b: Amp Mod., LFO1 Mod., LFO2 Mod. 62c: AMS, Int. 123456789 63: EG 63a: Amp1 EG L (Level parameters): S (Start Level) [0099] A (Attack Level) [0099] B (Break Point Level) [0099] 63c: Time Mod. (Time Modulation) AMS1 (Time Mod. AMS1) [Off, (EXT, KT)] D (AMS1 SW Decay) [, 0, +] S (AMS1 SW Slope) [, 0, +] R (AMS1 SW Release) [, 0, +] PROG 7: EdArp/Ctrls X50: microX: 71: Setup 71a: Arpeggiator Setup 71b: Arpeggiator Tempo 71: UTILITY Copy Arpeggiator X50: 123456789 72: Zone 72a: Scan Zone 72: UTILITY 73: Controls 73a: Knob B Assign PROG 8: EdInsertFX 81: BUS 81a: BUS BUS Select: BUS Select (All OSCs) [L/R, IFX, 1, 2, 1/2, Off] MFX Send: OSC1 Send1 [000...127] 82: Setup 82a: InsertFX Setup IFX On/Off [Off, On] Pan(CC#8) (Post IFX Pan CC#8) [L000...C064...R127] 82b: Routing PROG 9: EdMasterFX 91a: Master Effect Setup MFX1 On/Off, MFX2 On/Off [Off, On] Master Effect 1, 2 [00...89: name] Rtn 1, 2 (Return 1, 2) [000...127] 92: MFX 1 93: MFX 2 Page 123456789 2. Combination mode COMBI PAGE MENU COMBI 0: Play 01: Combi 01a: Bank, Combi Select, Category, Cat.Hold, 10s Hold, (Tempo) 01b: Combination Information X50: microX: Write Combination Solo Selected Timbre 02: Prog 02a: Bank, Combi Select, Cat.Hold, 10s Hold, (Tempo) 02b: Timbre Number & Category Timbre Number & Category 1...8 02c: Program Select, Program Name 03: Mix 03a: Pan, Volume Pan [RND, L001...C064...R127] Volume [000...127] 123456789 04: Arp. A 05: Arp. B 04(5)a: Arpeggiator Run, Timbre assign Arpeggiator Run A, B (Run A, B) [Off, On] Timbre assign 04(5)b: Arpeggiator A(B) COMBI 1: EdTone Adjust 11: Prog 11a: Program Select, Program Name Program Name 123456789 13(4)(5): UTILITY COMBI 2: EdTimbre Param 21: MIDI 21a: Status, MIDI Channel, Bank(EX2) MSB/LSB Status [INT, Off, EXT, EX2] Bank(EX2) MSB [000:000...127:127] Bank(EX2) LSB [000:000...127:127] 23: Pitch 23a: Transpose, Detune, Bend Range Transpose [24+24] Detune (BPM Adj.) [1200...+1200] Bend Range [PRG, 24...+24] COMBI 3: EdMIDI Filter1 31: MIDI 11 31a: Program Change, After Touch Program Change [Off, On] After Touch [Off, On] 32: MIDI 12 32a: Damper CC#64, Portamento SW CC#65 32: UTILITY 33: MIDI 13 33a: JS+Y/M.Whl CC#01, JSY CC#02 COMBI 4: EdMIDI Filter2 X50: 43: MIDI 23 41: MIDI 21 41a: Real-time Control Knob 1, 2 COMBI 5: EdKey Zone 51: Key 51a: Key Zone Map (1) 51b: Top Key, Bottom Key Top Key [C1...G9] COMBI 6: EdVel Zone 61: Vel 61a: Velocity Zone Map (1) 61b: Top V elocity , Bottom Velocity Top Velocity [1127] COMBI 7: EdArp/Ctrls X50: microX: 71: Setup 71a: Arpeggiator Run, (Tempo) 72: Arp. A 73: Arp. B 72(3)a: Arpeggiator-A(B) Setup 123456789 72(3)b: (Tempo) 72(3): UTILITY 74: Zone 74a: Scan Zone A/B 74: UTILITY 75: Controls 75a: Knob B Assign COMBI 8: EdInsertFX 81: BUS 81a: BUS Select, Send1(MFX1), Send2(MFX2) BUS Select [DKit, L/R, IFX, 1, 2, 1/2, Off] 123456789 82: Setup 82a: EdInsertFX Setup IFX On/Off [Off, On] Pan(CC#8) [L000...C064...R127] 82b: Control Channel COMBI 9: EdMasterFX 91a: MasterFX Setup 91b: MasterFX Chain 123456789 91d: MEQ Ctrl 92: MFX1 93: MFX2 Page 123456789 3. Multi mode 01a: MULTI PAGE MENU MULTI 0: Play 01: Multi Control Track [ T01T16: name] (Tempo) [040240, EXT] X50: microX: Multi Information X50: 02: Prog..8 03: Prog..16 02(3)a: Track Number & Category Track Number & Category 02(3)b: Program Select X50: [AD 000...127, G...g 001...128: name] microX: [AE 000...127, G...g 001...128: name] 04: Mix..8 05: Mix..16 04(5)a: Pan, Volume Pan [RND, L001...C064...R127] Volume [000...127] 123456789 MULTI 1: Tone Adjust 11: TA1..8 12: TA1..16 13: TA2..8 14: TA2..16 15: TA3..8 16: TA3..16 11(2)(3)(4)(5)(6)a: Destination 16, Value 16 Destination 16 [LPF FcReverse] Value 16 [99+99, 12.00+12.00, 1200+1200, OffOn] Destination 16 and Value 16 123456789 Reverse [Off, PRG, On] 11(2)(3)(4)(5)(6): UTILITY MULTI 2: Track Param 21: MIDI..8 22: MIDI..16 21(2)a: Status, MIDI Channel, Bank(EX2) MSB/LSB Status [INT, Off, BTH, EXT, EX2] MIDI Channel [0116] 23: OSC..8 24: OSC..16 23(4)a: Force OSC Mode, OSC Select, Portamento Force OSC Mode [PRG, Poly, Mono, LGT] OSC Select [Both, OSC1, OSC2] Portamento [PRG, Off, 001...127] 27: Othr..8 28: Othr..16 27(8)a: Delay [ms] , Use Progs Scale Delay [ms] [0000...5000, KeyOff] Use Progs Scale [Off, On] 27(8)b: Scale MULTI 3: MIDI Filter1 31: M11..8 32: 11..16 31(2)a: Program Change, After Touch Program Change [Off, On] After Touch [Off, On] MULTI 4: MIDI Filter2 X50: 41: M21..8 42: 21..16 41(2)a: Realtime Control Knob 1, 2 Knob1 [Off, On] 43: 22..8 44: 22..16 X50: microX: X50: microX: MULTI 5: Key Zone 51: Key..8 52: Key..16 51(2)a: Key Zone Map (1) 51(2)b: Top Key, Bottom Key Top Key [C1...G9] MULTI 6: Vel Zone 61: Vel..8 62: Vel..16 61(2)a: Velocity Zone Map (1) 61(2)b: Top V elocity , Bottom Velocity Top Velocity [001127] MULTI 7: Arp/Ctrls 71(2)a: Arpeggiator Run, 71: Set..8 72: Set..16 (Tempo) Arpeggiator Run A, B (Run A, B) 73: Arp. A 74: Arp. B 73(4)a: ArpeggiatorA (B) Setup 73(4): UTILITY 75: Zone 75a: Scan Zone A/B 76: Controls 76a: Knob B Assign X50: 76b: SW1/2 Assign 76: UTILITY MULTI 8: InsertFX 81: BUS..8 82: BUS..16 81(2)a: BUS Select, Send1(MFX1), Send2(MFX2) BUS Select [DKit, L/R, IFX, 1, 2, 1/2, Off] 81(2): UTILITY MULTI 9: MasterFX 91a: Master FX Setup MFX1, 2 Control Ch [Ch01...16, G ch] 91b: Master FX Chain Low [18.0...+18.0] Mid [18.0...+18.0] High [18.0...+18.0] 92: MFX1 93: MFX2 123456 4. Global mode GLOBAL PAGE MENU GLOBAL 0: System 01: Basic 01a: Basic 01b: FX SW IFX Off [Off, On] MFX1 Off [Off, On] MFX2 Off [Off, On] 01c: Auto Arp. (Auto Arpeggiator) Load Preload Data microX: Change all bank references Half Damper Calibration 02: Pref. 02a: System Preference Multi Mode [for Ext-Seq, for Master] Bank Map [KORG, GM] X50: 123456 LCD Contrast [062] 02b: Memory Protect Program [Off, On] Combi (Combination) [Off, On] 03: Foot 03a: Damper/Assignable Foot Switch, Pedal Foot SW Assign [Off...Tap Tempo] Foot Pedal Assign [Off...Knob4] Damper Polarity [() KORG Standard, (+)] GLOBAL 1: MIDI 11: MIDI 11a: MIDI Setup MIDI Channel [0116] About MIDI reception 11b: MIDI Filter Enable Program Change [Off, On] Bank (Bank Change) [Off, On] Combi (Combi Change) [Off, On] AfterT (After Touch) [Off, On] Ctrl Change (Control Change) [Off, On] Exclusive [Off, On] Transmission Data dump transmission procedure Reception Data dump reception procedure 123456 GLOBAL 2: User Scale 21: Octave 21a: User Octave Scale User Octave [00...15] Tune [99+99] GLOBAL 3: Category Name 31: P .0..7 32: P .8..15 33: C.0..7 34: C.8..15 31 (...4)a: Category 31 (...4): UTILITY GLOBAL 4: DKit 123456 Key [C1...G9] X50: Assign [Off, On] Level H (Level High) [99...+99] Level L (Level Low) [99...+99] 42: Low 42a: Low (Low Sample) 43: Voice 43a: Voice Assign Mode/Mixer 123456 GLOBAL 5: Arp.Pattern 51: Setup 51a: Arp, Pat (Pattern), (Tempo) Arp (Arpeggio Select) [A, B] Pat (Pattern) [Preset-0...Preset-4, U000...U250] 51b: Lgth, Reso, Oct, Sort, Latch, K.Sync, Kbd Lgth (Length) [01...48] Reso (Resolution) [ , , , , , ] Oct (Octave) [1, 2, 3, 4] K.Sync (Key Sync.) [Off, On] Kbd (Keyboard) [Off, On] 51c: Arpeggio Pattern Setup 52: Edit 52a: Step, Ptch, Gt, Vel, Flam Step (Step No.) [01...48] X50: Ptch (Pitch Offset) [48...+48] 52: UTILITY Initialize Steps Copy Step Delete Step Insert Step microX: GLOBAL 6: Ext. Control 61: A 62: B 63: C 61(2)(3)a: Knob AB 61(2)(3)b: Knob 1A1C, Knob 2A2C, Knob 3A3C, Knob 4A4C CC Assign [Off, 000...119] Page DEMO 5. Demo Song Demo Song X50: microX: 01a: Location Page 6. Effect Guide Overview 1. Effects in each mode 2. Dynamic modulation (p.104). Insert Effect 1. In/Out 2. Routing 21. Program mode 22. Combination, Multi mode 3. Mixer 31. Pan (CC#8) 32. BUS Select 33. Send level 4. Controlling the Insert Effects via MIDI Master Effects 1. In/Out 2. Routing 21. Program mode 22. Combination, Multi mode 3. Mixer 31. Rtn (Return1, Return2) 32. MFX Chain 33. Chain Direction 34. Chain Signal Master EQ MFX2 Chain Oscillator 2 = L/R Filter/Dynamic Filter and dynamics control effects 00: No Effect 01: St.Amp Sim (Stereo Amp Simulation) 04: Mltband Limit (Multiband Limiter) e: Low Offset, f: Mid Offset, g: High Offset 05: St.Gate a: Envelope, b: Env. Dmod Src f: Polarity c: Threshold, d: Attack, e: Release g: Delay 07: St.Para.4EQ (Stereo Parametric 4-Band EQ) b: B1 Type, c: B4 Type d: B2 Dyn.G Src, d: (Amount), f: G You can control the gain of Band 2 using the modulation source. 