42CONNECTING AUDIO AND VIDEO SOURCES AND RECORDERS continued
Connecting a Balanced-Output Audio Source
RCA Plug | Toslink Connector |
Male
Female
XLR Connectors
What You May Need:
•Two balanced interconnects with XLR plugs
•One optical digital cable with Toslink connectors
(or: one
•Audio source component with balanced and unbal- anced analog audio outputs and optical or coaxial digital output.
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| Unbalanced | Balanced | Digital | Digital |
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| L | R | Output | Output |
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| Component Video Inputs and Outputs |
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Pr | Y | Pb |
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| CAUTION |
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| C2 Controller | |
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| DO NOT REMOVE COVER. NO USER |
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| TO PREVENT ELECTRIC SHOCK, |
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| Input 1 | SERVICEABLE PARTS INSIDE, |
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| Parasound Products, Inc. | |
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| SERVICE PERSONNEL. |
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| REFER SERVICING TO QUALIFIED |
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| San Francisco, California, USA | |
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| Balanced Analog Audio Inputs |
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| Balanced Analog Audio Outputs |
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| Left | Right |
| Left | Right | Center | Subwoofer | Left Surround Right Surround Left Back | Right Back | Pro 1 | |
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Red | Green | Blue | H Sync | V |
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| Coax Digital Audio Inputs |
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Composite Video Inputs | Video Outputs |
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Video 1 | Video 3 Video 5 | Record Zone | Video 1 | Video 2 Video 3 | Video 4 Video 5 | Video 6 Record | Main | Coax 1 | Coax 3 |
| Finland | Future Technologies |
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Video 2 | Video 4 | Video 6 | OSD Main NoOSD |
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| OSD | No OSD | Optical | Coax 2 | Coax 4 | Optical 2 | Optical 4 |
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Video 1 | Video 2 | Video 3 | Video 4 | Video 5 | Video 6 | Audio 1 | Audio 2 | Audio 3 | Audio 4 | Audio 5 | Record 1 Record 2 | Zone | Front | Surround | Center | Back | Front | Surround | Center | Back | Pro 1 | Pro 2 | AC Power |
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| Play/In | Rec/Out |
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| Pro 3 | Pro 4 |
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Analog Audio Inputs | Tape Monitor | Analog Audio Outputs | 7.1 Analog Audio Inputs | Main Analog Audio Outputs | Programmable Out |
Normally, all balanced and unbalanced input signals appear at both the balanced and the unbal- anced outputs of the C 1, including its Record, and Programmable outputs, but only signals going to the main
There is a Bypass mode which sends signals directly from the left and right balanced inputs to the left front and right front balanced output jacks, avoiding the DSP section, for additional assurance of the signal’s purity (see the “Source Setup” in the chapter on “Adjustments, Menus, and Setup”). In Bypass mode, signals from the balanced outputs are not available at the recording or Zone outputs; if the balanced source also has unbalanced outputs, connecting them as well will make its signal available for recording or
Bypass only affects the balanced outputs, so its benefits are only available with amplifiers that accept balanced signals.
