18

4–2c: AMS, Into to A, Int to B

AMS (Filter EG AMS) [Off, (EXT)]

Indicates the source that will control the depth and direction
of the effect that the time-varying changes produced by the
filter 1 EG will have on the cutoff frequency of filters 1A and
1B (☞p.152 “AMS List”).

Int. to A (AMS Int. to A) [–99…+99]

Specifies the depth and direction of the effect that “AMS
(Filter EG AMS)” will have on filter 1A.
For details on how this will apply, refer to “Int. to A (Inten-
sity to A).”

Int. to B (AMS Int. to B) [–99…+99]

Specifies the depth and direction of the effect that “AMS
(Filter EG AMS)” will have on filter 1B. (☞“Int. to A (Inten-
sity to A).”)
The sum of the settings for “Int. to A (B),” “Vel to A
(B),” and “Int. to A (B) (AMS Int. to A/B)” will deter-
mine the depth and direction of the effect produced by
the filter EG.
■ 4–2: UTILITY
☞“Write Program” (0–1), “Copy Oscillator,” “Swap Oscilla-
tor” (1–1)
4–3: Mod.2 (Filter1 Modulation2)
Indicates settings for the controller that will modify the tone
by applying modulation to the filter 1 cutoff frequency “Fre-
quency (A/B Frequency).”
If “Type (Filter Type)” (4–1a) is Low Pass Resonance, the fil-
ter B parameters will not be displayed.

4–3a: Filter-A Modulation

AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)]

Indicates the source that will control modulation of the filter
1A cutoff frequency (☞p.152 “AMS List”).

Intensity (A AMS1 Intensity) [–99…+99]

Specifies the depth and direction of the effect that “AMS1
(Filter A AMS1)” will have.
X50: If “AMS1 (Filter A AMS1)” is set to PitchBend, setting
a positive (+) value for this parameter and moving the
[PITCH] wheel up will raise the cutoff frequency, while
moving the wheel down will lower the cutoff frequency.
With negative (–) values, the opposite will occur. This set-
ting is summed with the value of the Filter A “Frequency (A
Frequency)” (4–1b) parameter.
microX: When “AMS1 (Filter A AMS1)” is JS X, a positive
(+) value for this parameter will cause the cutoff frequency
to rise when the joystick is moved toward the right, and fall
when the joystick is moved toward the left. With a negative
(–) value for this parameter, the opposite will occur.
This value is added to the setting of the Filter A “Frequency
(A Frequency)”(4–1b).

AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)]

Intensity (A AMS2 Intensity) [–99…+99]

Selects “AMS2 (Filter A AMS2),” and specify the depth and
direction of the effect that the selected source will have
(☞“AMS1,” “Intensity”).

4–3b: Filter-B Modulation

This will be displayed when “Type (Filter Type)” (4–1a) is
Low Pass & High Pass.
Two alternate modulation sources can be used to modulate
the cutoff frequency of filter 1B (☞“Filter-A Modulation”).
■ 4–3: UTILITY
☞“Write Program” (0–1), “Copy Oscillator,” “Swap Oscilla-
tor” (1–1)
4–4: lfoMod (LFO Modulation)
Here you can use the filter 1 LFO to apply cyclic modulation
to the cutoff frequency of filter 1 (for oscillator 1) to create
cyclical changes in tone.

4–4a: Filter LFO1 Modulation

Intensity to A (LFO1 Int. to A) [–99…+99]

Specifies the depth and direction of the modulation that
OSC1 LFO1 (set by “OSC1 LFO1” 3–1a) will have on the cut-
off frequency of filter 1A.
Negative (–) settings will invert the phase.

Intensity to B (LFO1 Int. to B) [–99…+99]

Specifies the depth and direction of the modulation that
OSC1 LFO1 will have on the cutoff frequency of filter 1B
(☞“Intensity to A (LFO1 Int. to A)”).

JS–Y Int. to A (LFO1 JS–Y Int. to A)[–99…+99]

X50: If 7–3a “Knob 1–B” is set to MIDI CC#02, you can
turn REALTIME CONTROL B-mode knob [1] to control
how OSC1 LFO1 will modulate the cutoff frequency of filter
1A. This parameter specifies the depth and direction of this
effect. As you increase this value, moving knob [1] toward
the right will allow OSC1 LFO1 to have a greater effect on
filter 1.
4–3a
4–3b
4–4a
4–4b
Change in cutoff
Low setting High setting