08: St.Graphic7EQ (Stereo Graphic 7-Band EQ) a: Type 09: St.Wah/AutoW (Stereo Wah/Auto Wah) 10: St.Rndm Filter (Stereo Random Filter) a: LFO Wave, c: Freq, d: Step When LFO Wave is set to Random, the Step parameter uses a random LFO cycle. f: BPM, g: StepBase, g: Times 11: St.Exct/Enhcr (Stereo Exciter/Enhancer) a: Blend b: Point c: Enh Dly L, d: Enh Dly R 13: Talking Mod d: Top, d: Center, d: Bottom e: Formant Shift h: Resonance 14: St.Decimator a: Pre LPF d: Resolution, e: Output Level 15: St.AnalogRecd (Stereo Analog Record) Pitch/Phase Mod. Pitch/phase modulation effects 16: St.Chorus e: L Dly, e: R Dly Setting the left and right delay time individually allows you to control the stereo image. 18: MltTap ChoDly (Multitap Chorus/Delay) 19: Ensemble c: Shimmer 20: St.Flanger a: Shape Changing the LFO waveform shape controls the peak sweep of anging effects. g: Feedback, i: W/D h: High Damp 22: St.Env.Flanger (Stereo Envelope Flanger) e: Swp Mode, e: Src f: EG Attack, g: EG Decay Attack and Decay speed are the only adjustable parameters on this EG. 24: St.Rndm Phasr (Stereo Random Phaser) 25: St.Env.Phaser (Stereo Envelope Phaser) 26: St.BiphaseMod (Stereo Biphase Modulation) 27: St.Vibrato b: LFO Freq Mod, f: AUTOFADE Src, g: Fade Rate, g: Dly 28: St.AutoFd Mod (Stereo Auto Fade Modulation) 29: 2Voice Reso 30: Doppler 31: Scratch Mod./P.Shift Other modulation and pitch shift effects 32: St.Tremolo a: LFO Wave 33: St.Env.Tremlo 34: St.Auto Pan a: Shape You can change the panning curve by modifying the LFO wave- form. You need to input different sounds to each channel in order for this parameter to be effective. 35: St.Phasr+Trml 36: St.Ring Mod (Stereo Ring Modulator) a: Pre LPF b: OSC Mode This parameter determines whether or not the oscillator fre- quency follows the note number. 37: Detune This parameter sets the dynamic modulation of the input level. e: InLvl Mod, e: Src 38: Pitch Shifter a: Mode 39: PitchShft Mod (Pitch Shift Modulation) a: Pitch Shift [cent], e: Depth These parameters set the amount of pitch shift and amount of modulation by means of the LFO. f: Pan, g: W/D ER/Delay Early reection and delay effects 41: Early Reect 42: Auto Reverse a: Rec Mode, b: Reverse Time c: Envelope, c: Src, d: Threshold When recording is completed, reverse playback starts immedi- ately. 43: LCR Delay 44: St/Cross Dly 45: St.MltTap Dly (Stereo Multitap Delay) a: Mode d: Tap1 Level 46: St.Mod. Delay (Stereo Modulation Delay) b: Dmod e: LFO Sync, e: Src, f: L Phase, f: R Phase 47: St.DynamicDly 48: St.AutoPanDly (Stereo Auto Panning Delay) This stereo delay effect pans the delay sound left and right using the LFO. 49: LCR BPM Delay (L/C/R BPM Delay) 50: St.BPM Delay This stereo delay enables you to set the delay time to match the song tempo. f: Time Over? L >, f: R > 51: Sequence Dly This four-tap delay enables you to select a tempo and rhythm pattern to set up each tap. Reverb Reverb effects These effects simulate the ambience of reverberation in con- cert halls. 52: Rev Hall This hall-type reverb simulates the reverberation of mid-size concert halls or ensemble halls. 