6GETTING STARTED continued

The various types of video jacks (composite, S-Video, and component) use differing connector types, but the so-called “RCA” type used for composite video (simply labeled “Video” on the back panel) is also used for analog and digital audio. The RCA jacks on the C 1 are color-coded: red and white for right-and left-channel analog audio, yellow for composite video, black for digital inputs, and red for digital output; for the 7.1-channel inputs and outputs, the surround side chan- nel jacks are blue and gray, the center channel green, the subwoofer pink, and the surround back channels brown and tan.

(Note: Cables designed for analog audio do not work well for digital audio or for composite video, even though all three have the same type of plug; composite video and digital audio cables can, however, be substituted for each other if need be.)

Recorders require output as well as input connections. If a recorder is connected to the C 1’s Rec/Out jacks, its output should be fed to the Controller’s “Play/In” jacks. If you have a second recorder, connect its input to the “Record 1” or “Record 2” output jacks on the C 1.

If a source component has digital as well as analog audio outputs, you’ll get better sound quality by using its digital output, because the C 1 has truly superior digital-to-analog (as well as analog-to- digital) converters. Moreover, by using direct digital connections you avoid putting the signal through extra conversion stages (the digital-to-analog, or D/A, in your CD or DVD player and the analog-to-digital, or A/D, in the C 1). If you need to use the analog inputs on the C 1 (as you will for analog recording or for signals to be fed to a remote zone in your house), use both digital and analog connections between your player and the C 1.

For video connections, you’ll get better picture quality from S-Videothan composite video con- nections; signals from S-Video sources also appear at the composite video outputs but not vice versa. So, if you have both composite and S-Video signal sources, use both types of connection between the C 1 and your TV monitor.

S-Video plugs and jacks only fit together it they’re oriented identically–and this orientation is not standardized. The S-Video jacks on the C 1 are oriented as shown on views of the rear panel. Since the cables are thick and hard to twist, it pays to look at the end of the plug to make sure that it’s oriented the same way as the jack before you try inserting it.

If your source and your video monitor have component-videoconnections, which use three cables, you’ll get even better quality by using these connections (they’re compatible with HDTV signals); however, you’ll still have to use both component- and S-Video connections to your monitor, because the C 1 on-screen display is not sent to the component-video outputs, and VCRs don’t have component-video connections. If any of your monitors lack component-video inputs, you’ll have to use S-Video (or composite) connections from each of your sources.

Note that there are two sets of composite video and S-Video outputs, one with OSD (on-screen display) and one without. The one with OSD should be connected to a monitor in the same room as the C 1. If you have a large-screen or projection system, you might want to connect it to the S-Video output labeled “No OSD” so that your guests won’t have to see on-screen display mes- sages. Then install a second, small, TV, connected to the composite or S-Video “OSD” output jack so you can see the OSD.

If your amplifiers or other equipment accept a trigger signal, connect the C 1’s trigger outputs to them so that they will turn on whenever the C 1 does. The “IR” inputs let you control the C 1 from an infrared sensor in the second zone—or from a small infrared sensor in your main room, if you want to hide the C 1 inside a cabinet. (Note: If you use remote infrared sensors, make sure the remote beam cannot also reach the sensor on the C 1; the C 1 may not respond prop- erly to commands it receives from two sources at the same time.)

AC Connection and Power

The C 1 operates on 90 - 260 volts, so no voltage selector switch is necessary. Plug its power cord into an AC outlet that is always live (unswitched). The C 1 will not operate properly if it’s plugged in to an AC outlet that might be switched off. Next press “I” on its rear-panel AC Power switch. This will enable the C 1 to be turned on and off from its front-panel On-Off button or remote control On and Off buttons. The only time you might want to use the AC Power switch again is if you plan to be away for an extended time. (Note: Do not press “0” on the AC

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Parasound Halo C1 Controller manual Getting Started, AC Connection and Power

Halo C1 Controller specifications

The Parasound Halo C1 Controller emerges as a premium choice for audio enthusiasts seeking high-performance home theater solutions. This exceptional product combines innovative technology with user-friendly features, ensuring an unparalleled listening experience for both music and movie lovers.

At its core, the Halo C1 Controller serves as a powerful preamplifier and processor, designed to manage and control audio and video signals effectively. It is equipped with a balanced XLR input and multiple RCA inputs, allowing seamless integration with various audio sources. With support for high-resolution audio formats, including PCM and DSD, the Halo C1 delivers pristine sound quality that enhances the listening experience.

One of the defining characteristics of the Halo C1 is its advanced digital processing capabilities. The unit features Dolby Digital and DTS decoding, along with several proprietary audio technologies that elevate its performance. Its ability to upmix stereo signals into multi-channel formats contributes to an immersive surround sound experience, making it an ideal companion for both music playback and movie watching.

The Halo C1 also boasts an intuitive user interface, complete with an easy-to-navigate on-screen display. This feature simplifies the setup and configuration process, allowing users to personalize their audio experience to suit their preferences. For added convenience, the C1 supports remote control operation, enabling users to adjust settings without leaving their seats.

In terms of connectivity, the Halo C1 provides an impressive array of options. It includes HDMI inputs and outputs, ensuring compatibility with modern AV equipment and facilitating the transmission of high-definition video alongside high-fidelity audio. Additionally, it features variable and fixed outputs, making it adaptable for different system configurations.

Another standout feature of the Halo C1 is its robust power supply. The unit employs a toroidal transformer, ensuring clean and stable power delivery that translates into superior sound performance. This design choice minimizes power supply noise, which can adversely affect audio quality.

In conclusion, the Parasound Halo C1 Controller is a sophisticated and versatile audio solution that caters to both audiophiles and home theater enthusiasts. With its exceptional performance, advanced technology, and user-friendly features, the Halo C1 stands out as a key component for creating a high-quality audio and video experience in any home entertainment system. Its ability to adapt and enhance the listening experience makes it a worthy investment for anyone serious about sound quality.