48CONNECTING THE AUDIO AND VIDEO OUTPUTS continued

Connecting Audio Amplifiers to the C 1

Male

Female

RCA Plug

XLR Connectors

What You May Need:

6 to 8 unbalanced or balanced analog interconnects (one per channel)

 

Component Video Inputs and Outputs

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pr

 

Y

Pb

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CAUTION

 

 

 

 

 

 

 

 

 

 

 

 

C2 Controller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Input 1

 

 

 

 

 

 

 

 

 

 

 

 

 

Parasound Products, Inc.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

San Francisco, California, USA

 

 

 

 

 

 

 

Balanced Analog Audio Inputs

 

 

 

 

 

Balanced Analog Audio Outputs

 

 

 

 

 

 

 

 

 

 

 

 

Input 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Left

Right

Left

Right

Center

Subwoofer

Left Surround

Right Surround

Left Back

Right Back

 

Pro 1

 

 

 

 

 

 

Input 3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Output

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Red

 

Green

Blue

H

Sync

V

 

 

 

 

 

 

Coax

Digital Audio Inputs

 

 

 

 

 

 

 

 

Composite Video Inputs

Video Outputs

 

 

S-Video Inputs

 

 

S-Video Outputs

 

 

 

 

 

 

 

Made In

Expansion Port For

 

Video 1

Video 3

Video 5

Record

Zone

Video 1

Video 2

Video 3

Video 4

Video 5

Video 6

Record

Main

 

Coax 1

Coax 3

 

 

 

 

Finland

Future Technologies

 

 

 

 

 

 

 

 

 

Optical 1

Optical 3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Digital Out

 

 

 

 

External Control

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

RS-232 Control

IR Inputs

– 12V Triggers –

Video 2

Video 4

Video 6

OSD Main NoOSD

 

 

 

 

 

 

OSD

No OSD

Optical

Coax 2

Coax 4

Optical 2

Optical 4

 

 

 

Main

Zone

P1

P2 On-Off

Video 1

Video 2

Video 3

Video 4

Video 5

Video 6

Audio 1

Audio 2

Audio 3

Audio 4

Audio 5

Record 1 Record 2 Zone

Front

Surround

Center

Back

Front Surround

Center

Back

Pro 1

Pro 2

AC Power

 

L

 

 

 

 

 

 

 

 

L

 

 

 

 

 

 

 

 

 

 

 

 

 

1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

R

 

 

 

0

 

Play/In

Rec/Out

Sub

Pro 3

Pro 4

Analog Audio Inputs

Tape Monitor

Analog Audio Outputs

7.1 Analog Audio Inputs

Main Analog Audio Outputs

Programmable Out

 

 

 

 

2 CHANNEL AMPLIFIER

 

 

 

 

Outputs

 

 

 

 

Inputs

 

 

 

RIGHT SURROUND

RIGHT

 

 

 

BACK

 

 

RIGHT MAIN

SPEAKER

5 CHANNEL AMPLIFIER

 

SPEAKER

 

CHANNEL

 

 

 

POWERED

 

 

 

SPEAKER

 

 

 

SUBWOOFER

 

 

 

 

 

 

 

Inputs

 

 

 

 

Outputs

 

 

 

 

CENTER

 

 

 

 

CHANNEL

 

 

 

 

SPEAKER

 

 

 

 

TV-VIDEO

 

 

 

 

MONITOR

 

 

 

 

 

LEFT MAIN

 

 

 

 

CHANNEL

 

 

 

 

SPEAKER

 

LEFT

 

 

 

LEFT SURROUND

BACK

 

 

 

SPEAKER

SPEAKER

The basic home theater setup is 5.1 channels: Front (left and right), Surround (left and right) and Center (front), plus a subwoofer (the “.1” in the array). That’s sufficient for the Dolby Digital, and DTS soundtracks on most DVDs and the Dolby Surround soundtracks on most videocassettes, Laserdiscs, and broadcasts.

The two surround back channels are optional, as the diagram indicates. They are needed for optimum surround from 7.1-channel Dolby Digital Surround EX or DTS ES soundtracks and from 7.1-channel sources that use the 7.1-channel analog inputs. However, if you have surround back speakers, the C 1 will extract ambience information to feed them when you select the DTS Neo:6 Cinema or Neo:6 Music modes (which also work with non-DTS program material). If your system does not yet have surround back speakers, 7.1-channel soundtracks will be reproduced as regular 5.1-channel surround. As you can see from the diagram, if you start with a five-channel amp and want to expand your sys- tem later, you can add a stereo (two-channel) amp to drive the additional speakers.

Amplifier Alternatives

The amplifier setup shown above – a five-channel amplifier and an optional two-channel amp, both connected to the 7.1-channel unbalanced analog outputs -- is far from mandatory. A five- channel amplifier is convenient, compact, and cost-effective, a two-channel amp is a convenient way to add a pair of channels, and most amplifiers have unbalanced inputs.

If you own a two-channel amplifier that’s better or more powerful than your five-channel amplifi- er, we recommend you use it for the left and right front channels to assure the best possible sound when playing stereo music.

It would also be possible to use the balanced outputs on the C 1, as long as your amplifiers have balanced inputs. For powered subwoofers, unbalanced connections are commonly used, as few subwoofers have balanced input jacks.

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Parasound Halo C1 Controller manual Connecting the Audio and Video Outputs, Amplifier Alternatives

Halo C1 Controller specifications

The Parasound Halo C1 Controller emerges as a premium choice for audio enthusiasts seeking high-performance home theater solutions. This exceptional product combines innovative technology with user-friendly features, ensuring an unparalleled listening experience for both music and movie lovers.

At its core, the Halo C1 Controller serves as a powerful preamplifier and processor, designed to manage and control audio and video signals effectively. It is equipped with a balanced XLR input and multiple RCA inputs, allowing seamless integration with various audio sources. With support for high-resolution audio formats, including PCM and DSD, the Halo C1 delivers pristine sound quality that enhances the listening experience.

One of the defining characteristics of the Halo C1 is its advanced digital processing capabilities. The unit features Dolby Digital and DTS decoding, along with several proprietary audio technologies that elevate its performance. Its ability to upmix stereo signals into multi-channel formats contributes to an immersive surround sound experience, making it an ideal companion for both music playback and movie watching.

The Halo C1 also boasts an intuitive user interface, complete with an easy-to-navigate on-screen display. This feature simplifies the setup and configuration process, allowing users to personalize their audio experience to suit their preferences. For added convenience, the C1 supports remote control operation, enabling users to adjust settings without leaving their seats.

In terms of connectivity, the Halo C1 provides an impressive array of options. It includes HDMI inputs and outputs, ensuring compatibility with modern AV equipment and facilitating the transmission of high-definition video alongside high-fidelity audio. Additionally, it features variable and fixed outputs, making it adaptable for different system configurations.

Another standout feature of the Halo C1 is its robust power supply. The unit employs a toroidal transformer, ensuring clean and stable power delivery that translates into superior sound performance. This design choice minimizes power supply noise, which can adversely affect audio quality.

In conclusion, the Parasound Halo C1 Controller is a sophisticated and versatile audio solution that caters to both audiophiles and home theater enthusiasts. With its exceptional performance, advanced technology, and user-friendly features, the Halo C1 stands out as a key component for creating a high-quality audio and video experience in any home entertainment system. Its ability to adapt and enhance the listening experience makes it a worthy investment for anyone serious about sound quality.