56: Rev Room 57: Rev Brt. Room (Reverb Bright Room) g: ER Level, h: Reverb Level Mono Mono Chain Effects that combine two mono effects con- nected in series 58: P4EQExciter (Parametric 4-Band EQ Exciter) This effect combines a mono-type four-band parametric equalizer and an exciter. 60: P4EQCho/Fl (Parametric 4-Band EQ Chorus/Flanger) This effect combines a mono-type four-band parametric equalizer and a chorus/anger. h: Out 61: P4EQPhaser 62: P4EQM.Dly (Parametric 4-Band EQ Multitap Delay) This effect combines a mono-type four-band parametric equalizer and a multitap delay. 63: CompWah (Compressor Wah/Auto Wah) 64: CompAmpSim (Compressor Amp Simulation) 65: CompOD/HG (Compressor Overdrive/Hi.Gain) 66: CompP4EQ 67: CompCho/Fl (Compressor Chorus/Flanger) g: Out, h: [Routing] 68: CompPhaser (Compressor Phaser) 69: CompM.Dly (Compressor Multitap Delay) 70: LimitP4EQ (Limiter Parametric 4-Band EQ) 71: LimitCho/Fl (Limiter Chorus/Flanger) 72: LimitPhaser (Limiter Phaser) 73: LimitM.Dly (Limiter Multitap Delay) 74: ExctComp 75: ExctLimiter 76: ExctCho/Fl (Exciter Chorus/Flanger) This effect combines a mono-type limiter and a phaser. This effect combines a mono-type limiter and a chorus/ anger. 77: ExctPhaser 79: OD/HGAmpSim (Overdrive/Hi.Gain Amp Simulation) tortion and an amp simulation. You can change the order of the effect connection. 80: OD/HGCho/Fl (Overdrive/Hi.Gain Chorus/Flanger) 81: OD/HGPhaser (Overdrive/Hi.Gain Phaser) tortion and a phaser. You can change the order of the effect connection. 82: OD/HGM.Dly (Overdrive/Hi.Gain Multitap Delay) 83: WahAmpSim (Wah/Auto Wah Amp Simulation) 84: DeciAmpSim (Decimator Amp Simulation) 85: DeciComp 86: AmpSimTrml (Amp Simulation Tremolo) This effect combines a mono-type amp simulation and a trem- olo. 87: Cho/FlM.Dly (Chorus/Flanger Multitap Delay) 88: PhasrCho/Fl (Phaser Chorus/Flanger) This effect combines a mono-type phaser and a chorus/ anger. 89: ReverbGate This effect combines a mono-type reverb and a gate. Master EQ Master EQ Use the 94 MasterFX MEQ page in the Program, Combina- tion, and Multi modes Page 7. Appendices Alternate Modulation Source (AMS) Alternate Modulation About Alternate Modulation About Alternate Modulation Sources AMS (Alternate Modulation Source) List X50: M.Whl&AT/2 microX: JS+Y&AT/2 (Joy Stick +Y & After Touch/2) X50: microX: JSY&AT/2 (Joy StickY & After Touch/2) X50: microX: Pedal #04 (Foot Pedal: CC#04) SW 1 #80 (SW1 Mod.: CC#80) SW 2 #81 (SW2 Mod.: CC#81) X50: Foot SW #82 (Foot Switch: CC#82) Alternate Modulation settings Notes for the table on the lower right The effect of alternate modu- lation on various parameters, and example applications Pitch (PROG 21a) Pitch EG Intensity (PROG 21b) Filter (Cutoff) Frequency (PROG 41b, 51b) Resonance (PROG 41b) Filter EG Intensity (PROG 42b) Filter LFO 1/2 Intensity (PROG 44a) Amp (PROG 62(5)b) Amp LFO 1/2 Intensity (PROG 62(5)b) Pan (PROG 61(4)b) EG Level Pitch EG (PROG 25b) Filter EG (PROG 45b, 55b) Amp EG (PROG 63b) EG Time Pitch EG (PROG 25c) Filter EG (PROG 45c, 55c) Amp EG (PROG 63c) Dynamic Modulation Source (Dmod) D Dynamic Modulation Source List Gate1, G1+Dmp (Gate1+Damper) Gate2, G2+Dmp (Gate2+Damper) Pdl#4 (Foot Pedal: CC#04) SW1#80 (SW1 Mod.: CC#80) SW2#81 (SW2 Mod.: CC#81) X50: FSW#82 (Foot Switch: CC#82) Tempo About the BPM/MIDI SYNC function Example 1. LFO Example 2. Delay Time X50: SW1/2 Assign SW1, SW2 Assign List SW1 Mod.(CC#80) (SW1 Modulation:CC#80) SW2 Mod.(CC#81) (SW2 Modulation:CC#81) Porta.SW(CC#65) (Portamento Switch:CC#65) Pitch Bend Lock Knob 1...4 B Assign Realtime Control Knobs B Assign List Page Foot Switch Assign Foot Switch Assign List Portamento SW (CC#65) Foot Pedal Assign Foot Pedal Assign List MIDI transmission when the X50/microXs control- lers are operated Combination mode Multi mode Page X50/microX operations when control changes are transmitted/received movements on this instrument CC#70: Sustain level CC#71: Filter resonance level/High pass lter cutoff frequency CC#72: Release time CC#73: Attack time CC#74: Low pass lter cutoff frequency Page MIDI applications Messages transmitted and received by this instrument MIDI channels Program mode Combination mode After touch Channel after touch [Dn, vv] Polyphonic key pressure [An, kk, vv] Pitch bender Pitch bend change [En, bb, mm] microX: Controlling the portamento effect Portamento time (CC#05) [Bn, 05, vv] Portamento switch (CC#65) [Bn, 41, vv] Controlling the volume Using various controllers for control Foot controller (CC#04) [Bn, 04, vv] Controller (CC#83) [Bn, 53, vv] SW1 modulation (CC#80) [Bn, 50, vv] SW2 modulation (CC#81) [Bn, 51, vv] X50: Using RPN to edit Tuning RPN ne tune [Bn, 65, 00, 64, 01] Transposing RPN coarse tune [Bn, 65, 00, 64, 02] Controlling the arpeggiator (NPRN) NRPN arpeggiator on/off [Bn, 63, 00, Bn, 62, 02, Bn, 06, mm] NRPN arpeggiator gate control [Bn, 63, 00, Bn, 62, 0A, Bn, 06, mm] NRPN arpeggiator velocity control [Bn, 63, 00, Bn, 62, 0B, Bn, 06, mm] About system exclusive messages Transmitting sound settings data (Data Dump) Editing sounds etc. Parameter changes Drum kit parameter change/User arpeggio pattern parameter change If notes are stuck Playing the X50/microX multi-timbrally from an external device Synchronizing the playback of the arpeggiator Using this instrument as master and the computer as slave Using the computer as master and this instrument as slave About GM/GS/XG Converting the GS/XG bank/program maps to the GM2 bank/program map Support for GS/XG part mode exclusive mes- sages Support for NRPN messages used in GS/XG music data About standard MIDI les Various messages A Are you sure? C Cant calibrate Completed X50, microX MUSIC SYNTHSIZER MIDI IMPLEMENTATION Page Page Index Numerics A B C H I K L M S T U V W IMPORTANT NOTICE TO CONSUMERS